Wicked. Shannon Drake
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“We should wait,” she said firmly.
She began to fear that Ralph was right, that she would be ignored, left to wait at the gates with no leave to enter and no refusal sending her away. But then, just when she had nearly despaired, she heard the sound of hooves once again and the clacking of wheels.
A small wagon, handsomely roofed in leather and fringe, appeared with the huge man at the reins. He hopped down from the driver’s seat and came to the gate, using a large key to open the padlock braced around it, then swinging the gate open.
“If you’ll please accompany me?” he said, the words polite, his tone as dour as ever.
Camille flashed an encouraging smile at Ralph and followed. Ralph came along, as well. The big man hoisted Camille into the rear seat of the conveyance, and Ralph hopped up behind her.
The small carriage took them down a long and winding path. The darkness on either side of the road seemed to be deep and endless. By day, Camille was certain, they would have seen massive trees and an overgrown forest flanking the path. The master of Carlyle liked his environs secluded, to the point of it all appearing to be like some godforsaken no-man’s-land. As they trotted along, it seemed to Camille that the forest breathed, that indeed it was an overbearing entity ready to suck in the unwary, entangle the soul.
“And you two thought you might begin to find some treasure here?” she whispered to Ralph.
“You’ve not seen the castle yet,” he whispered back.
“You’re both mad! I should leave Tristan here,” she murmured. “This is the greatest foolishness I have ever seen.”
Then the castle loomed before her. Mammoth. It retained a moat over which lay a great drawbridge, permanently down now, Camille imagined, since armies were unlikely to come and besiege the place. Yet, it appeared quite certain that no one could simply slip into the place, since the castle walls themselves were staunch and windowless to a great height, and only narrow slits could be seen.
She looked at Ralph, angrier and more distraught the closer they came. What had the two been thinking?
The carriage clattered over the bridge. They came to a great courtyard and she saw just what Tristan might have known—the area was covered with antiquities, fascinating statues and pieces of art. An ancient bathtub—Greco-Roman, she thought—had been handsomely altered to act as a contemporary watering trough. There were various sarcophagi lining an area of the outer wall, and numerous other treasures were laid closer to the path that led to a great door. The castle had obviously seen some construction work to bring it into the nineteenth century. The doorway was rounded handsomely, and from the turret atop it, boxes of vines spilled over, offering a tiny bit of welcome to a visitor.
She continued to survey the courtyard as the huge man came to help her from the carriage. The artifacts belonged in the museum, she thought indignantly. But she was well aware that many things she would consider precious were ordinary to rich world travelers. She’d heard, as well, that mummies were so plentiful, they were often sold as fodder for fireplaces and heat. Still, there were many stunning examples of Egyptian art here—two giant ibises, a few statues of Isis and a number of others that were surely lesser pharaohs.
“Come,” the big man said.
They followed him up the path to the door. It opened to a circular reception area, where once, it was planned that the enemy should be bottled and trapped, were they to get this far. Now, the area was a mudroom.
“If I may?”
The man took her cape. Ralph held tightly to his overcoat. The big man shrugged.
“Come.”
They passed through a second door to an outstanding hall. Here, modernization had definitely been in effect. In fact, the room was actually gracious. The stone stairway curved to an upper level and balcony, and the stairs were covered in a warm, royal-blue runner. Weapons lined ceilings and part of the walls, but they were interspersed by beautiful oils, some of them portraits, others medieval and pastoral scenes. She was certain that many were the works of great masters.
A fire crackled in a massive hearth. The furniture surrounding the hearth was in deep brown leather, yet not austere in the least. Rather, it offered a plush and welcoming comfort.
“You, wait here,” the man told Ralph. “You, come with me,” he said to Camille.
Ralph stared at her like a frightened puppy being left behind in a ditch. She inclined her head to let him know that it was quite all right, and followed the man up the curving stairs.
He led her into a room with a massive desk and endless shelves of books. Her heart leaped at the sight of them. So many! And the subject matter on one wall was that near and dear to her heart. Ancient Egypt was a massive tome aligned next to The Path of Alexander the Great.
“The master will be with you shortly,” the big man said, closing the door behind him as he left.
Standing alone in the large room, Camille was first aware of silence. Then, bit by bit, those little noises that intruded upon the night. From somewhere, she heard the plaintive, chilling call of a wolf. Then, as if to alleviate that chill, the snap of a fire burning brightly in the hearth to the left of the entry.
A crystal decanter of brandy, surrounded by fragile snifters, sat on a small brown table. She was tempted to run to it, seize up the elegant crystal and imbibe the brandy until it was gone.
Turning again, she noted a large and beautiful painting behind the great desk. The woman within it wore clothing of perhaps a decade earlier. She had lovely light hair and a smile that seemed to illuminate. Her deep blue eyes, almost a sapphire, were the most alluring aspect of the painting. Fascinated, Camille moved closer.
“My mother, Lady Abigail of Carlyle,” she heard, the tone deep, richly masculine, yet somehow harsh and menacing.
She spun around, startled, not having heard the door open. Despite herself, she was afraid that she gaped, as well, for the face she saw upon the fellow who had entered the room was that of a beast.
He wore a leather mask, she realized, molded to face and features. And though not really unattractive—and certainly artistic—it was still somehow frightening. And in the back of her mind, she wondered if it hadn’t been crafted to be so.
She wondered, as well, just how long he had watched her before speaking.
“It’s a beautiful painting,” she managed to say at last, praying that the time she had stared at him, mouth open, was less than she feared. She tried hard not to let her voice waver, though she couldn’t tell if she succeeded.
“Yes, thank you.”
“A very beautiful woman,” she added, the compliment sincere.
She was aware of the eyes behind the mask, watching her. And she noticed, because the mouth was somewhat visible beneath the edge of the facade, that there was a mocking amusement to him, as if he was accustomed to gratuitous compliments.
“She was, indeed, beautiful,” he said, and came closer, his strides long, one hand clamped around a wrist behind his back as he neared her. “So, who are you, and what are you doing here?”
She smiled and extended a hand graciously, hating the fact that she was playing at the social butterfly—which she was not and never would be.
“Camille Montgomery,” she said. “And I am here on a desperate quest. My uncle, my guardian, is lost, and he was last seen upon the road before this very castle.”
He looked at her hand a long time before deciding to bow to courtesy and accept it, bending over it. The lips beneath the mask were searing as they touched her flesh, yet he released her instantly, as if it were he who had touched hot coals.
“Ah,” he said simply, walking past her.
Though not so tall as the giant who had come to the gate, he was certainly a few inches over six feet, and his shoulders