Green Mars. Kim Stanley Robinson

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Green Mars - Kim Stanley Robinson


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life when they drafted him and sent him to Mars.

      The summons came in the form of a fax which appeared out of his phone, in the apartment Art Randolph had rented just the month before, after he and his wife had decided on a trial separation. The fax was brief: Dear Arthur Randolph: William Fort invites you to attend a private seminar. A plane will leave San Francisco airport at 9 a.m., February 22nd 2101.

      Art stared at the paper in amazement. William Fort was the founder of Praxis, the transnational that had acquired Art’s company some years before. Fort was very old, and now his position in the transnat was said to be some kind of semi-retired emeritus thing. But he still held private seminars, which were notorious although there was very little hard information about them. It was said that he invited people from all subsidiaries of the transnat; that they gathered in San Francisco, and were flown away by private jet to somewhere secret. No one knew what went on there. People who attended were usually transferred afterward, and if not, they kept their mouths shut in a way that gave one pause. So it was a mystery.

      Art was surprised to be invited, apprehensive but basically pleased. Before its acquisition he had been the co-founder and technical director of a small company called Dumpmines, which was in the business of digging up and processing old landfills, recovering the valuable materials that had been thrown away in a more wasteful age. It had been a surprise when Praxis had acquired them, a very pleasant surprise, as everyone in Dumpmines went from employment in a small firm, to apprentice membership in one of the richest organisations in the world—paid in its shares, voting on its policy, free to use all its resources. It was like being knighted.

      Art certainly had been pleased, and so had his wife, although she had been elegiac as well. She herself had been hired by Mitsubishi’s synthesis management, and the big transnationals, she said, were like separate worlds. With the two of them working for different ones they were inevitably going to drift apart, even more than they already had. Neither of them needed the other any more to obtain longevity treatments, which transnats provided much more reliably than the government. And so they were like people on different ships, she said, sailing out of San Francisco Bay in different directions. Like ships, in fact, passing in the night.

      It had seemed to Art that they might have been able to commute between ships, if his wife had not been so interested in one of the other passengers on hers, a vice-chairman of Mitsubishi in charge of East Pacific development. But Art had been quickly caught up in Praxis’s arbitration programme, travelling frequently to take classes or arbitrate in disputes between various small Praxis subsidiaries involved in resource recovery, and when he was in San Francisco, Sharon was very seldom at home. Their ships were moving out of hailing distance, she had said, and he had become too demoralised to contest the point, and had moved out soon afterward, on her suggestion. Kicked out, one could have said.

      Now he rubbed a swarthy unshaven jaw, re-reading the fax for the fourth time. He was a big man, powerfully built but with a tendency to slouch— “uncouth” his wife had called him, although his secretary at Dumpmines used the term “bearlike”, which he preferred. Indeed he had the somewhat clumsy and shambling appearance of a bear, also its surprising quickness and power. He had been a fullback at the University of Washington, a fullback slow of foot but decisive in direction, and very difficult to bring down. Bear Man, they had called him. Tackle him at your peril.

      He had studied engineering, and afterward worked in the oilfields of Iran and Georgia, devising a number of innovations for extracting oil from extremely marginal shale. He had got a master’s degree from Tehran University while doing this work, and then had moved to California and joined a friend who was forming a company that made deep-sea diving equipment used in offshore oil drilling, an enterprise which was moving out into ever-deeper water as more accessible supplies were exhausted. Once again Art had invented a number of improvements in both diving gear and underwater drills, but a couple of years spent in compression chambers and on the continental shelf had been enough for him, and he had sold his shares to his partner and moved on again. In quick succession he had started a cold environments habitat construction company, worked for a solar panel firm, and built rocket gantries. Each job had been fine, but as time passed he had found that what really interested him were not the technical problems but the human ones. He became more and more involved with project management, and then got into arbitration; he liked jumping into arguments and solving them to everyone’s mutual satisfaction. It was engineering of a different kind, more engrossing and fulfilling than the mechanical stuff, and more difficult. Several of the companies he worked for in those years were part of transnationals, and he got embroiled in interface arbitration not only between his companies and others in the transnats, but also in more distant disputes requiring some kind of third party arbitration. Social engineering, he called it, and found it fascinating.

      So when starting Dumpmines he had taken the technical directorship, and had done some good work on their SuperRathjes, the giant robot vehicles that did the extraction and sorting at the landfills; but more than ever before he involved himself in labour disputes and the like. This trend in his career had accelerated after the acquisition by Praxis. And on the days when work like that went well, he always went home knowing that he should have been a judge, or a diplomat. Yes—at heart he was a diplomat.

      Which made it embarrassing that he had not been able to negotiate a successful outcome to his own marriage. And no doubt the break-up was well-known to Fort, or whoever had invited him to this seminar. It was even possible that they had bugged his old apartment, and heard the unhappy mess of his and Susan’s final months together, which wouldn’t have been flattering to either of them. He cringed at the thought, still rubbing his rough jaw, and drifted toward the bathroom and turned on the portable hot water heater. The face in the mirror looked mildly stunned. Unshaven, fifty, separated, mis-employed for most of his life, just beginning at his true calling—he was not the kind of person that he imagined got faxes from William Fort.

      His wife or ex-wife-to-be called, and she was likewise incredulous. “It must be a mistake,” she said when Art told her about it.

      She had called about one of her camera lenses, now missing; she suspected that Art had taken it when he moved out. “I’ll look for it,” Art said. He went over to the closet to look in his two suitcases, still unpacked. He knew the lens was not in them, but he rooted loudly through them both anyway. Sharon would know if he tried to fake it. While he searched she continued to talk over the phone, her voice echoing tinnily through the empty apartment. “It just shows how weird that Fort is. You’ll go to some Shangri-La and he’ll be using kleenex boxes for shoes and talking Japanese, and you’ll be sorting his trash and learning to levitate and I’ll never see you again. Did you find it?”

      “No. It’s not here.” When they had separated they had divided their joint possessions: Sharon had taken their apartment, the entertainment centre, the desktop array, the lectern, the cameras, the plants, the bed, and all the rest of the furniture; Art had taken the teflon frying pan. Not one of his best arbitrations. But it meant he now had very few places to search for the lens.

      Sharon could make a single sigh into a comprehensive accusation. “They’ll teach you Japanese, and we’ll never see you again. What could William Fort want with you?”

      “Marriage counselling?” Art said.

      Many of the rumours about Fort’s seminars turned out to be true, which Art found amazing. At San Francisco International he got on a big powerful private jet with six other men and women, and after takeoff the jet’s windows, apparently double polarised, went black, and the door to the cockpit was closed. Two of Art’s fellow passengers played at orienteering, and after the jet made several gentle banks left and right, they agreed that they were headed some direction between southwest and north. The seven of them shared information: they were all technical managers or arbitrators from the vast network of Praxis companies. They had flown in to San Francisco from all over the world. Some seemed excited to be invited to meet the transnational’s reclusive founder; others were apprehensive.

      Their flight lasted six hours, and the orienteers spent the descent plotting the outermost limit of their location, a circle that encompassed Juneau, Hawaii, Mexico City and Detroit, although it could have been larger, as Art pointed out, if they were in one of the


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