The Life of Cesare Borgia. Rafael Sabatini

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The Life of Cesare Borgia - Rafael Sabatini


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      Rafael Sabatini

      The Life of Cesare Borgia

       Biography of “The Prince”

      e-artnow, 2020

       Contact: [email protected]

      EAN: 4064066400255

       Preface

       Book I. The House of the Bull

       Chapter I. The Rise of the House of Borgia

       Chapter II. The Reigns Of Sixtus IV and Innocent VIII

       Chapter III. Alexander VI

       Chapter IV. Borgia Alliances

       Book II. The Bull Pascant

       Chapter I. The French Invasion

       Chapter II. The Pope and the Supernatural

       Chapter III. The Roman Barons

       Chapter IV. The Murder of the Duke of Gandia

       Chapter V. The Renunciation of the Purple

       Book III. The Bull Rampant

       Chapter I. The Duchess of Valentinois

       Chapter II. The Knell of the Tyrants

       Chapter III. Imola and Forli

       Chapter IV. Gonfalonier of the Church

       Chapter V. The Murder of Alfonso of Aragon

       Chapter VI. Rimini and Pesaro

       Chapter VII. The Siege of Faenza

       Chapter VIII. Astorre Manfredi

       Chapter IX. Castel Bolognese and Piombino

       Chapter X. The End of the House of Aragon

       Chapter XI. The Letter to Silvio Savelli

       Chapter XII. Lucrezia’s Third Marriage

       Chapter XIII. Urbino and Camerino

       Chapter XIV. The Revolt of the Condottieri

       Chapter XV. Macchiavelli’s Legation

       Chapter XVI. Ramiro de Lorqua

       Chapter XVII. “The Beautiful Stratagem”

       Chapter XVIII. The Zenith

       Book IV. The Bull Cadent

       Chapter I. The Death of Alexander VI

       Chapter II. Pius III

       Chapter III. Julius II

       Chapter IV. Atropos

      PREFACE

       Table of Contents

      This is no Chronicle of Saints. Nor yet is it a History of Devils. It is a record of certain very human, strenuous men in a very human, strenuous age; a lustful, flamboyant age; an age red with blood and pale with passion at white-heat; an age of steel and velvet, of vivid colour, dazzling light and impenetrable shadow; an age of swift movement, pitiless violence and high endeavour, of sharp antitheses and amazing contrasts.

      To judge it from the standpoint of this calm, deliberate, and correct century—as we conceive our own to be—is for sedate middle-age to judge from its own standpoint the reckless, hot, passionate, lustful humours of youth, of youth that errs grievously and achieves greatly.

      So to judge that epoch collectively is manifestly wrong, a hopeless procedure if it be our aim to understand it and to be in sympathy with it, as it becomes broad-minded age to be tolerantly in sympathy with the youth whose follies it perceives. Life is an ephemeral business, and we waste too much of it in judging where it would beseem us better to accept, that we ourselves may come to be accepted by such future ages as may pursue the study of us.

      But if it be wrong to judge a past epoch collectively by the standards of our own time, how much more is it not wrong to single out individuals for judgement by those same standards, after detaching them for the purpose from the environment in which they had their being? How false must be the conception of them thus obtained! We view the individuals so selected through a microscope of modern focus. They appear monstrous and abnormal, and we straight-way assume them to be monsters and abnormalities, never considering that the fault is in the adjustment of the instrument through which we inspect them, and that until that is corrected others of that same past age, if similarly viewed, must appear similarly distorted.

      Hence it follows that some study of an age must ever prelude and accompany the study of its individuals, if comprehension is to wait upon our labours. To proceed otherwise is to judge an individual Hottentot or South Sea Islander by the code of manners that obtains in Belgravia or Mayfair.

      Mind


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