Boswell the Biographer. George Mallory

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Boswell the Biographer - George Mallory


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no doubt the unhappiness of Boswell, but it also involved the production of a great work of art; and this achievement has won for its author a unique place among distinguished men; he is famous beyond any fame that he dreamed of attaining and failed to attain.

      

      CHAPTER II

       Table of Contents

      'The accident,' says Professor Raleigh,1 'which gave Boswell to Johnson and Johnson to Boswell is one of the most extraordinary pieces of good fortune in literary history.' The event of their meeting took place on May 16th, 1763, and if in one sense it was clearly, as the word is commonly used, an accident, it was equally the result of a strong wish and intention, if not of deliberate design, on Boswell's part. He had long known of Johnson, and as early as 1760 had hoped for an introduction from 'Mr. Derrick, the poet,' 'an honour,' he says, 'of which I was very ambitious.' This honour bestowed eventually upon a vain and extravagant youth (a circumstance which must be highly esteemed among the good gifts of the Lady Fortune to humanity) was to be attained through a humble agent. Among those of Boswell's friends who were not of the higher strata in society was one Tom Davies. He was at this time a bookseller, but as he had been formerly an actor and then dramatic critic, there was something uncommon and adventurous MEETING WITH JOHNSON about his career. He had in fact in some degree the equivalent of what has been known at a later date as Bohemianism. It seems particularly appropriate that Boswell should have forgotten the pride of birth to meet so, in humble circumstances, the object of his devotion. The scene which took place in Tom Davies' back-parlour has the essence of true comedy. Two of the actors are light-heartedly unconscious that the moment has the least importance; the third is painfully and anxiously aware that it is important to him, and naturally unaware that it can have a value to anyone else. And it has, too, that dramatic quality of great events taking place by accident, as it seems, among incongruous circumstances. It is a scene which must kindle always, for one who feels a serious value in humour, an emotion beyond mere pleasure.

      The comedy opens by Tom Davies announcing the eventful news in farcical manner.

      At last, on Monday the 16th of May, when I was sitting in Mr. Davies's back-parlour, after having drunk tea with him and Mrs. Davies, Johnson unexpectedly came into the shop; and Mr. Davies having perceived him, through the glass-door in the room in which we were sitting, advancing towards us—he announced his aweful approach to me, somewhat in the manner of an actor in the part of Horatio, when he addresses Hamlet on the appearance of his father's ghost, 'Look, my Lord, it comes. … '

      Eventually, when he went away, Davies made some encouraging remarks: 'Tom Davies followed me to the door; and when I complained to him a little of the hard blows which the great man had given me, he kindly took upon him to console me by saying, "Don't be uneasy. I can see he likes you very well!"' The evidence that Johnson liked him very well was not very convincing, we may suppose, to Boswell. But he called upon Johnson a week later.

      In the account of Boswell's first visit to Dr. Johnson's house there is one instructive passage:

      He told me that he generally went abroad at four in the afternoon, and seldom came home till ten in the morning. I took the liberty to ask if he did not think it wrong to live thus, and not make more use of his great talents. He owned it was a bad habit. On reviewing, at the distance of many years, my journal of this period, I wonder how, at my first visit, I ventured to talk to him so freely, and that he bore it with so much indulgence.

      Clearly Boswell was good at saying what he thought—the remark about Garrick and the question as to the morality of Johnson's habits, so early in their acquaintance, show this; he is himself amazed, at a JOHNSON LIKES BOSWELL later date, 'how I ventured to talk so freely.' It is this candour, in fact, which particularly attracted Johnson. His fame for brilliant argument and crushing repartee, and his unbending dogmatic manner in conversation, prevented very often the course of free and fearless expression in his presence. The young, too, from their supposed ignorance, have still something of the privilege of childhood in saying what they think without offending. It is refreshing to older men to hear the frank opinions of youth; and it was very characteristic of Johnson that he liked people to speak quite openly upon serious subjects, so long as they were sincere.

      It is easy enough indeed to see why the two became friends. Boswell was attractive to Johnson in more ways than one. His outspokenness was happily blended with more gentle softening qualities, which made it modest and appealing rather than over-confident and repelling. He expressed, by his 'light pleasantry to soothe and conciliate him'—and also, we may suppose, by something respectful in his manner—a frank admiration for Johnson. And though some may say that this attitude—flattery one might almost call it (for it is something very near to that)—is repulsive to them, there are very few people in practice who, when it is managed with sufficient dexterity, do not find in it something peculiarly pleasant. Johnson certainly liked to have admirers, and it was Boswell's nature to admire—but not in a mean or servile fashion. He managed, one may suppose, to make Johnson feel pleased with himself, but without lying and without compromising his own opinions. We may see the attitude which he adopted from


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