The walk back to Upper Wimpole Street where Tallie lodged was not inconsiderable, but even with two guineas in her purse she was not tempted to take a hackney carriage. As she walked briskly through the gathering gloom of a late February afternoon she tried to put the frightening events of the afternoon out of her mind by contemplating her finances. She only succeeded in making herself feel even lower than before.

      Talitha Grey and her mother had found themselves having to eke out a life of shabby gentility when her father died suddenly five years previously. James Grey had left them with no assets other than some shady investments, which proved to be worth less than the paper they were printed upon, and a number of alarming debts. With Mrs Grey’s small annuity and Tallie’s one hundred pounds a year they managed, although Tallie’s modest come-out was perforce abandoned and her mother sank rapidly into a melancholy decline.

      When she followed her husband to the grave three years later, Tallie discovered that the annuity vanished with her mother’s death and she was faced with the very limited options open to a well-bred young woman with little money and neither friends nor connections.

      A respectable marriage was out of the question without dowry or sponsor. The choice appeared to be between hiring herself out as a lady’s companion or as a governess. Neither appealed: something behind Tallie’s calm, reserved countenance revolted at the thought of any more time spent entirely at another’s beck and call, cut off from all independence of action or thought. She had loved her mother and had never grudged the fact that her entire life since her father’s death had been devoted to her, but she had no intention of seeing the rest of that life disappear in the same way in the service of those to whom she had no ties of blood or affection.

      Tallie had reviewed her talents once again with a rather more open mind. All that it seemed that she possessed was a certain aptitude with her fingers and good taste in the matter of style. Donning her last good gown, she had sallied out and had called upon every fashionable milliner that she could find in the Directory.

      The famous Madame Phanie dismissed her out of hand, as did several others. It seemed that impoverished gentlewomen were two a penny and could be depended upon to give themselves airs from which their humbler sisters were mercifully free. But just when Tallie was about to give up, she found Madame d’Aunay’s exquisite shop in Piccadilly, not four doors from Hardin, Howell and Company, the drapers.

      Madame was graciously pleased to interview Miss Grey and even more gracious when she had a chance to view Miss Grey’s work. Tallie joined the hardworking team in the back room. But one day, having heard a paean of praise of a particularly fetching Villager bonnet that Tallie had produced entirely by herself, Madame was moved to call her out of the workroom to discuss with the customer the minor changes to the trimmings that were required.

      Word spread that Madame d’Aunay’s establishment boasted a young lady of charming manners and gentility who was an absolute magician with a hat, especially one to flatter a lady on the shady side of forty. Soon Tallie had her own clientele. Madame charged a handsome supplement to send Miss Grey into private homes for personal fittings, and, as Madame, once Mary Wilkinson of All Hallows, was a sensible woman, she paid Tallie a good portion for herself.

      But it only just made ends meet. Tallie sighed as she climbed the steps to the front door of Mrs Penelope Blackstock’s private lodging-house for young gentlewomen in Upper Wimpole Street. It was not like her to be so despondent, but it was beginning to dawn upon her lately that she was never going to earn enough to do more than scrape by and even that depended entirely on her ability to keep working. And now she had received an all-too-clear warning that one of her sources of income was perilous indeed. If Lord Parry had recognised her, then even her respectable employment would be in jeopardy.

      ‘Tallie! You must be frozen.’ Mrs Blackstock’s eighteen-year-old niece Emilia, usually known as Millie, appeared from the parlour at the sound of the key in the door, her head wrapped turban-fashion in a shawl. ‘Do come in and get warm by the fire. Aunt has just made some tea and we are toasting muffins.’

      Thankfully Tallie dropped bonnet and pelisse on the hall chair and followed her in, pulling off her gloves as she did so. All the residents of the household, with the exception of Mrs Porter the cook and little Annie the maid of all work, were gathered round the fireplace.

      Suddenly Tallie’s vision swam and she found she could not find her way to her chair. Her sight was so blurred she had to grip the edge of the table to steady herself.

      ‘Tallie dear, what is the matter? Are you ill?’ Zenobia Scott, the other lodger, leapt to her feet and guided Tallie to her seat. ‘You are frozen! Please, Mrs Blackstock, may I ask Cook to bring a hot brick for her feet?’

      ‘I’ll go.’ Millie was already on her way and Tallie found herself a short while later wrapped snugly in a blanket with the blissful heat of one of the bricks that Cook always kept on the back of the range in the winter glowing by her feet.

      She curled her fingers tightly around the teacup and smiled gratefully at her friends, thankful as always for having found this cheerful feminine sanctuary.

      ‘Have you walked all the way home, Talitha?’ Mrs Blackstock asked. ‘I do wish you would not; it is so cold out there, and dark now. What occurred to upset you so? Has some man offered you an insult?’

      ‘No, not exactly.’ Tallie made herself think. She could hardly pretend now that nothing had happened—and in any case she badly wanted to talk about it—but although the other women knew she sat for Mr Harland, they had no idea it was in a scandalous state of undress. They knew how she had begun to sit for the portraitist and had unthinkingly assumed that the supply of Society ladies who required someone else to model their less-than-perfect or pregnant figures was constant. But Tallie had failed to tell them that after the first commission, undertaken at the behest of one of her millinery customers wanting a portrait to remind her husband of her pre-childbirth slenderness, she had succumbed to the temptation of far more lucrative modelling.

      ‘I was at the studio,’ she began, ‘and a party of gentlemen arrived unexpectedly and insisted on coming up. They guessed Mr Harland had a female sitter and began the most dreadful hue and cry, looking for me.’

      ‘How dreadful!’ Mrs Blackstock and her niece said in one voice. Millie, a ravishingly pretty blonde with a lovely figure and a charming, though light, singing voice, was employed as a dancer at the Opera House. Despite all popular prejudice about her profession, she maintained both her virtue and an endearing innocence, whatever lures gentlemen threw