Beach House No. 9. Christie Ridgway
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AT THE OPPOSITE END of the cove from Beach House No. 9, Jane sat railside at Captain Crow’s, a restaurant/bar that was one of only two commercial establishments on the beach—the other being an adjacent gallery that sold plein air paintings and beautiful handmade boxes, frames and jewelry crafted from items of the sea. She’d poked her nose inside, taking in sun-drenched landscapes and rainbow-hued earbobs of abalone and beach glass, but her urge to admire couldn’t overshadow her certainty that the open floor plan made it a lousy place to hide.
Now Captain Crow’s, that was another matter.
It was as if Party Central had moved north by a couple miles. Pleasure-seekers peopled the open-air tables and sat elbow-to-elbow on stools pulled up to a narrow, westward-facing counter. Dressed in her usual conservative wear—cropped khakis, a thin, bottle-green button-down shirt and a straw hat settled low on her brow—Jane went unnoticed among the rhinestoned tees and short shorts, the boho skirts and macraméd halter tops. The typical California confluence of Hollywood high culture and laid-back hippie fashion. Nearly overpowering the scent of salt air were the mixed aromas of SPF 30 sunscreen, Rodeo Drive perfumes and top-shelf tequila.
She’d collected a glass of white wine from the bar and slipped onto a free stool, unsure of her next move in her goal of getting Griffin to work. The only short-term certainty was her need to steer clear of him for the moment, giving him a chance to cool off following the plate-throwing incident. Seeing her again too soon might antagonize him further, causing him to do something rash, like ordering her from the cove altogether.
As she took a sip of her straw-colored beverage, she caught a glimpse of Skye Alexander strolling through the restaurant, her roaming gaze suggesting she was looking for someone. Jane pulled her hat lower on her brow and fixed her attention on the orange orb in the blue sky, tracking its descent. She figured it was better to avoid Skye too. Jane wouldn’t put it past Griffin to send the other woman to scout her out…and then toss her from the beach colony, despite the fact that it was his own agent who had hired her. Slumping in her seat, she tried lifting her shoulders to her ears, going Quasimodo as camouflage.
But the world hadn’t gone her way in ages, so she felt the tap on her back with no surprise. Turning, she consoled herself with the knowledge that there wasn’t a free space on either side of her. That thought came too soon as well, though, because someone shouted, and the crowd around her scattered, people rushing down the steps to the sand.
Befuddled, Jane watched them gather near a flagpole at the base of the stairs to the beach. Skye perched on the freed seat next to Jane, her gaze also on the excited throng. A man wearing ragged, low-slung shorts and the ubiquitous tan lifted a conch shell to his lips. The blast of sound set the crowd cheering again, and then a blue flag slowly rose on the pole. When it reached the peak, the bystanders saluted the fluttering fabric. Jane saw it was printed with the universal symbol for martini.
“Cocktail time,” Skye explained. “Five o’clock.”
Jane’s brows lifted, taking in the beverages already in hands, including her own half-full wineglass.
“Official cocktail time at Crescent Cove. This ritual goes back to the fifties.”
“That’s when this beach was discovered?” If Jane kept the other woman talking about their surroundings, maybe she could avoid other subjects. Like Griffin. Like how he was likely in No. 8 right this moment, packing her duffel for her imminent departure. “During the wonder years of tiki parties and limbo games?”
Skye shook her head. “Before then. During Prohibition, rumrunners made it a secret drop-off point for contraband liquor. And before that, during the silent film era, my great-great-grandfather used it as a stand-in for a South Seas atoll. He had a movie company, Sunrise Studios, and trucked in all the tropical vegetation that flourishes here.”
At the mention of silent films, Jane covered her mouth, then glanced down the beach at the colorful residences spilling from the hillside to the edge of the sand. The ocean breeze shivered through the graceful fronds of the date palms shading their roofs and set the long leaves of the banana plants wagging. The creamy faces of plumeria flowers mingled with brighter splashes of hibiscus in yellow, red and pink. The bougainvillea grew everywhere something else didn’t.
She could imagine this place as an exotic backdrop to long-ago movies or as an idyllic vacation getaway. “It really does appear out of another time.”
For no more reason than that, a person would be reluctant to leave. It wasn’t hard for Jane to picture woody station wagons pulled up behind the cottages. She could see the children of the past playing in the surf, riding inflatable rubber rafts instead of the foam boogie boards the contemporary kids were dragging into the water by leashes attached at their ankles. At five o’clock some sunburned man with a crew cut would blow the conch shell, heralding another idyllic summer evening. “Magic,” she murmured.
A foolish notion that she’d always wanted to believe in. Just like love. Her father had detected the weakness in her early on, as clear to him, apparently, as her lack of aptitude in the sciences. “So silly and emotional, Jane,” he would say, shaking his head at her. “Just like your mother.”
Pushing the memory aside, she tuned back in to Skye’s conversation. The crowd had returned to their places, and Jane was forced to lean close to hear over their rowdy chatter. “The earliest houses go back to the 1920s and ’30s,” the other woman was saying. “My great-great-granddad built some of them, my great-grandfather more, but it wasn’t until my mom was pregnant with me that my parents moved here. They live in Provence now, and though I live at the cove full-time, most habitants are seasonal.” She paused. “Like the Lowells.”
Griffin. Their last moments together replayed in Jane’s head, his flattened voice describing what had happened to his colleague Erica in Afghanistan. The neutral tone to his words had been belied by the stiffness of his posture. Even now, Jane could feel the tense muscle of his forearm under her hand and the way he’d wrenched from her hold in order to heave the cookie platter against the wall. It reminded her that she owed Skye a plate…and her client an apology?
Jane didn’t think an “I’m sorry” would change his mind about her. By insisting he’d have to touch on that tragedy, she’d become the object of his wrath. She had the very bad feeling he would absolutely refuse to work with her now. On a sigh, she met Skye’s gaze. “Did Griffin send you to find me?”
“What? No.”
“Oh.” The denial eased Jane’s worry better than another swallow of wine. “Good.”
“But I was looking for you.” She hesitated. “Your name rang a bell…and then when I put it together with what you said about helping Griffin with his memoir…”
Jane’s belly tightened. How widespread was the smear on her reputation?
“I have all of Ian Stone’s novels,” Skye said.
Jane nodded, tensing further. “I’m not surprised.”
The other woman gave a little smile. “I know, I know, me and everyone else. Number one New York Times bestseller several times over. Many of them were made into movies.”
“The last five.”
“I’m one of those people who likes to reread books, poring over them from the dedication page up front to the author’s note at the back.” Skye hesitated, then the question she’d obviously been dying to ask burst out. “What was it like to work with him? Because that’s you, isn’t it? I figured it had to be when you told me you work with writers. He dedicated Sal’s Redemption, The Butterfly Place and Crossroads Corner to you, right?”
“Yes.” For three years, she’d worked almost exclusively with him. He’d been the focus of her career.
Then he’d become the focus of her life.
“So,” Skye prodded. “Will you dish? Is he as handsome as he appears on book jackets and in TV interviews?”
“Handsomer.” She sighed inwardly.