The Spy Quartet. Len Deighton
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An Expensive Place to Die
Do not disturb the President of the Republic
except in the case of world war.
Instructions for night duty officers
at the Élysée Palace
You should never beat a woman,
not even with a flower.
The Prophet Mohammed
Dying in Paris is a terribly expensive
business for a foreigner.
Oscar Wilde
The poem ‘May’ quoted here is from Twentieth Century Chinese Poetry, translated by Kai-yu Hsu (copyright © Kai-yu Hsu 1963) and reprinted by permission of Doubleday & Co. Inc., New York
Contents
Introduction
France beckons to every lonely misfit, and most novelists answer to that description at some time or another. Many authors have responded to France’s call with enthusiasm; notably during those years between the two world wars when the exchange rates favoured those with US dollars, and Prohibition at home made the noble vintages of France irresistible. But most of those writers were prudent. Writing primarily for English-speaking readers they wrote stories about English-speaking people. Most of those stories were vaguely autobiographical ones about the wealthy English and American visitors with whom the writers fraternized. France provided the mountains and the Mediterranean but the French people in the stories were mostly waiters.
Many of the resulting books were dazzling; some became classics but many of the stories could have taken place in Gloucestershire or Long Island. This was a practical restraint, but writing about France without depicting French people (however inaccurate or untypical the characterizations might be) is like eating a chocolate