Run, Mummy, Run. Cathy Glass

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Run, Mummy, Run - Cathy Glass


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      Cathy Glass

      Run Mummy Run

      Copyright

      This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

      HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF

       www.harpercollins.co.uk

      Copyright © Cathy Glass 2011

      Cathy Glass asserts the moral right to be identified as the author of this work

      A catalogue record for this book is available from the British Library

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

      HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

      Source ISBN: 9780007299287

      Ebook Edition © APRIL 2011 ISBN: 9780007436644

      Version: 2019-01-15

      Contents

       Title Page

       Copyright

       Introduction

       Chapter One

       Chapter Two

       Chapter Three

       Chapter Four

       Chapter Five

       Chapter Six

       Chapter Seven

       Chapter Eight

       Chapter Nine

       Chapter Ten

       Chapter Eleven

       Chapter Twelve

       Chapter Thirteen

       Chapter Fourteen

       Chapter Fifteen

       Chapter Sixteen

       Chapter Seventeen

       Chapter Eighteen

       Chapter Nineteen

       Chapter Twenty

       Chapter Twenty-One

       Chapter Twenty-Two

       Chapter Twenty-Three

       Chapter Twenty-Four

       Chapter Twtnty-Five

       Chapter Twenty-Six

       Chapter Twenty-Seven

       Chapter Twenty-Eight

       Chapter Twenty-Nine

       Chapter Thirty

       Cathy Glass

       Moving Memoirs eNewsletter

       Acknowledgements

       About the Author

       Also by Cathy Glass

       About the Publisher

      Introduction

      It is said that the eyes are the windows of the soul – an opening, a gateway, to the person within. But what happens when the glass is cracked? Do we see the distortion, or wanting desperately to believe, ignore it, until it’s too late?

      To Aisha, the kindest, most gentle person I have ever known. Your only crime was to be too trusting, for having no wickedness in your own soul, how were you supposed to see it in others?

      Chapter One

      Aisha touched the photograph and then moved it slightly to the right, trying to find its correct position. It had to sit at exactly the right angle, with the light streaming onto her face so that it showed her at her best. Mark liked it that way, he said it reminded him of the day when they had posed for the photograph – on the bench beneath the large oak tree. The sun had filtered through the leaves of the branches overhead, casting little diamond patterns onto the material of her dress. The two of them, with their arms entwined, taking their eyes from each other just long enough to smile into the lens. Mark had stopped a passer-by and had asked him if he would mind taking their photograph, then he’d given Aisha a framed copy, as a token of his undying love, he said.

      Aisha inched the photograph left and right again and then saw a smudge, a fingerprint, on the glass. She picked it up and rubbed it hard with the sleeve of her cardigan until all trace of it had gone. She knew how Mark hated dirt, how angry he would become if he saw it. Mark said dirt was a sign of a slovenly and untidy mind, and that it was the inside of a person coming out and couldn’t be tolerated. It wasn’t Aisha’s fingerprint on the glass; oh no, she would never have been so careless. It must have been the inspector when he’d picked up the photograph and examined it, as though a clue might be concealed within, and then returned it to the bureau, only in the wrong position and leaving his fingerprint.

      Aisha silently cursed the inspector for his thoughtlessness – she was going to have to go through the whole of the downstairs of the house, making sure he hadn’t touched and sullied anything else. She resented it as much as she resented the inspector’s intrusion in the first place – his self-assumed right to ring on the doorbell and then stand there with his WPC expecting to be admitted. It was a liberty, that’s what it was! Apart from which, didn’t he know she wasn’t allowed visitors when Mark was out? Didn’t he know the consequences for her if she was found out? He was playing roulette with her life.

      Aisha moved away from the photograph and crossed the lounge to the armchair, which was backed hard up against the wall. She’d sat in that chair every night since the accident, every night watching and waiting, on guard for her life. She flopped down into the chair and rested her head back. She was exhausted. Everything seemed such an effort – walking, eating, washing, even thinking tired her to the point of collapse. She closed her eyes and tried to block out the inspector’s questions; so many questions with so few answers, they ran on and on like a tape recorder set on continuous, with no pause or stop button.

      Where exactly had you been on the night of


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