Atlantic Narratives: Modern Short Stories. E. V. Lucas

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Atlantic Narratives: Modern Short Stories - E. V. Lucas


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through that particular kind of difficulty on such an errand. Dimly he felt that the path to the Most Beautiful should be rose-lined and soft to the feet of the approaching bridegroom. But, apparently, that wasn't the way such paths were laid out. He resented this bitterly, but he set his jaws and proceeded to make his arrangements.

      It was not difficult to compass the necessary interview. He knew a man who knew the warden intimately. It was quickly arranged that he was to see Peter Lannithorne in the prison library, quite by himself.

      Oliver dragged himself to that conference by the sheer strength of his developing will. Every fibre of his being seemed to protest and hold back. Consequently he was not in the happiest imaginable temper for important conversation.

      The prison library was a long, narrow room, with bookcases to the ceiling on one side and windows to the ceiling on the other. There were red geraniums on brackets up the sides of the windows, and a canary's cage on a hook gave the place a false air of domesticity, contradicted by the barred sash. Beneath, there was a window-seat, and here Oliver Pickersgill awaited Lannithorne's coming.

      Ollie did not know what he expected the man to be like, but his irritated nerves were prepared to resent and dislike him, whatever he might prove. He held himself rigidly as he waited, and he could feel the muscles of his face setting themselves into hard lines.

      When the door opened and some one approached him, he rose stiffly and held out his hand like an automaton.

      'How do you do, Mr. Lannithorne? I am Oliver Pickersgill, and I have come—I have come—'

      His voice trailed off into silence, for he had raised his eyes perfunctorily to Peter Lannithorne's face, and the things printed there made him forget himself and the speech he had prepared.

      He saw a massive head topping an insignificant figure. A fair man was Peter Lannithorne, with heavy reddish hair, a bulging forehead, and deep-set gray eyes with a light behind them. His features were irregular and unnoticeable, but the sum-total of them gave the impression of force. It was a strong face, yet you could see that it had once been a weak one. It was a tremendously human face, a face like a battle-ground, scarred and seamed and lined with the stress of invisible conflicts. There was so much of struggle and thought set forth in it that one involuntarily averted one's gaze. It did not seem decent to inspect so much of the soul of a man as was shown in Peter Lannithorne's countenance. Not a triumphant face at all, and yet there was peace in it. Somehow, the man had achieved something, arrived somewhere, and the record of the journey was piteous and terrible. Yet it drew the eyes in awe as much as in wonder, and in pity not at all!

      These things were startlingly clear to Oliver. He saw them with a vividness not to be overestimated. This was a prison. This might be a convict, but he was a man. He was a man who knew things and would share his knowledge. His wisdom was as patent as his suffering, and both stirred young Oliver's heart to its depths. His pride, his irritation, his rigidity vanished in a flash. His fears were in abeyance. Only his wonder and his will to learn were left.

      Lannithorne did not take the offered hand, yet did not seem to ignore it. He came forward quietly and sat down on the window-seat, half turning so that he and Oliver faced each other.

      'Oliver Pickersgill?' he said. 'Then you are Oliver Pickersgill's son.'

      'Yes, Mr. Lannithorne. My father sent me here—my father, and Mrs. Lannithorne, and Ruth.'

      At his daughter's name a light leaped into Peter Lannithorne's eyes that made him look even more acutely and painfully alive than before.

      'And what have you to do with Ruth, or her mother?' the man asked.

      Here it was! The great moment was facing him. Oliver caught his breath, then went straight to the point.

      'I want to marry your daughter, Mr. Lannithorne. We love each other very much. But—I haven't quite persuaded her, and I haven't persuaded Mrs. Lannithorne and my father at all. They don't see it. They say things—all sorts of dreadful things,' said the boy. 'You would think they had never been young and—cared for anybody. They seem to have forgotten what it means. They try to make us afraid—just plain afraid. How am I to suppose that they know best about Ruth and me?'

      Lannithorne looked across at the young man long and fixedly. Then a great kindliness came into his beaten face, and a great comprehension.

      Oliver, meeting his eyes, had a sudden sense of shelter, and felt his haunting fears allayed. It was absurd and incredible, but this man made him feel comfortable, yes, and eager to talk things over.

      'They all said you would know. They sent me to you.'

      Peter Lannithorne smiled faintly to himself. He had not left his sense of humor behind him in the outside world.

      'They sent you to me, did they, boy? And what did they tell you to ask me? They had different motives, I take it.'

      'Rather! Ruth said you were the best man she had ever known, and if you said it was right for her to marry me, she would. Mrs. Lannithorne said I should ask you if you thought Ruth had a fighting chance for happiness with me. She doesn't want Ruth to marry anybody, you see. My father—my father'—Oliver's voice shook with his consciousness of the cruelty of what was to follow, but he forced himself to steadiness and got the words out—'said I was to ask you what a man wants in the family of the woman he marries. He said you knew what was what, and I should ask you what to do.'

      Lannithorne's face was very grave, and his troubled gaze sought the floor. Oliver, convicted of brutality and conscience-smitten, hurried on, 'And now that I've seen you, I want to ask you a few things for myself, Mr. Lannithorne. I—I believe you know.'

      The man looked up and held up an arresting hand. 'Let me clear the way for you a little,' he said. 'It was a hard thing for you to come and seek me out in this place. I like your coming. Most young men would have refused, or come in a different spirit. I want you to understand that if in Ruth's eyes, and my wife's, and your father's, my counsel has value, it is because they think I see things as they are. And that means, first of all, that I know myself for a man who committed a crime, and is paying the penalty. I am satisfied to be paying it. As I see justice, it is just. So, if I seem to wince at your necessary allusions to it, that is part of the price. I don't want you to feel that you are blundering or hurting me more than is necessary. You have got to lay the thing before me as it is.'

      Something in the words, in the dry, patient manner, in the endurance of the man's face, touched Oliver to the quick and made him feel all manner of new things: such as a sense of the moral poise of the universe, acquiescence in its retributions, and a curious pride, akin to Ruth's own, in a man who could meet him after this fashion, in this place.

      'Thank you, Mr. Lannithorne,' he said. 'You see, it's this way, sir. Mrs. Lannithorne says—

      And he went on eagerly to set forth his new problems as they had been stated to him.

      'Well, there you have it,' he concluded at last. 'For myself, the things they said opened chasms and abysses. Mrs. Lannithorne seemed to think I would hurt Ruth. My father seemed to think Ruth would hurt me. Is married life something to be afraid of? When I look at Ruth, I am sure everything is all right. It may be miserable for other people, but how could it be miserable for Ruth and me?'

      Peter Lannithorne looked at the young man long and thoughtfully again before he answered. Oliver felt himself measured and estimated, but not found wanting. When the man spoke, it was slowly and with difficulty, as if the habit of intimate, convincing speech had been so long disused that the effort was painful. The sentences seemed wrung out of him, one by one.

      'They haven't the point of view,' he said. 'It is life that is the great adventure. Not love, not marriage, not business. They are just chapters in the book. The main thing is to take the road fearlessly—to have courage to live one's life.'

      'Courage?'

      Lannithorne nodded.

      'That is the great word. Don't you see what ails your father's point of view, and my wife's? One wants absolute security in one way for Ruth; the other wants


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