The Stranger Game. Peter Gadol
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the same things, figurative painting, slow-cooked food, small towns far from other small towns. And yet we were also very different people. Ezra often wanted to be alone; I never did. His long black hair had a way of hiding half his glance; I usually pulled mine back into a ponytail. When he didn’t shave for a week, it seemed like he was hiding something. I’m grasping for some way to describe what I later understood better from a distance, and I’m dwelling too much on his appearance, although I was very attracted to him and wanted nothing more than to be close to him. His weeklong scruff was soft to touch.
That first morning after the rooftop party, we lay in bed with the blankets thrown back because the radiator was too aggressive. We had nowhere to be. We had all the time in the world for each other. When I was growing up, my father with his aches and pains often told me to enjoy my good health while it lasted and not take it for granted, but maybe the thing we really take for granted in our youth is time: back then an hour lasted longer, each day was epic.
We dated for a couple years and talked about moving in together but never did. Then there was a problem with my lease, I was going to have to move, and I pushed the subject, but Ezra said us sharing an apartment would never work. Never? I asked. As in never ever? My degree was in architecture, and all the way across the country there was a position at a firm that specialized in transforming old factories and warehouses into magnet schools and cultural centers, exactly the kind of work I most wanted to do. When I told Ezra about the job, he said I should go for it if I really wanted to, but he wouldn’t follow me out. His declaration came without elaboration and astonished me. We had a bitter fight; he accused me of plotting a course for myself while assuming he’d just fall in, independent Ezra who was sensitive about not getting anywhere in a career of his own. I think I was hurt to the extent I was because his accusation rang true. I applied for the job and got it.
After I moved, Ezra and I stayed in touch; we talked every couple of weeks, and one day my phone trilled with a text. Ezra had come west. He was near my office; in fact, he was at the museum down the street. More specifically, he was in the room with Madame B in Her Library, which he knew was my favorite painting, a tall early-modern portrait of a woman confined in a black buttoned-up gown yet grinning at the viewer with conspiratorial bemusement. The library was apparently invisible; the woman was painted against a brown backdrop with no books in sight. I didn’t believe Ezra was there. He texted back that there was only one way to find out.
He didn’t let go when he hugged me. His narrow shoulders, his veiny arms. His soft beard.
“Oh, Rebecca,” he said. “The biggest mistake of my thirty years was not following you out here.”
“We’re only twenty-eight,” I said.
“Whatever. I’m here now.”
“What makes you think I’d want you back?” I asked. “How do you know I’m not seeing someone?”
“You’re not.”
“You don’t know that. I don’t tell you everything.”
“You’re not,” he said again. “You can’t be.”
His breath warming my neck.
We lived together for eight years, at some point moving in to the house on the hill, using money my grandmother left me for a down payment. Those first two or three years in that house were the happiest of my life, a paradise to which I would struggle to return. Our last two years together, we argued frequently. I’d left my original job to form a studio with three partners, and we became busy entering every competition we could. We often worked late and through the weekend. Meanwhile Ezra wasn’t busy at all; he was always home waiting for me.
I kept up a stupid prolonged flirtation with one of my partners, who was married, which I am pretty sure Ezra never knew about while it was happening. My partner and I never had an actual tryst, and things cooled off, but my infatuation distracted me. The last year with Ezra was terrible. He kept saying he didn’t have a place in my life; he was a visitor. I’d tell him he was my life, but that sounded thin. I don’t have a place in my own life, he’d say, I’m a visitor there, too. I’d say that I didn’t know how to respond to that (or what he meant), and he’d snap: Why do you think you have to say anything? Some version of this conversation kept recurring. Then he’d say, I never wanted this house, it’s too much. I never wanted this garden, he’d say, or this view, and I’d say, You know that’s not true. You’re the one who always looked at the listings first. We weren’t making love. First tenderness left, then joy. When I got to my studio in the morning, I’d stretch out on a couch for a half hour with my eyes closed until I felt a yoke loosen across my shoulders. We agreed to try living apart for a time, although we knew this was less a trial than a prelude to our dissolution.
Ezra moved in to a small apartment up by the park and wanted to be free to see other people. He’d always been very sexual. I didn’t want to know about any of it, but eventually he told me when he came round to take care of the plants, and I didn’t interrupt him. The years fell away quickly, and we saw each other often; we were never out of each other’s lives. In many ways we grew closer again, confiding in each other once more, or, that is to say, he told me about the women he saw, none very seriously; I tended to tell him about my clients and projects. Ezra didn’t earn much as the assistant manager of the local bookstore, so I helped him out occasionally when he let me. He traveled with me to both of my parents’ funerals nine months apart. We met for dinner regularly, a movie sometimes. I cooked for him, he cooked for me. But I didn’t take him to dinner parties or events as my plus-one; he didn’t spend time with my friends. When we met up, it was always only the two of us. I never felt as centered as I did when I was driving back to the house on the hill after being in his company.
Whenever Ezra was involved with someone, we saw each other less. During these periods, I missed him but wanted him to settle down with someone new in a meaningful way. Only then would I be able to pursue my own happiness, then it would be my time; I can see now this was my thinking. The longest I’d ever gone without hearing from him was two weeks.
Two months ago in September, I hadn’t heard from Ezra for three weeks. I was busier than usual working on the conversion of a landmark insurance headquarters into a charter school. Something had happened between us—I won’t go into it—and I was trying to achieve some distance. When Ezra didn’t answer a series of texts, I thought, Well, I hope I like her.
Another week went by, and he still wasn’t answering my texts or calls, and I became worried. I dropped by his apartment. When I was knocking on his door, the property manager stepped out and said she assumed Ezra had gone away because he had missed his rent. This was very unusual. Weirdly though his car was still in his garage—she’d checked that morning. Ezra had known some dark days, and I didn’t think his depression ever became so unbearable that he’d harm himself, but I panicked. I had my key out before the property manager grabbed hers.
The wool blanket I’d given him for his last birthday was neatly folded across his made bed. Pillars of art books doubled as night tables. Ezra’s clothes, shoes, and luggage were in his closet. He had always been neat. The dishes were put away, but there were some salad greens going bad in the refrigerator. There was a stack of bills and magazines on his writing desk along with a fat biography of a poet bisected by a bookmark and a mug marked by rings of evaporated coffee. And next to the mug and the book was a printout of an article: it was the essay that had launched the stranger game.
THE DAY AFTER I’D FOLLOWED THE WOMAN AND CHILD home from the park, I went into the office early to work on some renderings but had difficulty focusing. For a change of scenery, I walked to the museum at noon and slipped into an exhibition of recent acquisitions by younger artists. The very first patrons I noticed were two men standing in front of an expansive abstract painting of layered squares, off-whites floating over delicate blues floating over earthy browns. The work looked like a painting but was actually a collage of ephemera—boarding passes, sales receipts, postcards, circulars—all of which were sanded into one smooth plane and drenched in resin. It was unusually beautiful. I observed the two men. One was tall, scantily bearded, wearing steel glasses; the other was younger, tightly packed into his sweater and slacks. Both of them admired