The Invisible Man. Герберт Уэллс
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Conrad is right: Griffin may be a genius but he is a foolish one. Having transformed himself into a vulnerable fugitive from his fellow man, he has no idea how to turn himself back. His only option, as he sees it, is to turn to a life of villainy, to use his power to deceive and dominate mankind. It has all gone to his head; when he is captured and beaten to death by the mob, his visibility returns, and his human weakness and mortality are revealed.
Paradise Lost
For all the dystopian horror of his most famous novels, Wells was, in his predictions for mankind’s future, an optimist – initially, at least. He felt at heart that humanity was on the brink of something wonderful. His 1901 work Anticipations of the Reaction of Mechanical and Scientific Progress upon Human Life and Thought set out a vision of the future in which warfare was obsolete, nations having synthesised into large peaceful blocs that treated one another with ‘intelligent sympathy’. He predicted that, by the end of the twentieth century, this social revolution would have forever assured ‘the final peace of the world’.
The First World War shook his belief, although Wells remained convinced that the reality of all-out warfare might yet sober mankind into long-term peace. In his Outline of History (1920), he defined human history as ‘more and more a race between education and catastrophe’, but predicted that progress would prevail, be it ‘clumsily or smoothly’.
By the outbreak of the Second World War – which he had predicted with eerie accuracy in his 1933 novel The Shape of Things to Come – Wells was less optimistic. It is apt that his final work, composed in 1945 and foreseeing the collapse and destruction of humanity, was entitled Mind at the End of Its Tether. He felt he had given ample warnings that had gone unheeded. Indeed, reflecting in 1941 on predictions he had made that had come horribly true, Wells suggested that his epitaph should simply read: ‘I told you so. You damned fools.’ When the end came, in 1946, his ashes were scattered at sea.
The stranger came early in February, one wintry day, through a biting wind and a driving snow, the last snowfall of the year, over the down, walking from Bramblehurst railway station, and carrying a little black portmanteau in his thickly gloved hand. He was wrapped up from head to foot, and the brim of his soft felt hat hid every inch of his face but the shiny tip of his nose; the snow had piled itself against his shoulders and chest, and added a white crest to the burden he carried. He staggered into the Coach and Horses more dead than alive, and flung his portmanteau down. “A fire,” he cried, “in the name of human charity! A room and a fire!” He stamped and shook the snow from off himself in the bar, and followed Mrs. Hall into her guest parlour to strike his bargain. And with that much introduction, that and a couple of sovereigns flung upon the table, he took up his quarters in the inn.
Mrs. Hall lit the fire and left him there while she went to prepare him a meal with her own hands. A guest to stop at Iping in the wintertime was an unheard-of piece of luck, let alone a guest who was no “haggler,” and she was resolved to show herself worthy of her good fortune. As soon as the bacon was well under way, and Millie, her lymphatic maid, had been brisked up a bit by a few deftly chosen expressions of contempt, she carried the cloth, plates, and glasses into the parlour and began to lay them with the utmost éclat. Although the fire was burning up briskly, she was surprised to see that her visitor still wore his hat and coat, standing with his back to her and staring out of the window at the falling snow in the yard. His gloved hands were clasped behind him, and he seemed to be lost in thought. She noticed that the melting snow that still sprinkled his shoulders dripped upon her carpet. “Can I take your hat and coat, sir?” she said, “and give them a good dry in the kitchen?”
“No,” he said without turning.
She was not sure she had heard him, and was about to repeat her question.
He turned his head and looked at her over his shoulder. “I prefer to keep them on,” he said with emphasis, and she noticed that he wore big blue spectacles with sidelights, and had a bushy side-whisker over his coat collar that completely hid his cheeks and face.
“Very well, sir,” she said. “As you like. In a bit the room will be warmer.”
He made no answer, and had turned his face away from her again, and Mrs. Hall, feeling that her conversational advances were ill-timed, laid the rest of the table things in a quick staccato and whisked out of the room. When she returned he was still standing there, like a man of stone, his back hunched, his collar turned up, his dripping hat brim turned down, hiding his face and ears completely. She put down the eggs and bacon with considerable emphasis, and called rather than said to him, “Your lunch is served, sir.”
“Thank you,” he said at the same time, and did not stir until she was closing the door. Then he swung round and approached the table with a certain eager quickness.
As she went behind the bar to the kitchen she heard a sound repeated at regular intervals. Chirk, chirk, chirk, it went, the sound of a spoon being rapidly whisked round a basin. “That girl!” she said. “There! I clean forgot it. It’s her being so long!” And while she herself finished mixing the mustard, she gave Millie a few verbal stabs for her excessive slowness. She had cooked the ham and eggs, laid the table, and done everything, while Millie (help indeed!) had only succeeded in delaying the mustard. And him a new guest and wanting to stay! Then she filled the mustard pot, and, putting it with a certain stateliness upon a gold and black tea tray, carried it into the parlour.
She rapped and entered promptly. As she did so her visitor moved quickly, so that she got but a glimpse of a white object disappearing behind the table. It would seem he was picking something from the floor. She rapped down the mustard pot on the table, and then she noticed the overcoat and hat had been taken off and put over a chair in front of the fire, and a pair of wet boots threatened rust to her steel fender. She went to these things resolutely. “I suppose I may have them to dry now,” she said in a voice that brooked no denial.
“Leave the hat,” said her visitor, in a muffled voice, and turning she saw he had raised his head and was sitting and looking at her.
For a moment she stood gaping at him, too surprised to speak.
He held a white cloth—it was a serviette he had brought with him—over the lower part of his face, so that his mouth and jaws were completely hidden, and that was the reason of his muffled voice. But it was not that which startled Mrs. Hall. It was the fact that all his forehead above his blue glasses was covered by a white bandage, and that another covered his ears, leaving not a scrap of his face exposed excepting only his pink, peaked nose. It was bright, pink, and shiny just as it had been at first. He wore a dark-brown velvet jacket with a high, black, linen-lined collar turned up about his neck. The thick black hair, escaping as it could below and between the cross bandages, projected in curious tails and horns, giving him the strangest appearance conceivable. This muffled and bandaged head was so unlike what she had anticipated, that for a moment she was rigid.
He did not remove the serviette, but remained holding it, as she saw now, with a brown gloved hand, and regarding her with his inscrutable blue glasses. “Leave the hat,” he said, speaking very distinctly through the white cloth.
Her nerves began to recover from the shock they had received. She placed the hat on the chair again by the fire. “I didn’t know, sir,” she began, “that—” and she stopped embarrassed.
“Thank you,” he said drily, glancing from her to the door and then at her again.
“I’ll have them nicely dried, sir, at once,” she said, and carried his clothes out of the room. She glanced at his white-swathed head and blue goggles again as she was going out of the door; but his napkin was still in front of his face. She shivered a little as she closed the door behind her, and her face was eloquent