The Ones We Trust. Kimberly Belle
Читать онлайн книгу.
He shakes my hand, and a surge of solidarity for this stranger-who’s-not-quite-a-stranger spreads over my skin. I want to tell him I get it. I understand how one person’s death can tilt your entire world into a tailspin, how it can make you reevaluate your life and send you scurrying for a dead-end job in a dusty hardware store, how that one choice, that one event, that one split second can change everything.
Instead, I tell him goodbye, shove the gear stick into Reverse and point my car toward home.
The good thing about renovating a master bathroom yourself is that it takes loads of time. Six to eight weeks, including demolition and drying, so says the internet, and if there’s one thing I’ve had since Maria, it’s oceans and oceans of time.
It’s not that I’m overqualified for my current position as content curator for the nation’s leading health care website, though I most definitely am. My job is a forty-hour-per-week slog that, on my worst weeks, I can wrap up in less than half that time. Yes, I’m capable of so much more, but I can’t seem to muster up the energy to care. Content curation pays the bills and, as far as I know, has never killed a single soul.
It’s funny. Back when I was working—really working—as a journalist, there was no such thing as free time. When I wasn’t writing or researching or following leads, I was thinking about my next story. In the shower, on the water, during one of my mad sprints through the grocery store. Even my vacations, by definition a break from the daily grind, were not idle, and they were never long. Stolen snippets here and there, half days and federally mandated holidays, spent rowing or climbing or hiking through some forest somewhere, my mind tripping over ideas for my next piece. The harder I pushed myself, the faster my creative juices flowed. I didn’t have time to stop moving. Time is money. Time waits for no one. There’s never enough time in the day.
Now, though, I have more than enough to cart in all the bathroom supplies from Handyman, organize them by the order in which the internet tells me I will need them, line everything along the wall of the upstairs hallway and still be a good fifteen minutes early for my mid-afternoon skim latte date in Georgetown—even though I know it’s just not in Mandy’s DNA to arrive anywhere when she says she will. She pulls up at thirteen minutes past three, just as I’m settling onto a sidewalk terrace chair with two fresh drinks, my second and her first.
“Sorry I’m late,” she calls from across the street. “Client meeting ran way over, but the good news is, I knocked their sixty-dollar argyle socks off.”
“Come on. Socks don’t cost sixty dollars.”
“Not exactly the point here. The point here is—” an SUV whizzes by, stirring up the early-September air with the first of the fallen leaves, and Mandy disappears behind it, reappearing a second or two later with a wide grin “—they loved me. They gave me the job.”
She steps off the curb without checking traffic, without making sure the drivers have slammed their brakes and their tires have screeched to a complete halt. Which they do, of course. Mandy is the human version of Jessica Rabbit, a rowdy redhead with Bambi eyes and bee-stung lips who favors skintight jeans, high heels and flowy, flowery blouses. Stopping traffic is her superpower. There’s not a man on the planet who gets annoyed at the sight of her jaywalking across four lanes of city traffic as she’s doing now.
“She’s happily married,” I say loudly enough so that the one closest to me, a Paul Bunyan type in a minivan, hears me through his open window. He responds by leaning into the dash to get a better look at her ass.
She collapses onto the seat next to me, snatches up her cup from the table. “Did you hear me? Honeymoon Channel wants me to redesign their app. It’s a big deal, Abby. You should be thrilled.”
“I am thrilled for you.”
“Be thrilled for us.” She lifts her drink in a toast, then pauses for a long pull. “I sold your services, too.”
“I already have a job, remember?”
If she rolls her eyes, she’s considerate enough to do it behind her mirrored sunglasses. After Chelsea died, Mandy made no secret of her disgust with my decision to shove my press pass to the back of a drawer, and she’s spent the past three years encouraging me, rather loudly and relentlessly, to get back in there. To write something good, something meaningful, do something more exciting than my current drudgery.
But what Mandy can’t seem to understand is, there’s no shelf life on guilt. Someone died because of me, because of words I wrote. Just because I wasn’t the one to pull the proverbial trigger doesn’t mean I wasn’t to blame. Words, even when they’re carefully crafted, can be just as deadly as a bullet.
“Come on, Abigail.” Mandy shoves her glasses to the top of her head and leans into the table. “I’ve seen your day planner. You row until mid-morning, you take weekly martini lunches—”
“I take them with you.”
She waves off my rebuttal with a manicured hand. “Not the point. My point is, you can do your job in your sleep. In fact, I’m pretty sure you’ve done your job in your sleep, and more than once. You have plenty of time for the one I’m offering.”
I shake my head, confused. Mandy is a technological genius who peppers her sentences with terms like HTML and search engine optimization and JavaScript. Half the time, I have no idea what she’s talking about. Why would she hire me for anything?
“I know nothing about apps,” I tell her, “except how to order pizza off them.”
“No, but you know about writing.” When I don’t respond, she cranks up her pitch a notch or two. “Have I mentioned it’s for the Honeymoon Channel? We’re talking beaches and cruises and European getaways. How is that going to harm anyone, except maybe with jet lag or a sunburn?”
“That’s not the point, and you know it.”
She sighs. “I know, I know. Your muse has vanished, your well’s run dry. But surely you have enough talent still lurking in there somewhere to spit up a few thousand words of catchy advertising copy.”
I turn and stare down the street, not eager to rehash this stale argument—yet again—with my well-meaning best friend. No matter how many times I’ve told her, she refuses to believe my not writing is so much more than just me missing my muse. It’s that I can’t. What happened with Chelsea didn’t just mess me up mentally but also physically. I know this because for the past three years, every time I sit down at a blank computer screen or pick up a pen and paper, my fingers freeze up. My brain shorts out. The words are piled up somewhere deep inside of me, but they refuse to come out to play.
If anything, I’d always thought it would have been Maria. After all those pictures hit the internet, I’d obsessed about her welfare. Did she find another job? Had she made friends, come out of the closet, settled into a normal life? Was she living on the streets? But Maria had gone dark. Her phone was disconnected, her apartment empty, her email address unrecognized.
And then Chelsea surprised everyone by tying a noose around her neck and dangling herself from the showerhead—not an easy task, considering she had to rig the rope just right to support her weight and keep her knees bent as the oxygen stopped flowing to her brain. But she succeeded, and while the rest of the world shook their heads in compassion or tsked their tongues in holier-than-thou judgment, a chain of two words repeated in an endless loop through my brain. My fault—my fault—my fault.
And because Mandy knows me better than just about anyone, she heard them, too.
“Abigail, repeat after me,” Mandy said when I called to tell her the news, now coming up on three years ago. “I am not responsible for Chelsea Vogel’s death.”
“My phone and email are blowing up with people, my freaking colleagues, asking me how her death makes me feel.”