Middlemarch. Джордж Элиот
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for mortals must share the fashions of their time, and none but the ancients can be always classical. But Rosamond could also sing ‘Black-eyed Susan’ with effect, or Haydn’s canzonets, or ‘Voi, che sapete,’ or ‘Batti, batti’—she only wanted to know what her audience liked.
Her father looked round at the company, delighting in their admiration. Her mother sat, like a Niobe before her troubles, with her youngest little girl on her lap, softly beating the child’s hand up and down in time to the music. And Fred, notwithstanding his general scepticism about Rosy, listened to her music with perfect allegiance, wishing he could do the same thing on his flute. It was the pleasantest family party that Lydgate had seen since he came to Middlemarch. The Vincys had the readiness to enjoy, the rejection of all anxiety, and the belief in life as a merry lot, which made a house exceptional in most county towns at that time, when Evangelicalism had cast a certain suspicion as of plague-infection over the few amusements which survived in the provinces. At the Vincy’s there was always whist, and the card-tables stood ready now, making some of the company secretly impatient of the music. Before it ceased Mr Farebrother came in—a handsome, broad-chested but otherwise small man, about forty, whose black was very threadbare: the brilliancy was all in his quick gray eyes. He came like a pleasant change in the light, arresting little Louisa with fatherly nonsense as she was being led out of the room by Miss Morgan, greeting everybody with some special word, and seeming to condense more talk into ten minutes than had been held all through the evening. He claimed from Lydgate the fulfilment of a promise to come and see him. ‘I can’t let you off, you know, because I have some beetles to show you. We collectors feel an interest in every new man till he has seen all we have to show him.’
But soon he swerved to the whist-table, rubbing his hands and saying, ‘Come now, let us be serious! Mr Lydgate? not play? Ah! you are too young and light for this kind of thing.’
Lydgate said to himself that the clergyman whose abilities were so painful to Mr Bulstrode, appeared to have found an agreeable resort in this certainly not erudite household. He could half understand it: the good humour, the good looks of elder and younger, and the provision for passing the time without any labour of intelligence, might make the house beguiling to people who had no particular use for their odd hours.
Everything looked blooming and joyous except Miss Morgan, who was brown, dull, and resigned, and altogether, as Mrs Vincy often said, just the sort of person for a governess. Lydgate did not mean to pay many such visits himself. They were a wretched waste of the evenings; and now, when he had talked a little more to Rosamond, he meant to excuse himself and go.
‘You will not like us at Middlemarch, I feel sure.’ she said, when the whist-players were settled. ‘We are very stupid, and you have been used to something quite different.’
‘I suppose all country towns are pretty much alike,’ said Lydgate. ‘But I have noticed that one always believes one’s own town to be more stupid than any other. I have made up my mind to take Middlemarch as it comes, and shall be much obliged if the town will take me in the same way. I have certainly found some charms in it which are much greater than I had expected.’
‘You mean the rides towards Tipton and Lowick; every one is pleased with those,’ said Rosamond, with simplicity.
‘No, I mean something much nearer to me.’
Rosamond rose and reached her netting, and then said, ‘Do you care about dancing at all? I am not quite sure whether clever men ever dance.’
‘I would dance with you, if you would allow me.’
‘Oh!’ said Rosamond, with a slight deprecatory laugh. ‘I was only going to say that we sometimes have dancing, and I wanted to know whether you would feel insulted if you were asked to come.’
‘Not on the condition I mentioned.’
After this chat Lydgate thought that he was going, but on moving towards the whist-tables, he got interested in watching Mr Farebrother’s play, which was masterly, and also his face, which was a striking mixture of the shrewd and the mild. At ten o’clock supper was brought in (such were the customs of Middlemarch), and there was punch-drinking; but Mr Farebrother had only a glass of water. He was winning, but there seemed to be no reason why the renewal of rubbers should end, and Lydgate at last took his leave.
But as it was not eleven o’clock, he chose to walk in the brisk air towards the tower of St Botolph’s, Mr Farebrother’s church, which stood out dark, square, and massive against the starlight. It was the oldest church in Middlemarch; the living, however, was but a vicarage worth barely four hundred a year. Lydgate had heard that, and he wondered now whether Mr Farebrother cared about the money he won at cards; thinking, ‘He seems a very pleasant fellow, but Bulstrode may have his good reasons.’ Many things would be easier to Lydgate if it should turn out that Mr Bulstrode was generally justifiable. ‘What is his religious doctrine to me, if he carries some good notions along with it? One must use such brains as are to be found.’
These were actually Lydgate’s first meditations as he walked away from Mr Vincy’s, and on this ground I fear that many ladies will consider him hardly worthy of their attention. He thought of Rosamond and her music only in the second place; and though, when her turn came, he dwelt on the image of her for the rest of his walk, he felt no agitation, and had no sense that any new current had set into his life. He could not marry yet; he wished not to marry for several years; and therefore he was not ready to entertain the notion of being in love with a girl whom he happened to admire. He did admire Rosamond exceedingly; but that madness which had once beset him about Laure was not, he thought, likely to recur in relation to any other woman. Certainly, if falling in love had been at all in question, it would have been quite safe with a creature like this Miss Vincy, who had just the kind of intelligence one would desire in a woman—polished, refined, docile, lending itself to finish in all the delicacies of life, and enshrined in a body which expressed this with a force of demonstration that excluded the need for other evidence. Lydgate felt sure that if ever he married, his wife would have that feminine radiance, that distinctive womanhood which must be classed with flowers and music, that sort of beauty which by its very nature was virtuous, being moulded only for pure and delicate joys.
But since he did not mean to marry for the next five years—his more pressing business was to look into Louis’s new book on Fever, which he was specially interested in, because he had known Louis in Paris, and had followed many anatomical demonstrations in order to ascertain the specific differences of typhus and typhoid. He went home and read far into the smallest hour, bringing a much more testing vision of details and relations into this pathological study then he had ever thought it necessary to apply to the complexities of love and marriage, these being subjects on which he felt himself amply informed by literature, and that traditional wisdom which is handed down in the genial conversation of men. Whereas Fever had obscure conditions, and gave him that delightful labour of the imagination which is not mere arbitrariness, but the exercise of disciplined power—combining and constructing with the clearest eye for probabilities and the fullest obedience to knowledge; and then, in yet more energetic alliance with impartial Nature, standing aloof to invent tests by which to try its own work.
Many men have been praised as vividly imaginative on the strength of their profuseness in indifferent drawing or cheap narration:—reports of very poor talk going on in distant orbs; or portraits of Lucifer coming down on his bad errands as a large ugly man with bat’s wings and spurts of phosphorescence; or exaggerations of wantonness that seem to reflect life in a diseased dream. But these kinds of inspiration Lydgate regarded as rather vulgar and vinous compared with the imagination that reveals subtle actions inaccessible by any sort of lens, but tracked in that outer darkness through long pathways of necessary sequence by the inward light which is the last refinement of Energy, capable of bathing even the ethereal atoms in its ideally illuminated space. He for his part had tossed away all cheap inventions where ignorance finds itself able and at ease: he was enamoured of that arduous invention which is the very eye of research, provisionally framing its object and correcting it to more and more exactness of relation; he wanted to pierce the obscurity of those minute processes which prepare human misery and joy, those invisible thoroughfares which are the first lurking-places of anguish, mania, and crime,