When the Lights Go Down. Amy Jo Cousins
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locked on the saw.
At which point it became clear that his knowledge of shop and/or hand tools was severely lacking. Because even as he considered shouting a warning to the two brain-drains, he realized that he wouldn’t know what to say.
Look out! She’s got a...saw?
Buzz saw?
Circular saw?
A thing in her hand that’s smaller than your head but will undoubtedly be able to take it off at the neck?
By now, the guys had grasped the danger of the situation and shifted to either side of his car, backing up with their hands raised in the air.
Good job, boys. Two targets are better than one.
But as they inched down the length of his car, the saw-wielding Andy Warhol model stalked toward them, her tool-cum-weapon lining up precisely with his Mercedes’ trisected ornament at the front of the hood. The relationship he’d developed with his mechanic over the two years it had taken to restore this car to its youthful glory had been long and intimate and much like a marriage.
Returning the car to the garage with a large hole chopped in its hood would result in a messy divorce, particularly after he tried to explain about the blonde, the boots and the saw.
But the icy blonde had stopped, thank god, at the foot of his car. She shook the buzzing saw at the two men who were standing like captured criminals on either side of his car. Then she whirled around, stomped to the back of the van and ran the saw neatly through the stack of lumber. Wood blocks thunked to the pavement as the saw bit through each two-by-four. At the bottom of the pile, she slowed her progress, the muscles of her arms straining as she controlled the descent of the saw through the wood with delicate skill, until the last piece was neatly trimmed.
When she shut off the saw, the sudden silence was deafening. She slammed the rear doors of the van shut, crossed one pompom-ed boot in front of the other and took a bow.
Then she turned, popped the saw on her shoulder like it was an idle baseball bat, and walked back the way she’d come.
Applause erupted from the lunatics beside his car—hoots and hollers and a “Way to remember safety first, boss!” upon which the go-go girl turned and tapped her enormous, white-framed sunglasses. She grinned at them.
“Next time it’s your heads, boys.”
The voice that emerged from that compact little body was surprisingly low and throaty. It vibrated against his skin, a ticklish buzz that put him in mind of something far less appropriate than the business meeting for which he was prepared.
At least he now knew who the blonde serial killer was. His gaze followed her as she stomped back through the metal doors.
There was no mistaking that voice. It didn’t matter that today she was all 60s glam and last night she’d been a dark-haired grease monkey in mechanic’s overalls with a bandana tied around her head, shouting orders and curses and elbowing him out of the way as she ruled over the chaos of a backstage on opening night.
All he would ever need to recognize Maxie Tyler was one of two things: a glimpse of those midnight-dark eyes, glittering with intensity, or one word in that husky growl of a voice.
He sighed, wondering why he always got stuck coming to his mother’s rescue after the damage had been done. The money she’d sunk into backing a hot new playwright’s work had already been spent, of course, by the time he heard about it. She never called him before she made her next disastrous decision. Just sent out a press release—literally, she had the Tribune, Sun-Times, Chicago Reader and all the rest on speed dial—and then cried for help when her latest project escaped her control. At least this was one loose end he could handle himself, which was the only reason he was here, waiting for a breakfast meeting with a lunatic.
The budget of the play was already spiraling out of control, and the director had insisted that the next crucial step was to hire a brilliant stage manager. The only name on his list was Maxie Tyler.
Nick’s self-assigned duty, with his mother’s grudging approval, was to check her out. If she wasn’t up to the job, he’d make it clear that the golden goose wasn’t laying any more eggs until someone wrestled this train wreck back onto the tracks.
Before he’d arrived backstage last night, he hadn’t even been sure Maxie Tyler was a woman. His introduction to the theater world had been quick and intense, but the first thing he’d learned about the industry was that it teemed with unusual characters. Maxie could just as easily have been the nickname for a three-hundred-pound grizzled old man as this pixie who probably didn’t top a buck-five soaking wet. But at the very least, he’d expected someone a little, well, older.
And a little less dramatic.
And a lot less sex-on-wheels hot.
The van finally drove off down the alley. Nick maneuvered his baby into a nearly empty parking lot behind the building, bumping over cobblestones and chunks of lumber along the way. He made sure to park as far as possible from the giant pickup truck that screamed I’m compensating for my tiny penis.
He shook his head as he walked back to the door into which the go-go girl had disappeared. This entire venture, not just this meeting, was a frustrating waste of his time. If his mother had any sense of restraint at all...
Who was he kidding? He’d spent his entire life wishing his mother possessed some of the self-control and propriety of all the other Gold Coast society matrons. When friends had lamented their cold and demanding parents, Nick’s only thought had been if only. In these past months, ever since she’d met that playwright, the wheels had really come off. His mother had lost her mind. To the tune of several hundred thousand dollars.
He yanked the alley door open, heading down a barren hallway past dimly lit doorways sporting handwritten signs that read like a list of doomed-to-fail enterprises: Abel’s Anytime Carpet-Laying, Darning by Deborah, SnowGlobe: The Magazine.
At the end of the hall, under another roughly sculpted wooden banana that was a miniature of the one outside, he stopped and eyed the words painted on the frosted glass pane.
Carving Bananas, Inc.
He sighed—here was yet another reminder of the eccentricity of theater people—and started to push open the door, freezing in place as a voice he didn’t recognize leaked out through the crack. He nudged the door open a couple more inches and waited.
“—just saying. You couldn’t have played the role of straitlaced businesswoman today? Three-hole punch?”
“I am a straitlaced businesswoman, child. Cabinet, middle shelf, right-hand side.”
“Sure,” the female voice doing the scolding snorted, as metal squeaked on metal.
“See, right where I told you, doubting Thomasina.”
“I wasn’t questioning your bizarrely accurate knowledge of where every little damn thing in your life is placed, you weirdo. I was questioning your claim to straitlaced businessdom.”
Nick grinned in agreement with the scolder. Though if one of his employees spoke to him that way, he’d have them shipped off for drug testing.
Maybe they were both high.
“It’s what I am. That doesn’t have any relation to how I dress.”
“Clearly.”
“That’s it. I’m docking your pay for insolence. Brat.”
“You don’t pay me, remember? I’m an intern.”
“And why do you work here?”
“I think I’ve forgotten.”
“Well, make yourself useful and keep an eye out for Mr. Sharp-Dressed Man, will you? I’m trying to make a good impression here.”
Nick entered the claustrophobic office just in time to glimpse a flash of turquoise and platinum disappearing through an interior