Before She Was Found. Heather Gudenkauf
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I turn in my seat to look out the rear window. From here I can see Pitch below us.
“There,” I say, grabbing at Sam’s arm. On the western edge of Pitch right along the railroad tracks and the old millwork district I see the rhythmic swirling of red lights. Sam knew exactly what he was doing coming up here.
Without slowing down, he makes a U-turn and I clutch at the dash to keep myself from sliding across the seat. There is no train in sight. Surely if there was an accident with one of the freight trains that runs through Pitch four times a day, it would have stopped. Unless, of course, the engineer didn’t know that he hit someone. Sam pulls off to the side of the road and punches the hazards with one finger.
“Try and call Max again,” he says and I lift the phone to my ear and this time it goes right to voice mail. “Do you want to go down there?” he asks.
Apprehension, thick as mud, fills my chest. I’ve always known I would never have much money, never have a big house to live in, never have some great job, probably never get married again. And because I’ve expected so little I don’t think I’m asking too much that my kids stay safe. God and I have always had a complicated relationship, but I never held anything against Him. But if something bad happened to Max or Violet all bets are off. I don’t want to find out what’s going on down there. I will my phone to vibrate, but it stays still.
“Go,” I finally say. I’m guessing that we won’t get very close to the scene, anyway, but I have to do whatever I can to find out what’s going on. Sam pulls back onto the highway and he speeds toward the train yard. He doesn’t have to worry about getting pulled over. It looks like every police officer and sheriff’s deputy in Johnson County is parked down there.
In less than three minutes Sam manages to park just a block away from where all the emergency vehicles have converged. Two sheriff’s cars and the police chief’s SUV barricade the only entrance into the train yard where the depot is boarded up and empty boxcars, abandoned years ago, sit. An ambulance is parked a bit off to the side facing the road ready to leave in a hurry. A deputy strides toward us as we approach. He’s young. Tall and broad across the shoulders. His eyes dart left and right as if on the lookout for something or someone. He looks scared. Ill.
“You can’t be here, folks,” he says, trying to usher us back toward the car.
“We heard the sirens, saw the lights,” Sam explains. “What happened? Is everyone okay?”
“Sorry, you can’t be here,” the officer says again. Behind him someone turns on their headlights and the darkened train yard suddenly comes into view to reveal a flurry of activity. A woman wearing running tights and tennis shoes is talking to another officer. With hands tucked inside the sleeves of her sweatshirt she gestures toward the tracks and then rubs at her eyes, leaving behind a streak of red across her face.
“Is that blood?” I ask louder than I intend. Hearing me, the woman looks down at her hands and cries out.
“Ma’am,” the young officer says more sternly, “you need to leave this area.” This is when I see the EMTs come toward us carrying a stretcher to the ambulance. A small body is strapped securely to the stretcher. My breath lodges in my throat. She is shaped like my Violet. Thin with long dark hair that could belong to Violet, too, but the child’s face is nearly unrecognizable. Bloody, swollen, grotesque.
I try to push pass the officer but he steps in front of me and I bounce against his solid form and stumble backward. Sam is quicker than I am and skirts past the cop to get a better look.
“It’s okay, I don’t think it’s Violet,” he calls back to me.
“Are you sure?” I say, wanting so badly to believe him, but Sam hasn’t met my kids yet—how would he know?
“What color is Violet’s hair?” he asks.
“Black.” My heart pounds wildly.
“Then it’s not her. This girl has lighter hair.” I want to cry in relief.
From my spot on the hard-packed dirt I can now see it isn’t Violet. The girl’s ears do not belong to my daughter. The hair I thought at first glance was Violet’s isn’t naturally dark but slick and blackened with blood. This child looks a bit thinner than Violet. Still...there is something familiar about her, but it can’t be. It doesn’t make sense.
Sam comes back to my side and helps me to my feet. My stomach churns. What has happened to this little girl? What could cause this kind of damage? Not a car accident; there are no other vehicles besides the ambulance and the police cars. A fall from a bike? She’s deathly still and I wonder if she’s breathing. She looks like she could have been mauled by a dog or some other large animal. A flap of skin hangs loosely from her cheek and blood bubbles from her lips.
The EMTs lift her into the ambulance and are quickly on their way and the scream of the siren once again shatters the late-night quiet. I watch as it speeds away, the tires kicking up clouds of dust, and wonder how they are going to find out who the injured girl is. I’m just getting ready to ask the cop this question when I realize that everyone else is looking back toward the railroad tracks.
Another small silhouette appears. This time on foot, emerging from the tall winter wheat that fills the field on just the other side of the tracks.
Again my heart nearly stops.
It’s Violet.
She is moving toward us as if in slow motion. Eyes unfocused, unseeing. The front of her white T-shirt blooms red. Her hands look like they’ve been steeped in blood. Something tumbles from her fingers and lands on the dirt at her feet.
“Oh, my God,” I breathe. “She’s bleeding! Call another ambulance!”
It feels like forever until I finally reach her. I sweep her up in my arms and run my eyes over her, searching for the source of all the blood. “Help her!” I cry, laying her gently on the ground. “Please,” I plead. “What happened?” I ask Violet. “Who did this?”
Suddenly I know exactly who the other girl is. Violet’s best friend, Cora Landry. I feel arms pulling me backward and hear Sam telling me to let them do their work. Violet’s lips move but I can’t quite make out what she says.
September 14, 2018
Every doctor has a case that haunts them. A patient that runs through your thoughts while you sip your morning coffee, that tags along during rounds and therapy sessions. The case that sits shoulder to shoulder with you during the quiet moments and slides between the sheets with you at night and whispers in your ear, You could have done more. You could have done better.
For me, that case is the girl in the train yard. She’s how I measure time. Before and after.
Disorder—easy enough to define, right? A state of confusion. A disturbance that affects the function of the mind or body. Obsessive compulsive disorder, anxiety, ADHD, eating disorder, autism spectrum disorder, schizophrenia, mood disorder, posttraumatic stress disorder. And hundreds more.
Every day, through a combination of talk, behavioral and pharmaceutical therapies, my primary goal was to provide an organized clinical experience to my patients in the evaluation, diagnosis and treatment of children, adolescents and their families.
In the twenty-odd years I had walked the halls of Grayling Children’s Hospital, first as a medical student and then as a psychiatrist, I’d seen it all. I’ve seen children who compulsively eat dirt or paint chips or sharp tacks, and emaciated sixteen-year-olds who refuse to eat anything at all. I’ve counseled children who have been neglected, beaten and sexually abused.
If it sounds like I say this with pride, I must admit that I do. Psychiatrists are scientists, after all. We are fascinated by the brain and all its intricacies. It’s not uncommon for us—in closed circles, of course—to refer to a patient by their diagnosis.