A Love Episode. Emile Zola
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from market to peep into her basket of provisions. To rummage in this basket was a great delight to her.
"Look at it, mamma! It lay at the very bottom. Just smell it; what a lovely perfume!"
From the tawny flowers, speckled with purple, there came a penetrating odor which scented the whole room. Then Helene, with a passionate movement, drew Jeanne to her breast, while the nosegay fell on her lap. To love! to love! Truly, she loved her child. Was not that intense love which had pervaded her life till now sufficient for her wants? It ought to satisfy her; it was so gentle, so tranquil; no lassitude could put an end to its continuance. Again she pressed her daughter to her, as though to conjure away thoughts which threatened to separate them. In the meantime Jeanne surrendered herself to the shower of kisses. Her eyes moist with tears, she turned her delicate neck upwards with a coaxing gesture, and pressed her face against her mother's shoulder. Then she slipped an arm round her waist and thus remained, very demure, her cheek resting on Helene's bosom. The perfume of the wall-flowers ascended between them.
For a long time they did not speak; but at length, without moving, Jeanne asked in a whisper:
"Mamma, you see that rosy-colored dome down there, close to the river; what is it?"
It was the dome of the Institute, and Helene looked towards it for a moment as though trying to recall the name.
"I don't know, my love," she answered gently.
The child appeared content with this reply, and silence again fell. But soon she asked a second question.
"And there, quite near, what beautiful trees are those?" she said, pointing with her finger towards a corner of the Tuileries garden.
"Those beautiful trees!" said her mother. "On the left, do you mean? I don't know, my love."
"Ah!" exclaimed Jeanne; and after musing for a little while she added with a pout: "We know nothing!"
Indeed they knew nothing of Paris. During eighteen months it had lain beneath their gaze every hour of the day, yet they knew not a stone of it. Three times only had they gone down into the city; but on returning home, suffering from terrible headaches born of all the agitation they had witnessed, they could find in their minds no distinct memory of anything in all that huge maze of streets.
However, Jeanne at times proved obstinate. "Ah! you can tell me this!" said she: "What is that glass building which glitters there? It is so big you must know it."
She was referring to the Palais de l'Industrie. Helene, however, hesitated.
"It's a railway station," said she. "No, I'm wrong, I think it is a theatre."
Then she smiled and kissed Jeanne's hair, at last confessing as before: "I do not know what it is, my love."
So they continued to gaze on Paris, troubling no further to identify any part of it. It was very delightful to have it there before them, and yet to know nothing of it; it remained the vast and the unknown. It was as though they had halted on the threshold of a world which ever unrolled its panorama before them, but into which they were unwilling to descend. Paris often made them anxious when it wafted them a hot, disturbing atmosphere; but that morning it seemed gay and innocent, like a child, and from its mysterious depths only a breath of tenderness rose gently to their faces.
Helene took up her book again while Jeanne, clinging to her, still gazed upon the scene. In the dazzling, tranquil sky no breeze was stirring. The smoke from the Army Bakehouse ascended perpendicularly in light cloudlets which vanished far aloft. On a level with the houses passed vibrating waves of life, waves of all the life pent up there. The loud voices of the streets softened amidst the sunshine into a languid murmur. But all at once a flutter attracted Jeanne's notice. A flock of white pigeons, freed from some adjacent dovecot, sped through the air in front of the window; with spreading wings like falling snow, the birds barred the line of view, hiding the immensity of Paris.
With eyes again dreamily gazing upward, Helene remained plunged in reverie. She was the Lady Rowena; she loved with the serenity and intensity of a noble mind. That spring morning, that great, gentle city, those early wall-flowers shedding their perfume on her lap, had little by little filled her heart with tenderness.
CHAPTER VI.
One morning Helene was arranging her little library, the various books of which had got out of order during the past few days, when Jeanne skipped into the room, clapping her hands.
"A soldier, mamma! a soldier!" she cried.
"What? a soldier?" exclaimed her mother. "What do you want, you and your soldier?"
But the child was in one of her paroxysms of extravagant delight; she only jumped about the more, repeating: "A soldier! a soldier!" without deigning to give any further explanation. She had left the door wide open behind her, and so, as Helene rose, she was astonished to see a soldier—a very little soldier too—in the ante-room. Rosalie had gone out, and Jeanne must have been playing on the landing, though strictly forbidden to do so by her mother.
"What do you want, my lad?" asked Helene.
The little soldier was very much confused on seeing this lady, so lovely and fair, in her dressing-gown trimmed with lace; he shuffled one foot to and fro over the floor, bowed, and at last precipitately stammered: "I beg pardon—excuse—"
But he could get no further, and retreated to the wall, still shuffling his feet. His retreat was thus cut off, and seeing the lady awaited his reply with an involuntary smile, he dived into his right-hand pocket, from which he dragged a blue handkerchief, a knife, and a hunk of bread. He gazed on each in turn, and thrust them all back again. Then he turned his attention to the left-hand pocket, from which were produced a twist of cord, two rusty nails, and some pictures wrapped in part of a newspaper. All these he pushed back to their resting-place, and began tapping his thighs with an anxious air. And again he stammered in bewilderment:
"I beg pardon—excuse—"
But all at once he raised his finger to his nose, and exclaimed with a loud laugh: "What a fool I am! I remember now!"
He then undid two buttons of his greatcoat, and rummaged in his breast, into which he plunged his arm up to the elbow. After a time he drew forth a letter, which he rustled violently before handing to Helene, as though to shake some dust from it.
"A letter for me! Are you sure?" said she.
On the envelope were certainly inscribed her name and address in a heavy rustic scrawl, with pothooks and hangers tumbling over one another. When at last she made it all out, after being repeatedly baffled by the extraordinary style and spelling, she could not but smile again. It was a letter from Rosalie's aunt, introducing Zephyrin Lacour, who had fallen a victim to the conscription, "in spite of two masses having been said by his reverence." However, as Zephyrin was Rosalie's "intended" the aunt begged that madame would be so good as to allow the young folks to see each other on Sundays. In the three pages which the letter comprised this question was continually cropping up in the same words, the confusion of the epistle increasing through the writer's vain efforts to say something she had not said before. Just above the signature, however, she seemed to have hit the nail on the head, for she had written: "His reverence gives his permission"; and had then broken her pen in the paper, making a shower of blots.
Helene slowly folded the letter. Two or three times, while deciphering its contents, she had raised her head to glance at the soldier. He still remained close to the wall, and his lips stirred, as though to emphasize each sentence in the letter by a slight movement of the chin. No doubt he knew its contents by heart.
"Then you are Zephyrin Lacour, are you not?" asked Helene.
He began to laugh and wagged his head.
"Come in, my lad; don't stay out there."
He