When I Say Yes. Carolin Emcke

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When I Say Yes - Carolin Emcke


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      Carolin Emcke

      Translated by Tony Crawford

      polity

      Originally published in German as Ja heißt ja und … © S. Fischer Verlag GmbH, Frankfurt am Main, 2019

      This English edition © Polity Press, 2020

      Excerpt from: Enis Maci, Eiscafé Europa: Essays. Originally published in German © Suhrkamp Verlag Berlin 2018. Reproduced here with kind permission of Suhrkamp Verlag.

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      All rights reserved. Except for the quotation of short passages for the purpose of criticism and review, no part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher.

      ISBN-13: 978-1-5095-4089-1

      A catalogue record for this book is available from the British Library.

      The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.

      Every effort has been made to trace all copyright holders, but if any have been overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition.

      For further information on Polity, visit our website: politybooks.com

      This text is based on a stage performance which premiered at the Schaubühne, Berlin, in December 2018.

      You and I apart are easier to limit.

      – Kate Tempest, ‘Tunnel Vision’

      Speaking about the nature of writing always

      includes speaking about the nature of speaking;

      it is a bridge to the second person, the third, the other.

      – Enis Maci, Eiscafé Europa

      I thank everyone, acquaintances and strangers, who have attended my solo evening Ja heißt ja und … at the Schaubühne in Berlin.

      To be able to experience in the theatre what it’s possible to set in motion by speaking about these issues, what is moving, what is disturbing, what is funny – has been both instructive and delightful.

      I thank everyone who has told me afterwards, in letters or in conversation, about their own experiences: that has been a precious gift.

      And it has changed my writing in this book.

      Конец ознакомительного фрагмента.

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