How To Lose Weight And Alienate People. Ollie Quain
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in real life.) Even when supposedly suffering from malnutrition in Les Mis, Anne Hathaway merely looked as if she was on the Attack phase of the Dukan.
‘How did you reach your target weight?’ I ask casually. But specifically so.
Maximilian shrugs at me. ‘Incredibly, I ate less and exercised more. It wasn’t a big deal. I’ll do whatever a role requires to convince an audience I am that character. I love what I do and get paid stupid amounts of money to do it. Ultimately, total dedication is what the crew who surround me and the audience who pay to come and see me deserve. It’s no more or less fucking complicated than that.’
‘Wow, that’s a particularly un-pretentious and nonwankerish thing to say. Didn’t you mean, I believe in becoming one with my art?’
He ignores my quip and sits down opposite me, his eyes focus on mine again. ‘So, tell me, Vivian, how far would you go?’
‘Erm … oh, I er … well …’ I look at my lap. ‘To be honest, the sort of parts I audition for don’t require too much application.’
‘There’s your answer, then.’
‘Answer to what?’ I ask, suddenly noticing a loose thread on the bottom of Adele’s vest. Shit. I must have snagged it on something.
‘Why you haven’t hit “that level”,’ explains Maximilian. ‘Decent casting directors can sense a lack of commitment. They can smell it the moment you walk in the room. You should approach every part wanting to feel that person; give everything, do everything, be everything that they are … because that’s what acting is. The ability to reach inside yourself and pull out a truth …’
He pauses. I glance up. He is staring at me. I stare back.
‘But you won’t be able to do that until you know the truth,’ he continues, his eyes penetrating mine. ‘Until you know your truth … who you really are, you can’t pretend to be someone else.’
‘O-kay. Thanks for the career advice. I’ll bear that in m—’
He interrupts me. ‘Oh, that wasn’t just career advice, Vivian. That was advice for life.’ He holds my gaze for a few moments longer, then his eyes dart to the side. ‘Barb?’
I twist round to see her head cocked round the door. She is chewing her gum even more vigorously.
‘Maxy, we need to have a quick pow-wow with Nicholas.’ She beckons at him with a heavily jewelled hand and then beams at me with an overly generous smile, one that I haven’t seen yet. ‘Apologies, kiddo. We won’t be long.’
As they leave she pulls the door behind them, but it swings back open.
‘Okay, Maxy,’ I overhear her say as they disappear down the corridor. ‘I’m going to give you this straight. JP has bailed. He’s looking to cast elsewhere for Truth 2.’ She doesn’t give him a chance to react. ‘Am I surprised? Not really. Your train hasn’t exactly been pulling into Good Press Central recently, but hey, I’ve never let you come off the tracks. You know I’ll get you to your final destination.’
‘Barb, lose the clunky metaphor. I’ve already told you, I’m not going t—’
She interrupts him. ‘You’ll do what’s required, Maxy. You hear me?’ Again, she doesn’t give him time to reply. ‘By the way, how did you get on with that Vivian?’
‘Why?’
‘She could be useful.’
Then a door slams and I can’t catch any more.
I sit back in my chair. Useful? Really? I’m not usually. Most of what I do on a daily basis could easily be done by someone else. I like the idea of being considered useful, though. Definitely a step up from simply serving a purpose and a world away from being wholly surplus to anyone’s requirement, something which I used to feel every day when I wasn’t so …
… normal.
Obviously, now I am. Aren’t I? But I was not a normal child. I had a sort of … dark side. I wasn’t born with it. One day the darkness descended and before I knew it, that’s who I was: someone who preferred to hide away in the shadows. Nowhere was this more noticeable than in the framed photographs that decorated the corridor of my family’s home. On the wall, you could see my football-fanatic brother scoring goals, celebrating with team mates and waving his club scarf at away games. My teen-model sister was pictured (professionally) frolicking in paddling pools or through sprinklers for leading homestore retailers or leaping off a diving board for travel brochures. There is no photographic record of me after I hit double figures. I avoided cameras.
Obviously, my parents were not oblivious to my downward spiral but they dealt with it in different ways. My father said nothing. My mother asked Jesus to help me. (As in the Son of God – our local GP was not an immigrant Mexican.) She encouraged me to pray as well … up at the jagged crack in the ceiling of my bedroom, which according to her had been created by God with a thunder bolt to create a clear pathway of communication to Heaven. Clearly, all the crap that was stored in the loft kept getting in the way of my prayers, because my mood did not improve. So then – on advice from her church group – my mother screwed a full-length mirror to the wall, on the opposite side to the other one that was already there. They thought it may help if I could look at myself from a different perspective. But it only gave me a new angle from which to question myself. … And now I could see exactly why Kate Summers thought she had all the answers.
After the second mirror was installed, no matter where I stood in my bedroom I was reflected, so being horizontal was key. I would get under the duvet on my bed and place my hands straight down my sides, in an attempt to make myself as invisible as possible. I used to lie there for hours and hours and hours; day and night, in exactly the same position. But one day – not long after finishing school for good – I woke up to find my hands placed across my chest, not down by my sides as they usually would be. It was as if I was about to be buried. My bed had become a coffin, my bedroom was a morgue. I could see myself lying there. I still can. I was dead. Yeah, I know, I know … I told you … dark side! Anyway, I left home that day. Ironically, the next time I saw any of my family again was actually at a funeral.
I hear voices coming from the corridor.
‘You know as well as I do we’ve had worse freakin’ bull to deal with than this,’ says Barb. ‘It won’t take too much to get him back on top. Maxy isn’t just a ripped torso with a twinkle in his eye … he’s got talent.’
‘He’s also bloody temperamental and testing my patience.’ A flat male voice that I don’t recognise interjects. ‘Look, Silver, like I’ve always said: I certainly don’t give a singular monkey’s bollock whether Fry is respected. To misquote that bell-end in Jerry Maguire, “Show me the sodding money!” All I am asking you to do is make him popular and bankable again and fast. It’s getting ridiculous. Your face has had more work than Fry has over the last year. I don’t care if they spit his name at the Royal Shakespeare Company as long as every sad female singleton wants to screw him, every moronic alpha male wants to be him and he delivers the wonga. Now, where’s this waitress?’
Barb appears at the kitchen door with a sharply dressed man in a grey suit with a silk striped shirt and matching tie. His thick blond hair is swept back to show off an angular although not entirely unattractive face. He marches over to me.
‘Nicholas Van Smythe,’ he says, flashing a set of brilliant white veneered teeth. ‘Fry’s agent, visionary, evil overlord … depending on which rag you read.’ He kisses me on both cheeks. ‘Pleasure, darling.’
‘Hi,’ I stand up. ‘I’m Viv—’