Daughter Of The Burning City. Amanda Foody
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scalp of nails or Tree.
We approach our favorite vendor of licorice-dipped cherries—Gomorrah’s signature treat—and Unu and Du steer us aside.
“How many bags am I buying?” I ask.
Each of them shouts how many they want.
“I’m not buying fourteen bags.” I hold up my flimsy coin purse. “You guys are milking me dry.”
Crown fishes in his pocket for change before Du stops him. “You can’t help her. She lost. Rules are rules.”
Lucky coins is a sacred game in my family.
I curse under my breath and thrust my entire savings—one week’s worth, since I can’t save anything more than a few days—into the vendor’s hands. His eyes light up as he hands us a full quarter of his stock.
Afterward, with our teeth sticky from black licorice and our lips stained red from cherry juice, we head toward the Menagerie singing one of Gomorrah’s folk songs.
Wicked, wicked to the core. The city will burn forevermore.
Or mostly singing. Unu and Du shriek to drown out Hawk, who, as always, is trying to show off her vocal range and make everyone else sound bad.
The Menagerie’s spires tower into the smoke that covers the Festival like an endless expanse of storm clouds. Its tent is so black it appears like a hole, seeping the color away from its surroundings. Pink, red and violet streamers—Gomorrah’s colors—ripple in the breeze at its peak.
The line outside snakes around the tent, and we grab a place at the end. Because the Menagerie is such a popular attraction, stands for kettle corn, palm readers and charms salesmen clutter its perimeter.
“Care for some coins?” a man asks Hawk. He bites the coin, and his teeth clack against the bronze. She turns her back to him, a pro at dealing with persistent vendors, but he continues, “Solid. Good quality. I have the Handmaiden, the Red Jester, the Harbinger—”
“We have enough coins,” Nicoleta tells him. We all know the coins sold in this part of the Festival attract more tourists than actual players. The gambling neighborhood sells the characters of real and rare value.
Perhaps it is the stern edge in Nicoleta’s voice, or perhaps the vendor knows a lost cause when he sees one, but he doesn’t pester us again, even though we remain next to his stand for several more minutes. He moves on to the Up-Mountain patrons behind us, who marvel at the thin coins and ask the vendor how to play.
“It’s your face,” Hawk tells Nicoleta. “He can see the lack of fun and warmth in your eyes.”
“I resent that,” she says.
Unu and Du tug on the sleeve of my night cloak. “Will you buy us some spiced wine?” Du whispers eagerly, his hazel eyes sparkling in the white torchlight. Unu, on the other hand, stares at their feet.
“You’re eleven,” I say.
“That’s an arbitrary number you made up.”
“Arbitrary is a big word for you.”
Du gives me one of his classic Du expressions. He leans his head back and scrunches his entire face together like he’s eaten a whole mouthful of sour-cherry drops. He uses this to feign being insulted.
Normally, I might say yes, but the spiced wine in this area of Gomorrah is highly potent—meant to get guests drunk and happy to spend. “Sorry, kiddo.” I pinch his cheek. “I’m too responsible a sister for that.”
The Menagerie tent opens three minutes later, and the queue of guests shuffles inside at an excruciatingly slow pace past the ticket booth. The entrance is a hallway lit by iron lampposts on either side so that our shadows stripe across the grass floor. In between the lamps stand taxidermied animals from the Down-Mountains. We pass an Eberian snow tiger, its pelt winter-white and its stripes hooked and curled at the points. A chimera hunches to our left, its goat and lion heads frozen in midhowl.
“You’re the goat for sure,” Du whispers to Unu.
There’s a leopard dragon, a few falcons and exotic birds, and one panda—all previous performers at the Menagerie. As a child, Villiam took me to the shows to watch the panda, who now watches us with vacant eyes.
The Up-Mountain guests point and gawk at the creatures we’ve seen a hundred times. They chatter incessantly and fan themselves, occasionally turning around to sneak peeks at us. I hear a woman say we must be in some kind of costumes. Hawk hugs her arms and her wings close to herself. Gill flicks her on the shoulder, and she manages a smile.
We have all learned—or tried to learn—to ignore the comments that follow us.
We enter the main part of the Menagerie, a huge open room with a circus ring, several trapezes and a collection of balls and hoops. My family slides into benches toward the back—we can never afford front row. The air smells of stale manure and kettle corn.
“Happy family night,” Venera says, and we raise our bags of licorice cherries in a sort of cheers.
For the next few minutes, I am caught up in the excitement of the Menagerie. I live for the anticipation of a good show. My legs twitch. I constantly change my sitting position. I eat too many of my snacks before the show even begins, and my stomach cramps from all the sugar. The others chatter to themselves about the last time we visited the Menagerie, when an acrobat broke his leg. Gill murmurs to Nicoleta—the only one who really listens to him—about the boring novel he’s reading.
Then I notice the noise outside. Shouts. Running. It grows louder, loud enough that many in the audience turn around, as if to see the commotion through the red-, pink- and purple-striped tent walls.
“Does that sound rather panicked to you?” Gill asks to my right. “Like something’s wrong?”
“I’m sure nothing’s wrong,” I say. Shouts and strange noises are business as usual in Gomorrah. Probably some drunkards passing through.
“But doesn’t it sound like something is?”
I listen closer. There are shouts. Feet running. Maybe...maybe the sound of horses, as well. I can’t be certain, but it does seem like more than a few drunkards. As the proprietor’s daughter, destined to one day become proprietor myself, I should inspect the commotion. But it’s family night. At the Menagerie. I don’t want to give up my seat. I’m sure it’s nothing important, and if it is, Villiam will take care of it anyway.
A man in a black tuxedo with a red undershirt strides into the center of the circus ring. He clears his throat, and the audience quiets. “I apologize, but the ten o’clock Menagerie show has been canceled. Tickets can be fully refunded at the booths at the north and south entrances. Please exit in an orderly fashion through the way you entered. We hope you enjoy the rest of your time at the Gomorrah Festival.”
The noise of the crowd immediately grows into an uproar. Among the shouts and complaints, Unu and Du’s and Hawk’s are some of the loudest.
“That’s rubbish,” Du sulks. “Our show is never canceled.”
“It’s probably from whatever is happening outside,” Gill says. “It mustn’t be anything good.”
“You’re right,” Nicoleta says. She stands. “We should leave now. Before the rush.”
Most of the audience remains in their seats, as if sitting around long enough will bring the manager back and force him to start the show. But the manager nearly sprinted out of the circus ring, so I doubt anyone will return. Clearly whatever is happening is important.
I grab my bag of licorice cherries and try not to let the true extent of my disappointment show. This is the Menagerie. What sort of pandemonium does it take to shut down Gomorrah’s biggest attraction?
“We better hurry if we don’t want to stand in line for the rest of the night waiting