Holiday In Stone Creek. Linda Lael Miller
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he resembled the Michelin man.
Ashley turned to smile at Olivia, taking in her trim, tailored black pantsuit—a holdover from her job interview at the veterinary clinic right after she’d finished graduate school. She’d ferreted through boxes until she’d found it, gone over the outfit with a lint roller to get rid of the ubiquitous pet hair, and hoped for the best.
“I guess you couldn’t quite manage a dress,” Ashley said without sarcasm. She was tall and blond, clad in a long skirt, elegant boots and a colorful patchwork jacket she’d probably whipped up on her sewing machine. She was also stubbornly old-fashioned—no cell phone, no internet connection, no MP3 player—and Olivia had often thought, secretly of course, that her younger sister should have been born in the Victorian era, rather than modern times. She would have fit right into the 1890s, been completely comfortable cooking on a wood-burning stove, reading by gaslight and directing a contingent of maids in ruffly aprons and scalloped white caps.
“Best I could do on short notice,” Olivia chimed in, exchanging a hello grin with Meg and giving Mac’s mittened hand a little squeeze. His plump little cheek felt smooth and cold as she kissed him.
“Since when is a year ‘short notice’?” Melissa put in, grinning. She and Ashley were fraternal twins, but except for their deep blue eyes, they bore no noticeable resemblance to each other. Melissa was small, an inch shorter than Olivia, and wore her fine chestnut-colored hair in a bob. Having left the law office where she worked to attend the ceremony, she was clad in her usual getup of high heels, pencil-straight skirt, fitted blazer and prim white blouse.
Up on stage, Brad tapped lightly on the microphone.
Everybody fell silent, as though the whole gathering had taken a single, indrawn breath all at the same time. The air was charged with excitement and civic pride and the welcome prospect of construction jobs to tide over the laid-off workers from the sawmill.
Meg’s eyes shone as she gazed up at her husband. “Isn’t he something?” she marveled, giving Olivia a little poke with one elbow as she shifted Mac to her other hip.
Olivia smiled but didn’t reply.
“Sing!” someone shouted, somewhere in the surging throng. Any moment now, Olivia thought, they’d all be holding up disposable lights in a flickering-flame salute.
Brad shook his head. “Not today,” he said.
A collective groan rose from the crowd.
Brad put up both hands to silence them.
“He’ll sing,” Melissa said in a loud and certain whisper. She and Ashley, being the youngest, barely knew Brad. He’d been trying to remedy that ever since he’d moved back from Nashville, but it was slow going. They admired him, they were grateful to him, but it seemed to Olivia that her sisters were still in awe of their big brother, too, and therefore a strange shyness possessed them whenever he was around.
Brad asked Olivia and Tanner to join him on stage.
Even though Olivia had expected that, she wished she didn’t have to go up there. She was a behind-the-scenes kind of person, uncomfortable at the center of attention. When Tanner appeared from behind her, took her arm and hustled her toward the wooden steps, she caught her breath. Stone Creekers raised an uproarious cheer, and Olivia flushed with embarrassment, but Tanner seemed untroubled.
He wore too-new, too-expensive boots, probably custom-made, to match his too-new hat, along with jeans, a black silk shirt and a denim jacket. He seemed as at home getting up in front of all those people as Brad did—his grin dazzled, and his eyes were bright with enjoyment.
Drugstore cowboy, Olivia thought, but she couldn’t work up any rancor. Tanner Quinn might be laying on the Western bit a little thick, but he did look good. Way, way too good for Olivia’s comfort.
Brad introduced them both: Tanner as the builder, and Olivia—“You all know my kid sister, the horse doctor”—as the driving force behind the project. Without her, he said, none of this would be happening.
Never having thought of herself as a driving force behind anything in particular, Olivia grew even more flustered as Brad went on about how she’d be heading up the shelter when it opened around that time next year.
More applause followed, the good-natured, hometown kind, indulgent and laced with chuckles.
Let this be over, Olivia thought.
“Sing!” someone yelled. The whole audience soon took up the chant.
“Here’s where we make a run for it,” Tanner whispered to Olivia, and the two of them left the stage. Tanner vanished, and Olivia went back to stand with her sisters and Meg.
Brad grinned, shaking his head a little as one of his buddies handed up a guitar. “One,” he said firmly. After strumming a few riffs and turning the tuning keys this way and that, he eased into “Meg’s Song,” a ballad he’d written for his wife.
Holding Mac and looking up at Brad with an expression of rapt delight, Meg seemed to glow from the inside. A sweet, strange alchemy made it seem as though only Brad, Meg and Mac were really there during those magical minutes, on that blustery day, with the snow crusting hard around everybody’s feet. The rest of them might have been hovering in an adjacent dimension, like actors waiting to go on.
When the song ended, the audience clamored for more, but Brad didn’t give in. Photographers and reporters shoved in close as he handed off the guitar again, descended from the stage and picked up a brand-new shovel with a blue ribbon on the handle. The ribbon, Olivia knew, was Ashley’s handiwork; she was an expert with bows, where Olivia always got them tangled up, fiddling with them until they were grubby.
“Are you making a comeback?” one reporter demanded.
“When will you make another movie?” someone else wanted to know.
Still another person shoved a microphone into Brad’s face; he pushed it away with a practiced motion of one arm. “We’re here to break ground for an animal shelter,” he said, and only the set of his jaw gave away the annoyance he felt. He beckoned to Olivia, then to Tanner, after glancing around to locate him.
Then, with consummate showmanship, Brad drove the shovel hard into the partially frozen ground. Tossed the dirt dangerously close to one reporter’s shoes.
Olivia thought of the finished structure, and what it would mean to so many stray and unwanted dogs, cats and other critters, and her heart soared. That was the moment the project truly became real to her.
It was really going to happen.
There were more pictures taken after that, and Brad gave several very brief interviews, carefully steering each one away from himself and stressing the plight of animals. When one reporter asked if it wouldn’t be better to build shelters for homeless people, rather than dogs and cats, Brad responded that compassion ought to begin at the simplest level, with the helpless, voiceless ones, and grow from there.
Olivia would have hugged her big brother in that moment if she’d been able to get close enough.
“Hot cider and cookies at my place,” Ashley told her and Melissa. She was already heading for her funny-looking hybrid car, gleaming bright yellow in the wintry sunshine. “We need to plan what we’re taking to Brad and Meg’s for Thanksgiving dinner.”
“I have to get back to work,” Melissa said crisply. “Cook something and I’ll pay you back.” With that, she made for her spiffy red sports car without so much as a backward glance.
Olivia had rounds to make herself, though none of them were emergencies, and she had some appointments at the clinic scheduled for that afternoon, but when she saw the expression of disappointment on Ashley’s face, she stayed behind. “I’ll change clothes at your house,” she said, and got into the Suburban to follow her sister back through town. Ginger had elected to stay home that day, claiming her arthritis was bothering her, and it felt odd to be alone in the rig.