Little Women. Луиза Мэй Олкотт
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to change the little bottle for a big one, and I gave all my money to get it, and I’m truly trying not to be selfish any more.’
As she spoke, Amy showed the handsome flask which replaced the cheap one; and looked so earnest and humble in her little effort to forget herself that Meg hugged her on the spot, and Jo pronounced her ‘a trump’, while Beth ran to the window and picked her finest rose to ornament the stately bottle.
‘You see, I felt ashamed of my present, after reading and talking about being good this morning, so I ran round the corner and changed it the minute I was up; and I’m so glad, for mine is the handsomest now.’
Another bang of the street door sent the basket under the sofa, and the girls to the table, eager for breakfast.
‘Merry Christmas, Marmee! Many of them! Thank you for our books; we read some, and mean to, every day,’ they cried, in chorus.
‘Merry Christmas, little daughters! I’m glad you began at once, and hope you will keep on. But I want to say one word before we sit down. Not far away from here lies a poor woman with a little new-born baby. Six children are huddled into one bed to keep from freezing, for they have no fire. There is nothing to eat over there; and the oldest boy came to tell me they were suffering hunger and cold. My girls, will you give them your breakfast as a Christmas present?’
They were all unusually hungry, having waited nearly an hour, and for a minute no one spoke; only a minute, for Jo exclaimed impetuously:
‘I’m so glad you came before we began!’
‘May I go and help carry the things to the poor little children?’ said Beth, eagerly.
‘I shall take the cream and the muffins,’ added Amy, heroically, giving up the articles she most liked.
Meg was already covering the buckwheats, and piling the bread into one big plate.
‘I thought you’d do it,’ said Mrs March, smiling as if satisfied. ‘You shall all go and help me, and when we come back we will have bread and milk for breakfast, and make it up at dinner-time.’
They were soon ready, and the procession set out. Fortunately it was early, and they went through back streets, so few people saw them, and no one laughed at the queer party.
A poor, bare, miserable room it was, with broken windows, no fire, ragged bed-clothes, a sick mother, wailing baby, and a group of pale, hungry children cuddled under one old quilt, trying to keep warm.
How the big eyes stared and blue lips smiled as the girls went in!
‘Ach, mein Gott! it is good angels come to us!’ said the poor woman, crying for joy.
‘Funny angels in hoods and mittens,’ said Jo, and set them laughing.
In a few minutes it really did seem as if kind spirits had been at work there. Hannah, who had carried wood, made a fire, and stopped up the broken panes with old hats and her own cloak. Mrs March gave the mother tea and gruel, and comforted her with promises of help, while she dressed the little baby as tenderly as if it had been her own. The girls, meantime, spread the table, set the children round the fire, and fed them like so many hungry birds – laughing, talking, and trying to understand the funny broken English.
‘Das ist gut!’ ‘Die Engelkinder!’ cried the poor things, as they ate, and warmed their purple hands at the comfortable blaze.
The girls had never been called angel children before, and thought it very agreeable, especially Jo, who had been considered a ‘Sancho’ ever since she was born. That was a very happy breakfast, though they didn’t get any of it; and when they went away, leaving comfort behind, I think there were not in all the city four merrier people than the hungry little girls who gave away their breakfasts and contented themselves with bread and milk on Christmas morning.
‘That’s loving our neighbour better than ourselves, and I like it,’ said Meg, as they set out their presents, while their mother was upstairs collecting clothes for the poor Hummels.
Not a very splendid show, but there was a great deal of love done up in the few little bundles; and the tall vase of red roses, white chrysanthemums, and trailing vines, which stood in the middle, gave quite an elegant air to the table.
‘She’s coming! Strike up, Beth! Open the door, Amy! Three cheers for Marmee!’ cried Jo, prancing about, while Meg went to conduct Mother to the seat of honour.
Beth played her gayest march, Amy threw open the door, and Meg enacted escort with great dignity. Mrs March was both surprised and touched; and smiled with her eyes full as she examined her presents, and read the little notes which accompanied them. The slippers went on at once, a new handkerchief was slipped into her pocket, well scented with Amy’s cologne, the rose was fastened in her bosom, and the nice gloves were pronounced a ‘perfect fit’.
There was a good deal of laughing and kissing and explaining, in the simple, loving fashion which makes these home festivals so pleasant at the time, so sweet to remember long afterwards, and then all fell to work.
The morning charities and ceremonies took so much time that the rest of the day was devoted to preparations for the evening festivities.
Not rich enough to afford any great outlay for private performances, the girls put their wits to work, and – necessity being the mother of invention – made whatever they needed. Very clever were some of their productions – pasteboard guitars, antique lamps made of old-fashioned butter-boats covered with silver paper, gorgeous robes of old cotton glittering with tin spangle from a pickle factory, and armour covered with the same useful diamond-shaped bits, left in the sheets when the lids of tin preserve-pots were cut out. The furniture was used to being turned topsy-turvy, and the big chamber was the scene of many innocent revels.
No gentlemen were admitted; so Jo played male parts to her heart’s content, and took immense satisfaction in a pair of russet-leather boots given her by a friend. These boots, an old foil, and a slashed doublet once used by an artist for some picture, were Jo’s chief treasures, and appeared on all occasions. The smallness of the company made it necessary for the two principal actors to take several parts apiece; and they certainly deserved some credit for the hard work they did in learning three or four different parts, whisking in and out of various costumes, and managing the stage besides. It was excellent drill for their memories, a harmless amusement, and employed many hours which otherwise would have been idle, lonely, or spent in less profitable society.
On Christmas night, a dozen girls piled on to the bed, which was the dress-circle, and sat before the blue and yellow chintz curtains in a most flattering state of expectancy. There was a good deal of rustling and whispering behind the curtain, a trifle of lamp-smoke, and an occasional giggle from Amy, who was apt to get hysterical in the excitement of the moment. Presently a bell sounded, the curtains flew apart, and the Operatic Tragedy began.
‘A gloomy wood’, according to the one play-bill, was represented by a few shrubs in pots, green baize on the floor, and a cave in the distance. This cave was made with a clothes-horse for a roof, bureaus for walls; and in it was a small furnace in full blast, with a black spot on it, and an old witch bending over it. The stage was dark, and the glow of the furnace had a fine effect, especially as real steam issued from the kettle when the witch took off the cover. A moment was allowed for the first thrill to subside; then Hugo, the villain, stalked in with a clanking sword at his side, a slouched hat, black beard, mysterious cloak, and the boots. After pacing to and fro in much agitation, he struck his forehead, and burst out in a wild strain, singing of his hatred to Roderigo, his love for Zara, and his pleasing resolution to kill the one and win the other. The gruff tones of Hugo’s voice, with an occasional shout when his feelings overcame him, were very impressive, and the audience applauded the moment he paused for breath. Bowing with the air of one accustomed to public praise, he stole to the cavern, and ordered Hagar to come forth with a commanding ‘What ho, minion! I need thee!’
Out came Meg, with grey horse-hair hanging about her face, a red and black robe, a staff, and cabbalistic signs upon her cloak. Hugo demanded a potion to make Zara adore