Peril at End House. Агата Кристи
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view of them. From time to time the naval man’s laugh boomed out. He seemed a simple, likeable soul, and I had already taken a fancy to him.
My friend was silent and distrait during our meal. He crumbled his bread, made strange little ejaculations to himself and straightened everything on the table. I tried to talk, but meeting with no encouragement soon gave it up.
He continued to sit on at the table long after he had finished his cheese. As soon as the other party had left the room, however, he too rose to his feet. They were just settling themselves at a table in the lounge when Poirot marched up to them in his most military fashion, and addressed Nick directly.
‘Mademoiselle, may I crave one little word with you.’
The girl frowned. I realized her feelings clearly enough. She was afraid that this queer little foreigner was going to be a nuisance. I could not but sympathize with her, knowing how it must appear in her eyes. Rather unwillingly, she moved a few steps aside.
Almost immediately I saw an expression of surprise pass over her face at the low hurried words Poirot was uttering.
In the meantime, I was feeling rather awkward and ill at ease. Challenger with ready tact came to my rescue, offering me a cigarette and making some commonplace observation. We had taken each other’s measure and were inclined to be sympathetic to each other. I fancied that I was more his own kind than the man with whom he had been lunching. I now had the opportunity of observing the latter. A tall, fair, rather exquisite young man, with a rather fleshy nose and over-emphasized good looks. He had a supercilious manner and a tired drawl. There was a sleekness about him that I especially disliked.
Then I looked at the woman. She was sitting straight opposite me in a big chair and had just thrown off her hat. She was an unusual type—a weary Madonna describes it best. She had fair, almost colourless hair, parted in the middle and drawn straight down over her ears to a knot in the neck. Her face was dead white and emaciated—yet curiously attractive. Her eyes were very light grey with large pupils. She had a curious look of detachment. She was staring at me. Suddenly she spoke.
‘Sit down—till your friend has finished with Nick.’
She had an affected voice, languid and artificial—yet which had a curious attraction—a kind of resonant lingering beauty. She impressed me, I think, as the most tired person I had ever met. Tired in mind, not in body, as though she had found everything in the world to be empty and valueless.
‘Miss Buckley very kindly helped my friend when he twisted his ankle this morning,’ I explained as I accepted her offer.
‘So Nick said.’ Her eyes considered me, still detachedly. ‘Nothing wrong with his ankle now, is there?’
I felt myself blushing.
‘Just a momentary sprain,’ I explained.
‘Oh! well—I’m glad to hear Nick didn’t invent the whole thing. She’s the most heaven-sent little liar that ever existed, you know. Amazing—it’s quite a gift.’
I hardly knew what to say. My discomfiture seemed to amuse her.
‘She’s one of my oldest friends,’ she said, ‘and I always think loyalty’s such a tiresome virtue, don’t you? Principally practised by the Scots—like thrift and keeping the Sabbath. But Nick is a liar, isn’t she, Jim? That marvellous story about the brakes of the car—and Jim says there was nothing in it at all.’
The fair man said in a soft, rich voice:
‘I know something about cars.’
He half turned his head. Outside amongst other cars was a long, red car. It seemed longer and redder than any car could be. It had a long gleaming bonnet of polished metal. A super car!
‘Is that your car?’ I asked on a sudden impulse.
He nodded.
‘Yes.’
I had an insane desire to say, ‘It would be!’
Poirot rejoined us at that moment. I rose, he took me by the arm, gave a quick bow to the party, and drew me rapidly away.
‘It is arranged, my friend. We are to call on Mademoiselle at End House at half-past six. She will be returned from the motoring by then. Yes, yes, surely she will have returned—in safety.’
His face was anxious and his tone was worried.
‘What did you say to her?’
‘I asked her to accord me an interview—as soon as possible. She was a little unwilling—naturally. She thinks—I can see the thoughts passing through her mind: “Who is he—this little man? Is he the bounder, the upstart, the Moving Picture director?” If she could have refused she would—but it is difficult—asked like that on the spur of the moment it is easier to consent. She admits that she will be back by six-thirty. Ça y est!’
I remarked that that seemed to be all right then, but my remark met with little favour. Indeed Poirot was as jumpy as the proverbial cat. He walked about our sitting-room all the afternoon, murmuring to himself and ceaselessly rearranging and straightening the ornaments. When I spoke to him, he waved his hands and shook his head.
In the end we started out from the hotel at barely six o’clock.
‘It seems incredible,’ I remarked, as we descended the steps of the terrace. ‘To attempt to shoot anyone in a hotel garden. Only a madman would do such a thing.’
‘I disagree with you. Given one condition, it would be quite a reasonably safe affair. To begin with the garden is deserted. The people who come to hotels are like a flock of sheep. It is customary to sit on the terrace overlooking the bay—eh bien, so everyone sits on the terrace. Only, I who am an original, sit overlooking the garden. And even then, I saw nothing. There is plenty of cover, you observe—trees, groups of palms, flowering shrubs. Anyone could hide himself comfortably and be unobserved whilst he waited for Mademoiselle to pass this way. And she would come this way. To come round by the road from End House would be much longer. Mademoiselle Nick Buckley, she would be of those who are always late and taking the short cut!’
‘All the same, the risk was enormous. He might have been seen—and you can’t make shooting look like an accident.’
‘Not like an accident—no.’
‘What do you mean?’
‘Nothing—a little idea. I may or may not be justified. Leaving it aside for a moment, there is what I mentioned just now—an essential condition.’
‘Which is?’
‘Surely you can tell me, Hastings.’
‘I wouldn’t like to deprive you of the pleasure of being clever at my expense!’
‘Oh! the sarcasm! The irony! Well, what leaps to the eye is this: the motive cannot be obvious. If it were—why, then, truly the risk would indeed be too great to be taken! People would say: “I wonder if it were So-and-So. Where was So-and-So when the shot was fired?” No, the murderer—the would-be murderer, I should say—cannot be obvious. And that, Hastings is why I am afraid! Yes, at this minute I am afraid. I reassure myself. I say: “There are four of them.” I say: “Nothing can happen when they are all together.” I say: “It would be madness!” And all the time I am afraid. These “accidents”—I want to hear about them!’
He turned back abruptly.
‘It is still early. We will go the other way by the road. The garden has nothing to tell us. Let us inspect the orthodox approach to End House.’
Our way led out of the front gate of the hotel and up a sharp hill to the right. At the top of it was a small lane with a notice on the wall: ‘TO END HOUSE ONLY.’
We followed it and after a few hundred yards the lane gave an abrupt turn and ended in a pair of dilapidated entrance gates, which would have been the better for a coat of paint.
Inside