Dangerous. Diana Palmer
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state and federal law enforcement for their assistance. The long refreshment tables were indicated, and guests were invited to help themselves. Then the presents were handed out.
Kilraven was briefly stunned at the size of his. Unless it was a very large tie, or camouflaged, he wasn’t sure what he’d snagged here. He turned the large square over in his hands with evident curiosity.
Little blonde Winnie Sinclair watched him out of the corner of her dark eyes. She’d worn her blond, wavy hair long, around her shoulders, because someone had said Kilraven didn’t like ponytails or buns. She wore a pretty red dress, very conservative, with a high neckline. She wished she could find out more about their enigmatic officer. Sheriff Carson Hayes had said some of Kilraven’s family had died in a murder years before, but she hadn’t been able to worm any more information out of him. Now they had a real, messy murder victim—actually their second one—killed in Jacobs County, and there was a rumor around law enforcement circles that a woman in San Antonio had known the victim and died for it. There were even more insistent rumors that the cold case was about to be reopened.
Whatever happened, Kilraven was supposed to leave and go back to his federal job in San Antonio after Christmas. Winnie had been morose and quiet for days. She’d actually drawn Kilraven’s name for that secret present, although she had a hunch her coworkers had arranged it. They knew how she felt about him.
She’d spent hours trying to decide what to give him. Not a tie, she thought. Everybody gave ties or handkerchiefs or shaving kits. No, her gift had to be something distinctive, something that he wouldn’t find on any store shelf. In the end, she put her art talent to work and painted him a very realistic portrait of a raven, surrounded by colorful beads as a border. She didn’t know why. It seemed the perfect subject. Ravens were loners, highly intelligent, mysterious. Just like Kilraven. She had it matted at the local frame shop. It didn’t look bad, she thought. She hoped he might like it. Of course, she couldn’t admit that she’d given it to him. The gifts were supposed to remain anonymous. But he wouldn’t know anyway because she’d never told him that she painted as a hobby.
Her life was magic just because Kilraven had come into it. Winnie came from great wealth, but she and her brothers rarely let it show. She enjoyed working for a living, making her own money. She had a little red VW that she washed and polished by hand, bought out of her weekly salary. It was her pride and joy. She’d worried at first that Kilraven might be intimidated by her monied background. But he didn’t seem to feel resentment, or even envy. In fact, she’d seen him dressed up once for a conference he was going to. His sophistication was evident. He seemed at home anywhere.
She was going to be miserable when he was gone. But it might be the best thing. She was crazy about him. Cash Grier said that Kilraven had never faced his demons, and that he wasn’t fit for any sort of relationship until he had. That had depressed Winnie and affected her attitude toward Kilraven. Not that it squelched her feelings for him.
While she was watching him with helpless delight, he opened the present. He stood apart from the other officers in his department, his dark head bent over the wrapping paper, his silver eyes intent on what he was doing. At last, the ribbon and paper came away. He picked up the painting and looked at it, narrow-eyed, so still that he seemed to have stopped breathing. All at once, his silver eyes shot up and pierced right into Winnie’s dark ones. Her heart stopped in her chest. He knew! But he couldn’t!
He gave her a glare that might have stopped traffic, turned around and walked right out of the party with the painting held by its edge in one big hand. He didn’t come back.
Winnie was sick at heart. She’d offended him. She knew she had. He’d been furious. She fought tears as she sipped punch and nibbled cookies and pretended to be having a great time.
KILRAVEN WENT THROUGH the motions of doing his job until his shift ended. Then he got into his own car and drove straight up to San Antonio, to the apartment of his half brother, Jon Blackhawk.
Jon was watching a replay of a soccer match. He got up to answer the door, dressed in sweatpants and nothing else, with his loosened black, thick hair hanging down to his waist.
Kilraven gave him a hard stare. “Practicing your Indian look?”
Jon made a face. “Getting comfortable. Come in. Isn’t this a little late for a brotherly visit?”
Kilraven lifted the bag he was carrying, put it on the coffee table and pulled out the painting. His eyes were glittering. “You told Winnie Sinclair about the raven pictures.”
Jon caught his breath when he saw the painting. Not only was it of a raven, Melly’s favorite bird, but it even had the beadwork in the same colors framing it against a background of swirling oranges and reds.
He realized, belatedly, that he was being accused. He lifted his dark eyes to his brother’s light ones. “I haven’t spoken to Winnie Sinclair. Ever, unless I’m mistaken. How did she know?”
The older man’s eyes were still flashing. “Somebody had to tell her. When I find out who, I’ll strangle him.”
“Just a thought,” Jon pondered, “but didn’t you tell me that she called for backup on a domestic dispute when you didn’t call and ask for it?”
Kilraven calmed down a little. “She did,” he recalled. “Saved my butt, too. The guy had a shotgun and he was holding his wife and daughter hostage with it because the wife was trying to get a divorce. Backup arrived with sirens and lights blaring. Diverted him just long enough for me to subdue him.”
“How did she know?” Jon asked.
Kilraven frowned. “I asked. She said she had a feeling. The caller hadn’t told her about the shotgun, just that her estranged husband had walked in and made threats.”
“Our father used to have those flashes of insight,” Jon reminded him. “It saved his life on more than one occasion. Restless feelings, he called them.”
“Like on the night my family died,” Kilraven said, sitting down heavily in an easy chair in front of the muted television. “He went to get gas in his car for the next day when he had a trip out of town for the Bureau. He could have gone anytime, but he went then. When he came back …”
“You and half the city police force were inside.” Jon winced. “I wish they could have spared you that.”
Kilraven’s eyes were terrible. “I can’t get it out of my mind. I live with it, night and day.”
“So did Dad. He drank himself to death. He thought maybe if he hadn’t gone to get gas, they’d have lived.”
“Or he’d have died.” He was recalling Alice Mayfield Jones’s lecture of the week before. “Alice Jones read me the riot act about that word if.” He smiled sadly. “I guess she’s right. We can’t change what happened.” He looked at Jon. “But I’d give ten years of my life to catch the guys who did it.”
“We’ll get them,” Jon said. “I promise you, we will. Had supper yet?” he added.
Kilraven shook his head. “No appetite.” He looked at the painting Winnie had done. “You remember how Melly used her crayons?” he asked softly. “Even at the age of three, she had great talent …” He stopped abruptly.
Jon’s dark eyes softened. “That’s the first time I’ve heard you say her name in seven years, Mac,” he said gently.
Kilraven grimaced. “Don’t call me …!”
“Mac is a perfectly nice nickname for McKuen,” he said stubbornly. “You’re named for one of the most famous poets of the seventies, Rod McKuen. I’ve got a book of his poems around here somewhere. A lot of them were made into songs.”
Kilraven looked at the bulging bookcases. There were plastic bins of books stacked in the corner. “How do you ever read all those?” he asked, aghast.
Jon glared at him. “I could ask you the same question. You’ve got even more books than I have. The only things