The Present: The must-read Christmas romance of the year!. Charlotte Phillips
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‘What’s the rush?’ he said. ‘The place isn’t even on the market yet. I mean, I might be missing the point, but if she’s moving in with you when she comes out of hospital, does it really matter if it takes a few months to sort this place out?
‘Rod wants to get it on the market as soon as possible,’ she said. ‘Once Gran comes out of hospital, which I really hope is in time for Christmas, she’s going to need me a lot, and I won’t have time to sort through all this stuff. There are people you can pay to come in and do it all for you, house clearance, it’s called. Rod suggested it, but I don’t want just anyone going through her things. I mean, don’t get me wrong, probably 90 per cent of the stuff up in that attic is just fit for the tip, but there might be things that are important to her, that she will want to keep.’ She paused. ‘That I will want to keep.’
That one sentence made it clear that sorting through this place was as much about her coming to terms with letting Gran go as it was about the house, and he could understand that need well enough. Before he knew what he was doing he was offering.
‘I can help you with anything you want over the next day or so. I know I’ve got this to-do list anyway, but that’s mainly painting, sorting out any wood that’s rotten or needs replacing, that kind of thing. I’m going to be around. I can help you bring stuff down from the loft if you like, help sort through the shed—’
‘Oh, bloody hell, I’d forgotten the shed!’ she said, clapping a hand against her forehead. ‘I bet that’s full of stuff too. Grandad’s been gone ten years, and it was his hangout. I don’t think I’ve ever known Gran go in there since.’
‘It’s not too bad,’ he lied, knowing perfectly well it was stacked with boxes of tools, gardening rubbish, and old golf clubs that dated back years, but not wanting to add to the stress. He brought his own tools and equipment on the van, so rarely needed to venture in there.
To distract her, he picked the wooden box up from the corner of the worktop where he’d dumped it on the way into the room. It was covered in dust, rectangular, and fairly shallow, with a curved wooden lid that hinged at the back. It looked like the kind of wooden box that might contain an engraved plate, or perhaps a set of cutlery, or crystal glasses.
‘Want to check this out then, before you rush off and crash back through the attic?’ he said, setting it down in front of her. ‘Since it nearly cost you your leg.’
The box! She had almost forgotten it. She sat up. A chat to Jack, and now the stress of the clear-out felt vaguely more manageable. At least she knew she had some muscle she could call on if push came to shove and she ran out of time hefting stuff down from the attic. She blew the dust off the lid in a sneeze-worthy cloud, then followed it with a swipe of her hand, revealing highly polished wood, the colour and mellow glow of a conker. A carved border of holly sprigs edged the lid. Her stomach gave a tiny twist of excitement, and she automatically took a deep breath as she opened it, not having the faintest idea what might be inside. This must be a taste (though on a much more minor scale, obviously) of how it felt when someone gave you a box that could only contain a ring. She could only guess at that feeling, not having received a proposal from Rod yet. That particular event was earmarked in their general life plan to take place after and not before he achieved partnership at his accountancy firm. Partnership itself was targeted at thirty-five, so she probably had a couple more years to wait, although there was always the possibility of it being moved forward if events happened earlier than expected. The wait didn’t matter. The certainty was enough.
The inside of the box was divided up into twelve squares, and in each square nestled a paper- wrapped package. All except for one square in the middle, that one was empty. Tucked inside the lid was a blank envelope, cream coloured, the edges dog-eared and creased as if it had been opened many times. She carefully extracted a thin sheet of paper, smoothed it out.
‘It’s a letter,’ she said, frowning. It was handwritten in faded black ink, a sloping script. She read aloud:
On the first day of Christmas, my true love sent to me …
That’s how the song goes, and you, Olive, are my true love. Words can’t describe how much it pains me to be called away now, when all I want is to spend every minute of every day with you, my darling.
I am not leaving you though, not really, and to prove to you that even though the world we are in today is full of uncertainties and horrors, I am yours.
For every day of these twelve days of Christmas, I am sending you a present, a part of me, to keep with you for ever, whatever may happen. Look out for their arrival, and know how loved you are. How I am thinking of you this Christmas and for all the days of my life.
J
Curiosity flying now, she scooped one of the packages out with her fingertips. The paper wrapping was tissue thin, perhaps ivory at one point, but now a little yellowed with age. She unpeeled the layers carefully and stared. Lying in her palm was a tiny, elaborately decorated pale green glass ball with two tiny painted birds perched on the top. She could tell just from the smoky opaqueness of the glass and the muted tones of the paint that it was old. A loop of thin, faded gold ribbon was attached to the top. The holly inlay on the lid made sudden sense.
‘It’s a Christmas decoration,’ she said, glancing up at Jack. ‘For the tree. At least I think that’s what it is. I’ve never seen this box before. I mean, I’ve spent probably twenty out of thirty Christmases in this house, and I’ve never once seen it. It’s beautiful. Why on earth was it shoved away up in the attic?’
She turned the box around to show him.
‘What’s this?’ He pulled a slip of paper from the pile of tissue wrapping. It had the same faded black slanted handwriting. He gave it to her.
‘It’s a note,’ she said, putting the glass ball down very carefully on the table and smoothing the piece of paper out flat. ‘“Olive. Remember that sunrise when the new day was ours, how we listened to the birdsong. We are stronger than any time or distance.” That’s gorgeous. What do you think it means?’
‘There’s a date there,’ he said, pointing to the corner of the paper.
She followed his gaze. ‘Twenty-fourth December 1944,’ she read, and looked up at Jack, her mind working. ‘During the war.’ She flapped a hand at him and kicked the chair out opposite her. ‘Come and help me. Unwrap another.’ House clearance and cut leg were completely forgotten in her curiosity. That all-encompassing determination to investigate the living daylights out of this that she rarely felt these days, because working on a local paper meant she didn’t often get to cover anything more interesting than duck races and local fetes.
She lifted another package from the box, and peeled back the paper layers. Jack sat down at the table and did the same. This time a tiny wooden drum sat in the palm of her hand, its faded paint red, gold, and green.
‘This one’s from December the thirteenth, 1944,’ she said, checking the date. She could hear the excitement in her voice. ‘Listen to this, “On this first day of Christmas, do not settle for what is within reach, my Olive. I carry you with me in my heart on this day and every day, no matter how far away I am. I will return. Believe in me.”’
Her heart twisted in her chest. Oh, the bloody delicious romance of it.
‘Look at this one.’
Jack held up a delicate green glass pear, perfect in every way, right down to the tiny painted leaf and stalk on the top. She took it from him and held it up to the light. It twisted this way and that, suspended from the ribbon. The glass was thin and flawless.
He picked up the drum and turned it in his fingers.
‘The carving on this is really perfect,’ he said, frowning.