Night Moves. Nora Roberts
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wouldn’t,” Cliff said softly, and she felt a tiny trickle, an odd excitement, sprint up her spine.
“Wouldn’t what?” Her chin automatically tilted, her eyes challenged.
“Walk down there.” Her skin was soft, Cliff discovered. With his hand wrapped around her arm, he could touch his fingertips to his thumb. Small and soft, he mused, enjoying the feel of his flesh against hers. Too small and soft for land that would fight back at you.
Maggie glanced down to where he held her. She noticed the tan on the back of his hand; she noticed the size and the strength of it. When she noticed her pulse wasn’t quite steady, she lifted her gaze again. “Mr. Delaney—”
“Snakes,” he said simply, and had the satisfaction of seeing her take two quick steps back. “You’re almost sure to have some down in a spot like that. In fact, with the way this place is overgrown, you’re likely to have them everywhere.”
“Well, then—” Maggie swallowed and made a herculean effort not to shudder “—maybe you can start the job right away.”
For the first time, he smiled, a very slight, very cautious, curving of lips. They’d both forgotten he still held her, but they were standing much closer now, within a hand span of touching. She certainly hadn’t reacted the way he’d expected. He wouldn’t have been surprised if she’d screeched at the mention of snakes, then had dashed into the house, slamming and locking the door. Her skin was soft, Cliff mused, unconsciously moving his thumb over it. But apparently she wasn’t.
“I might be able to send a crew out next week, but the first thing that has to be dealt with is your road.”
Maggie dismissed this with a shrug. “Do whatever you think best there, excluding asphalt. It’s only a means of getting in and out to me. I want to concentrate on the house and grounds.”
“The road’s going to run you twelve, maybe fifteen, hundred,” he began, but she cut him off again.
“Do what you have to,” she told him with the unconscious arrogance of someone who’d never worried about money. “This section here—” She pointed to the steep drop in front of them, making no move this time to go down it. At the base it spread twenty feet wide, perhaps thirty in length, in a wicked maze of thorny vines and weeds as thick at the stem as her thumb. “I want a pond.”
Cliff brought his attention back to her. “A pond?”
She gave him a level look and stood her ground. “Allow me one eccentricity, Mr. Delaney. A small one,” she continued before he could comment. “There’s certainly enough room, and it seems to me that this section here’s the worst. It’s hardly more than a hole in the ground in a very awkward place. Do you have an objection to water?”
Instead of answering, he studied the ground below them, running through the possibilities. The truth was, she couldn’t have picked a better spot as far as the lay of the land and the angle to the house. It could be done, he mused. It wouldn’t be an easy job, but it could be done. And it would be very effective.
“It’s going to cost you,” he said at length. “You’re going to be sinking a lot of cash into this place. If you’re weighing that against resale value, I can tell you, this property won’t be easy to sell.”
It snapped her patience. She was tired, very tired, of having people suggest she didn’t know what she was doing. “Mr. Delaney, I’m hiring you to do a job, not to advise me on real estate or my finances. If you can’t handle it, just say so and I’ll get someone else.”
His eyes narrowed. The fingers on her arm tightened fractionally. “I can handle it, Miss Fitzgerald. I’ll draw up an estimate and a contract. They’ll be in the mail tomorrow. If you still want the job done after you’ve looked them over, call my office.” Slowly, he released her arm, then handed her back the glass of tea. He left her there, near the edge where the slope gave way to gully as he headed back toward his truck. “By the way,” he said without turning around, “you overwatered your pansies.”
Maggie let out one long, simmering breath and dumped the tepid tea on the ground at her feet.
When she was alone, Maggie went back inside, through the back door, which creaked ominously on its hinges. She wasn’t going to think about Cliff Delaney. In fact, she doubted if she’d see him again. He’d send crews out to deal with the actual work, and whatever they had to discuss would be done via phone or letter. Better that way, Maggie decided. He’d been unfriendly, abrupt and annoying, though his mouth had been attractive, she reflected, even kind.
She was halfway through the kitchen when she remembered the glasses in her hand. Turning back, she crossed the scarred linoleum to set them both in the sink, then leaned on the windowsill to look out at the rise behind her house. Even as she watched, a few loose stones and dirt slid down the wall. A couple of hard rains, she mused, and half that bank would be at her back door. A retaining wall. Maggie nodded. Cliff Delaney obviously knew his business.
There was just enough breeze to carry a hint of spring to her. Far back in the woods a bird she couldn’t see sang out as though it would never stop. Listening, she forgot the eroding wall and the exposed roots of trees that were much too close to its edge. She forgot the rudeness, and the attraction, of a stranger. If she looked up, far up, she could see where the tops of the trees met the sky.
She wondered how this view would change with the seasons and found herself impatient to experience them all. Perhaps she’d never realized how badly she’d needed a place to herself, time to herself, until she’d found it.
With a sigh, Maggie moved away from the window. It was time to get down to work if she was to deliver the finished score as promised. She walked down the hall where the wallpaper was peeling and curled and turned into what had once been the back parlor. It was now her music room.
Boxes she hadn’t even thought of unpacking stood in a pile against one wall. A few odd pieces of furniture that had come with the house sat hidden under dustcovers. The windows were uncurtained, the floor was uncarpeted. There were pale squares intermittently on the walls where pictures had once hung. In the center of the room, glossy and elegant, stood her baby grand. A single box lay open beside it, and from this Maggie took a sheet of staff paper. Tucking a pencil behind her ear, she sat.
For a moment she did nothing else, just sat in the silence while she let the music come and play in her head. She knew what she wanted for this segment—something dramatic, something strong and full of power. Behind her closed eyelids she could see the scene from the film sweep by. It was up to her to underscore, to accentuate, to take the mood and make it music.
Reaching out, she switched on the cassette tape and began.
She let the notes build in strength as she continued to visualize the scene her music would amplify. She only worked on films she had a feeling for. Though the Oscars told her she excelled in this area of work, Maggie’s true affection was for the single song—words and music.
Maggie had always compared the composing of a score to the building of a bridge. First came the blueprint, the overall plan. Then the construction had to be done, slowly, meticulously, until each end fit snugly on solid ground, a flawless arch in between. It was a labor of precision.
The single song was a painting, to be created as the mood dictated. The single song could be written from nothing more than a phrasing of words or notes. It could encapsulate mood, emotion or a story in a matter of minutes. It was a labor of love.
When she worked, she forgot the time, forgot everything but the careful structuring of notes to mood. Her fingers moved over the piano keys as she repeated the same segment again and again, changing perhaps no more than one note until her instincts told her it was right. An hour passed, then two. She didn’t grow weary or bored or impatient with the constant repetition. Music was her business,