The Man from Bar 20. Clarence Edward Mulford
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voice from somewhere. "I'll eat his black heart!" Then followed whistling, clucking, and a string of expletives classical in its completeness. "Andy wants a drink! Quick!"
A green object dropped past the stranger's face, thumped solidly on the pine bar, hooked a vicious-looking beak on the edge of the counter, and swore luridly as its crafty nip missed the stranger's thumb.
The puncher swiftly bent his sinewy forefinger, touched it with his thumb, and let it snap forward. The parrot got it on an eye and staggered, squawking a protest.
Pop was surprised and disappointed, for most strangers showed some signs of being startled, and often bought the drinks to further prove that the joke was on them. This capable young man carelessly dropped his great sombrero over Andrew Jackson and went right on talking as though nothing unusual had occurred. It appeared that the bird was also surprised and disappointed. The great hat heaved and rocked, bobbed forward, backward, and sideways, and then slid jerkily along the bar, its hidden locomotive force too deeply buried in thought and darkness to utter even a single curse. Reaching the edge of the bar the big hat pushed out over it, teetered a moment and then fell to the floor, where Andrew Jackson, recovering his breath and vocabulary at the same instant, filled the room with shrill and clamorous profanity.
The conversation finished to his satisfaction, the stranger glanced down at his boot, where the ruffled bird was delivering tentative frontal and flank attacks upon the glittering, sharp-toothed spur, whose revolving rowel had the better of the argument. Andrew sensed the movement, side-stepped clumsily and cocked an evil eye upward.
"You should 'a' taught him to swear in th' deaf an' dumb alphabet," commented the puncher, grinning at the bird's gravity. "Does he drink?" he asked.
"Try him, an' see," suggested Pop, chuckling. He reached for a bottle and clucked loudly.
Andrew shook himself energetically, and then proceeded to go up the puncher's chaps by making diligent use of beak and claws. Reaching the low-hung belt, he hooked his claws into it and then looked evilly and suspiciously at the strange, suddenly extended forefinger. Deciding to forego hostilities, he swung himself upon it and was slowly lifted up to the bar.
Pop was disappointed again, for it was the bird's invariable custom to deftly remove a portion of strange forefingers so trustingly offered. He could crack nuts in his crooked beak. Andy shook himself violently, craned his neck and hastened to bend it over the rim of the glass.
The stranger watched him in frank disgust and shrugged his shoulders eloquently. "So all you could teach him was vile cuss words an' to like whiskey, huh?" he muttered. "He's got less sense than I thought he had," he growled, and, turning abruptly, went swiftly out to his horse.
Pop stared after him angrily and slapped the bird savagely. Emptying the liquor upon the floor, he shuffled quickly to the door and shook his fist at the departing horseman.
"Don't you tell Logan that I sent you!" he shouted belligerently.
The stranger turned in his saddle, grinning cheerfully, and favored his late host with a well-known, two-handed nose signal. Then he slapped the black horse and shot down the street without another backward glance.
Pop, arms akimbo, watched him sweep out of sight around a bend.
"Huh!" he snorted. "Wonder what yo're doin' down here? Galivantin' around th' country, insultin' honest, hard-workin' folks, an' wearin' two guns, low down an' tied! I reckon when you learns th' lay of th' country, if you stays long enough, you'll wind up by joinin' that gang up in th' Twin Buttes country. I allus like to see triggers on six-shooters, I do." He had not noticed the triggers, but that was no bar to his healthy imagination. Shuffling back to his seat, he watched the indignant Andy pecking at a wet spot on the floor.
"So you didn't chaw his finger, huh?" he demanded, in open and frank admiration of the bird's astuteness. "Strikes me you got a hull lot of wisdom, my boy. Some folks says a bird ain't got no brains; but lemme tell you that you've got a danged good instinct."
CHAPTER II
A QUESTION OF IDENTITY
Meanwhile the stranger was loping steadily eastward, and he arrived at the corral of the CL ranch before sundown, nodding pleasantly to the man who emerged from it: "Howd'y," he said. "I'm lookin' for Logan."
The CL man casually let his right hand lay loosely near the butt of his Colt: "Howd'y," he nodded. "Yo're lookin' right at him."
"Do you need any more punchers?" asked the stranger.
"H'm," muttered the foreman. "Might use one. If it's you, we'll talk money on pay-day. I'll know more about you then."
A puncher, passing the corral, noticed the two guns, frowned slightly and entered the enclosure, and leaned alertly against the palisade, where a crack between two logs served him as a loophole.
The two-gun man laughed with genuine enjoyment at the foreman's way of hiring men. "That's fair," he replied; "but what's th' high an' low figgers? I like to know th' limit of any game I sets in."
Logan shrugged his shoulders. "Forty is th' lowest I'd offer a white man; an' he wouldn't draw that more'n a month. Any man as ain't worth more is in our way. It's a waste of grub to feed him. Th' sky is th' high limit—but you've got to work like h—l to pass th' clouds."
"I'm some balloon," laughed the stranger. "Where's the grub shack?"
"Hold on, young man! We ain't got that far, yet. Where are you from, an' what have you been doin' with yore sweet young life?"
The stranger's face grew grave and his eyes narrowed a trifle.
"Some folks allow that's a leadin' question. It ain't polite."
"I allow that, too. An' I'm aimin' to make it a leadin' question, 'though I ain't lackin' in politeness, nor tryin' to rile you. You don't have to answer. Th' wide world, full of jobs, is all around you."
The newcomer regarded him calmly for a moment, and suddenly smiled.
"Yore gall is refreshin'," he grinned. "I'm from th' Bar-20, Texas. I'm five feet ten; weigh a hundred an' sixty; blue eyes, brown hair; single an' sober, now an' always. I writes left-handed; eat an' shoot with both; wears pants, smokes tobacco, an' I'm as handy a cow-puncher as ever threw a rope. Oh, yes; modesty is one of my glarin' faults; you might say my only glarin' fault. Some people call me 'Dearly Beloved'; others, other things; but I answer to any old handle at grub pile. My name is Johnny Nelson an' I never had no other, 'cept 'Kid,' to my friends. I'm thirty years old, minus some. An'—oh, yes; I'm from th' Tin Cup, Montanny. I get things twisted at times, an' this shore looks like one of 'em."
"Of course," grunted Logan, his eyes twinkling. "That's easy. Th' two ranches, bein' so close together, would bother a man. Sorta wander off one onto th' other, an' have to stop to think which one yo're workin' for. They should mark th' boundaries plainer—or put up a fence."
Johnny flushed. "I allus say Bar-20 when I speaks off-hand an' have more on my mind than my hair. That man in th' corral divides my attention. He flusters me. You see, I was cussed near born on th' old Bar-20—worked there ever since I was a boy. That crack in th' wall is big enough for two men to use. Thank you, friend: you near scared me to death," he chuckled as the suspicious watcher emerged and started for the bunk-house.
"You look so much like th' boss, I couldn't help watchin' you," grinned the puncher over his shoulder.
Logan grunted something, and then nodded at the stranger.
"Cut it loose," he encouraged. "I don't get a chance like this every day, my observant friend. I allus reckoned I could cover ground purty well, but I'll be hanged if I can spread myself so I can work in Texas an' Montanny at th' same time. You got me beat from soda to hock. Yo're goin' to be a real valuable man, which I can see plain. Comin' down to cases, you ain't really a cow-puncher; yo're a whole cussed outfit, barrin' th' chuck waggin an'