A Little English Gallery. Louise Imogen Guiney
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inward eye was drawn strongly to his friend’s sepulchre, sealed and sombre before him, and to what had been her, “going into dust now almost a month of days, almost a lunar year … which, while I speak, is mouldering and crumbling into less and less dust.” But he ended in a wholesomer strain, subdued and calm: “This good soul being thus laid down to sleep in His peace, ‘I charge you, O daughters of Jerusalem, that ye wake her not!’ ”
The rare little duodecimo which contains Lady Danvers’s funeral sermon was printed soon after, “together with other Commemorations of Her, by her Sonne G. Herbert,” and offered to the public at the Golden Lion in Paul’s Churchyard. The commemorations are in Greek and Latin. Strangely enough, nowhere is the sweet and sage poet of The Temple so set upon his prosody, so given to awkward pagan conceits, so out of tune with the ideals of classic diction. But he, who tenderly loved his mother, has given to us, in the Memoriæ Matris Sacrum, several precious personal fragments, and one more precious whole picture of daily habits in the lines beginning Corneliæ sanctæ: her morning prayer, her bath, and the plaiting of her glossy hair; her housewifely cares, her fit replies, her writing to her friends, her passion for music, her gentle helpfulness; the long felicity of a glad and stainless life,
“Quicquid habet tellus, quicquid et astra, fruens.”
Dr. Donne died in 1631, whatever was yet of earth in his spirit healed and chastened by long pain. His last remembrance to some he loved was his own seal of Christ on the Anchor, “engraven very small on heliotropium stones, and set in gold, for rings.” Many of those to whom his heart would have turned, the “autumnal beauty” scarce second among them, had preceded him out of England. But in travelling towards his Maker, he had that other sacred hope to “ebb on with them,” and gloriously overtake them, as he traced the epitaph which covered him in old St. Paul’s: “Hic licet in occiduo cinere, aspicit eum cujus nomen est Oriens.” The tie between himself and her was not unremembered in the next generation; for we find John Donne the younger dedicating his father’s posthumous work to Francis, Lord Newport, and when making his will, in 1662, bequeathing also to the same Lord Newport “the picture of St. Anthony in a round frame.” And thus, in a revived fragrance, the annals of true friendship close.
These rapid, ragged strokes of a pen make the only possible biography of Lady Danvers. When Walton wrote of her, he had the entire correspondence with Dr. Donne before him.[13] “There were sacred endearments betwixt these two excellent persons,” he assures us, but disappointingly hurries on into the highway of his subject. It is curious that it seems impossible now to trace these breathing relics, or others from the same source; for George Herbert, in the second elegy of the Parentalia, has much to say, and very sweetly, of the industry of his mother’s “white right hand,” and of the “many and most notable letters, flying over all the world.” Much detail is utterly lost which men who agree with Prosper Mérimée that all Thucydides would not be worth an authentic memoir of Aspasia, or even of one of the slaves of Pericles, might be glad to remember. A copy of a song, a reminiscence of the glow and stir of the days through which she moved, a guess through a mist at the blond head,[14] the half-imperious carriage, the open hand, as she went her ways, like Dante’s lovely lady, sentendosi laudare—these are all we have of the daughter of England’s golden age. It would be easy, were it also just, to throw a dash of color into her shadowy history. One would like to verify the scene at Eyton, while the news of the coming Armada roused the lion in Drake, and struck terror into the Devon towns; and to hear the young wife, with three lisping Herberts at her knee, beguile them with mellow contralto snatches of a Robin Hood ballad, or with the sweet yesterday’s tale of Zutphen, where their country’s dearest gave his cup of water to a dying comrade. A decade later, before their handsome bluff father, her other healthful boys stood up to wrestle, and twang their arrows at forty paces; or a rosy daughter stole to his side, and asked him of mishaps in Ireland, or of the giant laughter bubbling from the “oracle of Apollo” in a London street. It is to be believed that one who watched events through the insurrection of Essex, through Raleigh’s dramatic trial, reprieve, and execution, through the national mourning for the Prince of Wales, through the fever for colonization, the savage sea-fights, the great intrigues in behalf of the Queen of Scots, the religious divisions, the muttering parliamentary thunders, the stress and heat of the exciting dawn of the seventeenth century, was not unmindful of all it meant to be alive, there and then. Magdalen Newport’s girlhood fell on Lyly’s Euphues, fresh from the printers; the Arcadia made the talk of Oxford, in her prime; the dusky splendor of Marlowe’s Faustus was abroad before her second marriage. She was, surely, aware of Shakespeare, and of the wonder-folio of 1623; of the newest delighting madrigals and antiphons set forth by one Robert Jones, when every soul in England had the gift of music; of rascal Robert Greene’s lovable lyrics, of Wyatt’s, Campion’s, and Drayton’s. She wrote no verses, indeed, but her familiars wrote them; her every step jostled a Muse. We may assume that no growth nor loss in literary circles escaped that tender “perplexing eye.” Perhaps it glistened from a bench, in the pioneer British theatre, on the actors of Volpone, and followed silently, behind the royal group, the first mincings of the first dear Fool in King Lear, one day-after-Christmas at Whitehall. Last of all, for whim’s sake, how any sociologist would enjoy having the honest opinion of young Lady Herbert, or that of little Mistress Donne, concerning the person they could but thank and praise! Utinam vivisset Pepys! It is a cheat of history that it preserves no clearer tint or trace of this chosen passer-by. Such, in truth, she was, and the quiet vanishing name clings to her: the woman of durable gladness, happily born and taught, like the soul whereof Sir Henry Wotton, who must have known her well, made his immortal song.
Of the gracious figure of Sir John Danvers we may be said to lose sight; for he seems less gracious, as by a Hindoo trick, as soon as it is written that his wife departed unto her reward. Comment on his character is equal comment upon hers, and adds new force to the classic episode of a lady philanthropist espousing a ne’er-do-weel and a featherbrain. Aubrey, always happy over a little ultra-contemporary gossip, calls it “a disagreeable match,” disappointing to the bridegroom’s kindred; but adds that “he married her for love of her wit.” Now, wit is an admirable magnet, but it is to be suspected that there was also, and in the immediate vicinity, “metal more attractive,” as Hamlet says. In the Chelsea parish-books is an entry, the first of its kind, certifying that Sir John Danvers had settled his account with “the poore,” a matter of thirty pounds’ loan (in which the vicar must have connived), for the year ending in January of 1628. If the payment were, by any hap, in advance, it may have fallen in Lady Danvers’s own lifetime; and if so, it is quite as likely that she paid it, with an admonition! Her “high tides of melancholy,” of whose true cause she certainly would not have complained to Dr. Donne, had something to do with this young spendthrift, who must have had his wheedling way, sooner or later, with such of her ample revenues as were yet extant. Perhaps Lord Herbert of Cherbury was both shrewd and charitable, in suppressing mention of his new relative.[15] The longer one looks into the matter, the less curious seems his unexplained silence concerning this late graft of a family hitherto always respectable and always loyal.
There are gleams of subsequent private history in the tell-tale records at Chelsea. We are not incurably astonished to learn that as early as May of 1629 was christened Elizabeth, daughter of Sir John Danvers and Elizabeth his wife. This Lady Elizabeth, arriving providentially with her Dauntsey wealth, having borne him four children, died, as did his mother, in 1636; and left him even as she found him, none too monogamous. In 1648 Sir John Danvers again appeared at the venerable altars where his first saint never had a memorial, loving, honoring, and cherishing a Mrs. Grace Hewes, Hawes, or Hewet, of Kemerton in Gloucestershire, and, as it is to be surmised, leading her tame fortune by a ribbon. His debts and difficulties, not of one but of all time, sprout perennially in the registers. His indefatigable name, oftener than any rival’s whatsoever, figures as borrowing and paying interest on a forty-pound note, which, like a Hydra-head, was always forthcoming so soon as it was demolished. This disgraceful business was the man’s chief concern: for the older he grew the deeper