The Villa on the Riviera. Elizabeth Edmondson
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The Villa on the Riviera
Elizabeth Edmondson
COPYRIGHT
Published by HarperCollinsPublishers Ltd 1 London Bridge Street London SE1 9GF
First published in Great Britain by HarperCollins 2014
Copyright © Elizabeth Edmondson 2014
First published as The Art of Love in 2008 by HarperCollins
Cover images © Shutterstock.com Cover layout design © HarperCollinsPublishers Ltd 2014
Elizabeth Edmondson asserts the moral right to be identified as the author of this work.
A catalogue record for this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
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Source ISBN: 9780007283705
Ebook Edition © August 2014 ISBN: 9780008104153
Version: 2019-04-17
DEDICATION
For Rosie Buckman
With love and gratitude
Contents
Copyright
Dedication
Part One
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Part Two
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
Chapter Twenty-Eight
Chapter Twenty-Nine
Chapter Thirty
Chapter Thirty-One
Chapter Thirty-Two
Chapter Thirty-Three
Chapter Thirty-Four
Chapter Thirty-Five
Chapter Thirty-Six
Chapter Thirty-Seven
Chapter Thirty-Eight
Chapter Thirty-Nine
Chapter Forty
Chapter Forty-One
Chapter Forty-Two
Chapter Forty-Three
Chapter Forty-Four
Chapter Forty-Five
Chapter Forty-Six
Chapter Forty-Seven
Chapter Forty-Eight
Chapter Forty-Nine
Chapter Fifty
Chapter Fifty-One
Chapter Fifty-Two
Chapter Fifty-Three
Also by Elizabeth Edmondson
About the Publisher
ONE
‘If I’m not Polly Smith, then who am I?’
‘What a profound question,’ said Oliver Fraddon.
The two of them were standing side by side in a gallery at Somerset House, home of the Register of Births, Marriages and Deaths for all the counties of England.
‘The world in little, one might say,’ Oliver went on, looking along the floor-to-ceiling shelves filled with thousands of large red ledgers that contained the transitions of millions of lives, present and past. ‘All of us written down here, captured, immortalized. Volumes full of names and identities, A to Z, plain and extraordinary. We’re born, we marry — or some of us do — and we die, and each time we are set down on a page in here. A frightening thought.’
‘Never mind the frightening thought, what concerns me is that I’m not among those immortalized here,’ Polly said.
‘Very true. I suggest we go back to the desk and ask the recording angel for help.’
He led the way down the metal spiral staircase, warning Polly to watch her step. ‘Or you’ll end up as a new entry under Deaths.’
The clerk standing behind the long wooden length of the main counter had not a touch of the angelic about her. She wore pince-nez attached to a thin chain and had a harassed air. Oliver addressed her. ‘This young lady seems to have gone missing.’
The clerk looked at Polly with worried, faded grey eyes, eyes that were kinder than her pinched mouth. ‘Oh dear. Can’t find yourself? Not where you should be? Your name is Smith, you say. Well, there are rather a lot of Smiths, but in the end there’s only one of you. It comes down to having the right dates and the right address. Once we’re sure of that information, we can find you. Unless,’ she added, her voice sharpening, ‘unless you’re a foreigner.’
‘Do