Every Last Lie. Mary Kubica
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after his dad who goes by Theo. Theo and Emily and Teddy. Except we don’t let Maisie play with Teddy when Theo is there. Theo is a gruff man, prone to violence when he’s angry and sometimes when he’s not. Emily has told me as much, and we’ve all heard his voice—Nick, Maisie and me—resounding through open windows and across the still summer night, screaming at Emily and Teddy for reasons unknown.
Theo terrifies Maisie as much as he does me.
“Promise me you’ll call,” she says before Theo lays an autocratic hand on her arm and she turns, walking away with the rest of the drifters who flee the cemetery, one step behind him all the way through the lawn. I promise nothing. It isn’t until they’re out of view that Maisie finally lets go of my hand and steps from the safety of my shadow.
“Are you okay?” I ask her, peering into her eyes, and when she can no longer see Theo or Emily, Maisie nods her head and says that she is. “He’s gone now,” I promise her, and she smiles cautiously.
In my home, my father doesn’t stay long, either. He can’t. There is my mother, of course, sitting at home with a paid babysitter while my father attends to me. He is pulled in two directions. He can’t care for both her and me.
“She’s been seeing things,” he tells me reluctantly. “Hallucinations, like the doctor told us might happen. A black crow sitting on the curtain rod,” he says, “and bugs.”
I grimace. “What kind of bugs?” I ask.
“Ants,” he tells me, “climbing the walls.”
“Go to her,” I say, disheartened to hear my mother’s dementia has taken a turn for the worse. “I’m fine,” I assure him, as I set a hand on his thin, liver-spotted arm, and grant him permission to leave. Felix is asleep; Maisie is twirling around the living room, obliviously dancing.
As my father’s car pulls out of the driveway, I see the resignation. He isn’t sure he should leave. I give him a thumbs-up to be sure. I’m okay, Daddy.
But am I?
* * *
That night Maisie sleeps with me again. She toddles into my bedroom with her scruffy teddy bear in her arms, the one that used to be mine. She’s all but eaten an ear off, a nervous habit that’s picking up speed. She stands at the foot of the bed in a nightgown of spring bouquets, dahlias in every shade of pink—fuchsia, salmon, cerise—her feet covered in white ankle socks. Her copper hair hangs long down her back, gnarled and bumpy, the tail end clinging to a rubber band.
“I can’t sleep, Mommy,” she says, gnawing on the ear of that poor bear, though we both know it was only three and a half minutes ago that I kissed her good-night in her own bed. That I pulled the sheets up clear to her neck. That I kissed the bear’s downy forehead and tucked him in, too. That I told Maisie, when she asked for Daddy to tuck her in and give her a kiss good-night, “He’ll be up just as soon as he gets home,” hoping that she didn’t see or hear the blatant lie.
Felix is in my arms, and with a pat, pat, pat to the back, I slowly ease him to sleep. He wears his yellow sleep sack, likely hot in the torrid room. The air conditioner, it seems, has stopped working. What does one do about a broken air conditioner? Only Nick would know, and again I find myself mad that Nick would leave me with a broken air conditioner and no clue what to do. Nick should have made a list of such contingencies, were he to suddenly die. Who should repair the air conditioner, mow the lawn, pay the newspaper boy?
The windows are open. The ceiling fan whirls above us, as in one queen-size bed, Maisie and I sleep. Harriet the dog lies at the foot of it, Felix just three feet away in his bassinet. I don’t sleep because I have stopped sleeping. Sleep, like most things these days, evades me. The room is dark, save for the night-light Maisie insists upon because she is afraid of the dark. But the night-light casts shadows on the darkened walls, and it’s these shadows that I stare at as Felix sleeps and Harriet snores, and Maisie orbits the bed in her sleep, like space junk orbiting the earth, pulling the thin cotton sheet from my sweating body.
And then, come 1:37 a.m., Maisie sits upright in bed.
She talks in her sleep as much as she talks when awake, and so the grumbles that issue from her mouth are of little concern. They’re incomprehensible, mostly. Drivel. Until she begins speaking of Nick, that is. Until her eyes dart open, and she goggles me, her green eyes wide and scared. Her clammy little hand gropes for mine, and she calls out, she cries desperately, pleadingly, “It’s the bad man, Daddy. The bad man is after us!”
“Who, Maisie?” I ask, shaking her gently awake. But Maisie is already awake. At the foot of the bed, Harriet stirs, and beside us, Felix begins to cry. A small cry, merely fussing. He stretches his arms above his head, and I know in the moments to come his small cry will escalate into a full-out squall. Felix is ready to eat, and, as if in preparation, my chest leaks through my gown.
“Him!” she says insufficiently as she sinks low under the bedcovers and tosses them above her head. Maisie is hiding. Hiding from some man. A bad man that is coming after her and Nick. But Maisie knows nothing about bad men, or so I believe, and so I try to convince myself that it’s only make-believe, the hunters who killed Bambi’s mother or maybe Captain Hook coming after her and Nick in a dream. But as she says it again, wide-awake and far more terrified this time for it to be make-believe—the bad man is after us!—my mind makes up for Maisie’s lack of details, imagining a bad man trailing Nick and her down Harvey Road, and at this my heart begins to pound, my hands to sweat more than they are already sweating.
“Maisie,” I plead, as mollifying as I can, though inside I’m anything but relaxed. But Maisie is under the bedcovers now, and she is not speaking. When I try to touch her, she screams out, “Stop!” and then she goes silent, like some sort of toy whose batteries have just died. She’ll say nothing, though I ask and then I beg. And when the begging is ineffective, I find myself becoming angry. It’s out of desperation, only. The reason I become angry. There’s a desperate need to know what it is that Maisie’s prating about. What bad man? What does Maisie mean?
“If you tell me, Maisie, we can get donuts in the morning,” I say, with the promise of a Long John slathered in strawberry icing.
I promise other material things, as well—a new teddy bear, a hamster—hoping to lure her out of the pitch-black, suffocating world beneath those sheets. But that world beneath the sheets is also safe for Maisie, and so she won’t come.
By now, Felix has begun to scream. “Maisie,” I say again over the sound of Felix, trying to pry the covers from her hands. “What bad man?” I ask desperately, and it’s speculation only when I probe, “Was the bad man in a car?” and from under the covers I sense the nod of Maisie’s head and hear her tiny voice whisper, “Yes,” and at this I gasp.
A bad man. In a car. Following Maisie and Nick.
I stroke Maisie’s hair and force myself to take measured breaths, trying hard to remain calm as the world crumbles around me, and I find it harder and harder to breathe.
“The bad man,” Maisie blubbers again as I slip her teddy bear beneath the sheets and into her clammy hands, asking sedately, “Who, Maisie, who? What bad man?” though inside I feel anything but sedate. Who is the bad man that was following Nick and her? Who is the bad man that took my husband’s life?
And without sitting up in bed or sliding the covers from her face, she thrums, her voice masked by the density of the sheets, “The bad man is after us. He’s going to get us,” and with that she flies out from under the sheets like a rocket and into the master bath, where she makes haste of slamming closed and locking the door with so much zeal that a frame falls from the wall and smashes onto the floor, shattering into dozens of pieces.
BEFORE
There was no way I could have known that morning as I stood at the foot of our bed, watching Clara sleep, the way our lives would change. I stood there