Silent In The Grave. Deanna Raybourn
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bit of a different situation, I think,” I put in, remembering her aging, infirm husband. “It was a merciful release when Bettiscombe passed away. He’d been malingering for years.”
“So had Edward,” she said, a trifle acidly. “We both married sickly men, my darling. The only difference was that we all thought Bettiscombe was hypochondriacal.”
He had been, poor thing. Always taking his temperature and palpating his pulse. He had been forty-five when Portia married him, and he had seemed robust enough at the time. We all thought his throat drops and chest plasters a charming affectation. But during their first winter together at his home in Norfolk, he had taken a chill and promptly died, leaving Portia a rich widow of twenty.
Of course, Portia was not quite as distraught as she might have been. In London, Bettiscombe had been charming and waggish, ready for any jape, so long as he was well wrapped against draughts. In the country, he was a perfect mouse, rising at six and retiring by eight. He fretted over everything without the whirl of London distraction, and had left Portia too often in the company of his spinster cousin and poor relation, Jane. He died before the true nature of their relationship became apparent, and Portia lost no time in returning to London and bringing dear Jane with her to set up house together in the elegant town house Bettiscombe had left her. I knew my widowhood should not prove half so interesting to my family as Portia’s had.
“But you must have felt a tiny prickle of guilt,” I prodded her. Portia frowned. She never liked to be reminded of things she had tucked neatly away.
“Not guilt, not precisely,” she said slowly. “It was rather more complicated than that. But I had my sweet Jane for compensation. And I think you would do rather better if you counted your own advantages rather than mooning about trying to convince yourself that you have lost your one true love.”
“Portia, that is unspeakably cruel.”
Her eyes were sympathetic, but her manner was brisk. “I know that you wish to mourn Edward. He was a lovely person and we were all quite fond of him. But the man you buried was not the child you played with. Do not make the mistake of climbing into his grave and forgetting to live the rest of your life.”
My fingers were cramping and I realized that my hands were clenched. I rose. “Portia, I do not wish to speak of this now. Not to you, not to anyone. I shall conduct myself as I see fit, not to please you or Father or anyone else,” I finished grandly. I swept to the door.
“Hoorah,” she said softly, still not moving from Mother’s chair. “The little mouse is beginning to roar.”
I slammed the door behind me.
I spent the rest of the day in a high sulk, pouting about the evil treatment I had received at my sister’s hands and trying not to think about the possibility that she might have been correct. Edward had been my friend and companion when we were children together in Sussex. Our fathers’ estates had marched together, and Edward and his young cousin, Simon, had often joined in our games and theatricals and expeditions about the countryside. Like all of my sisters, I had come out into society, but I alone had held myself aloof from the few timid advances that had come my way. I suppose, having been raised on stories of knightly adventures and chivalric endeavors, I had been waiting for my very own storybook hero. But it seemed rather heroic when Edward left off of squiring some lissome beauty about the dance floor and came to sip punch with me where I sat by the potted palms. I was not like the other girls; I had no frivolous conversation or pretty tricks to win suitors. I had forthrightness and plainspoken manners. I had a good mind and a sharp tongue, and I was cruel enough to use them as weapons to keep the cads and rogues at bay. As for the young men I might have liked to partner me, I was far better at repelling than attracting. I did not swoon or carry a vinaigrette or turn squeamish at the mention of spiders. Father had raised us to scorn such feminine deceptions. Like my brothers, I wanted to talk about good books and urgent politics, new ideas and foreign places. But the young men I met did not like that. They wanted pretty dolls with silvery giggles and empty heads.
All except Edward. He always seemed perfectly content to sit with me, or even dance with me at considerable risk to his toes. We talked for hours of things other young men would never discuss. People began to talk, linking our names in gossip, and finally, during one particularly painful waltz, Edward smiled down at me and asked me to marry him.
I thought about it for a week. I considered hard whether or not I even wanted to marry. Father said little, but pointed me to the shelf in his library where he housed John Stuart Mill, Mary Wollstonecraft and even, shockingly, some Annie Besant. It was highly discouraging. There were few advantages to marriage for a woman. But there were fewer advantages to spinsterhood. I had already grown tired of the careful whispers behind the fans and the avid eyes that followed me. I was certain that they were saying that I was not the beauty my sisters were, that I would not marry as well as they. Those whispers and glances would follow me the rest of my life if I did not marry, speculating on what frightfulness of mine had driven away any potential suitors. I could not bear that. I was already conscious of how much we were talked about, of how amusing we were to society and how closely to the pale of respectability we walked. Only Father’s close association with the queen and the very ancientness of our lineage preserved us from becoming a complete joke. What I longed for most was normalcy—a quiet, average marriage in an unremarkable home where I could raise my perfectly normal children. That notion was more seductive to me than diamonds. And as a married woman I could travel more easily, have male friends without exciting suspicion, have my own home away from a family that was as maddening as they were delightful. A bit of quiet space to call my own, that is what marriage represented to me.
So I accepted Edward on a chilly night early in spring. Father gave his blessing with the proviso that I spend the summer accompanying Aunt Cressida on her travels. It was the only thing he asked of me, and Edward agreed readily enough. He spent the summer with friends in Sussex while I toured the Lake District with a cranky old woman and her assorted cats. Edward and I were married that December in London. I think I was a happy bride. All I could ever remember afterward were the terrible nerves. I dropped things—my bouquet, the pen for the register—and as I came out of the church, I heard a rooster crow, very bad luck for a bride on her wedding day. For a moment I wondered if it was indeed an omen. But then I looked up into Edward’s smiling face and I realized how foolish I was. Edward was my friend, my childhood companion. He was no stranger to me. How could I fear marriage to him?
In the end, there was nothing to fear. No great tragedies. Just the small troubles, the little tragedies that can dull a marriage and cause it to fray. We had no child, Edward’s health began to fail, we began to follow our own pursuits and spent less and less time together. Edward was pernickety, something I had noted before, but never considered in the context of our life together. It meant that things must be just so for him to be happy. The decoration of the house, the cut of my clothes, the folding of the towels, the laying of the table. I laughed at first and tried to jolly him out of it, but he grew stubborn, and after a while I realized it was easier to let him have his way. The house was kept the way he liked it, my clothes were ordered from his dead mother’s dressmaker, in colours he favored that I knew suited me not at all. But it made him happy, and I cared so little. It was easy to convince myself that these things did not matter. We had been married a few years by the time I caught a glimpse of myself in the glass and realized I did not know my own reflection. I was losing myself a bit at a time, and I did not know how to get it back. My only refuge was my study, where I kept my favorite books and furniture discarded from my father’s homes. In that room I wore an old dressing gown that Edward detested. He learned not to come there, and I learned to lock myself in when I needed to feel like Julia March again, if only for a little while. It was my little den, my nest of comforts for when I felt unruly and savage and found myself itching to rebel against the normality I had thought I wanted. I went there and calmed myself and found peace in letting him have his way yet again. I was always afraid that if I stood my ground, if I argued for scarlet gowns or purple velvet draperies, I would slip too far down the path toward the very thing I was trying to avoid. There was too much colour in being a March, and Edward, with my willing assistance, did all that he could to paint my life beige.
I think,