Dead Man’s Folly. Агата Кристи
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make a terrific toilet and be as pleased about it as a child. Just fetch me a bundle of those pegs over there, will you? I want to mark the places for the clock golf numbers.’
Poirot, thus pressed into service, was worked by Mrs Masterton relentlessly, as a useful apprentice. She condescended to talk to him in the intervals of hard labour.
‘Got to do everything yourself, I find. Only way…By the way, you’re a friend of the Eliots, I believe?’
Poirot, after his long sojourn in England, comprehended that this was an indication of social recognition. Mrs Masterton was in fact saying: ‘Although a foreigner, I understand you are One of Us.’ She continued to chat in an intimate manner.
‘Nice to have Nasse lived in again. We were all so afraid it was going to be a hotel. You know what it is nowadays; one drives through the country and passes place after place with the board up “Guest House” or “Private Hotel” or “Hotel A.A. Fully Licensed.” All the houses one stayed in as a girl – or where one went to dances. Very sad. Yes, I’m glad about Nasse and so is poor dear Amy Folliat, of course. She’s had such a hard life – but never complains, I will say. Sir George has done wonders for Nasse – and not vulgarized it. Don’t know whether that’s the result of Amy Folliat’s influence – or whether it’s his own natural good taste. He has got quite good taste, you know. Very surprising in a man like that.’
‘He is not, I understand, one of the landed gentry?’ said Poirot cautiously.
‘He isn’t even really Sir George – was christened it, I understand. Took the idea from Lord George Sanger’s Circus, I suspect. Very amusing really. Of course we never let on. Rich men must be allowed their little snobberies, don’t you agree? The funny thing is that in spite of his origins George Stubbs would go down perfectly well anywhere. He’s a throwback. Pure type of the eighteenth-century country squire. Good blood in him, I’d say. Father a gent and mother a barmaid, is my guess.’
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