The Puppet Show of Memory. Baring Maurice
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Two of the great days for the children in London were Valentine’s Day, on the eve of which we each of us sent the whole of the rest of the family Valentines, cushioned and scented Valentines with silken fringes; and the 1st of April, when Susan was always made an April fool, the best one being one of Chérie’s, who sent her to look in the schoolroom for Les Mémoires de Jonas dans la baleine. She searched conscientiously, but in vain, for this interesting book.
On one occasion, on the Prince of Wales’ wedding-day, in March, the whole family were invited to a children’s ball at Marlborough House. The girls’ frocks were a subject of daily discussion for weeks beforehand, and other governesses used to come and discuss the matter. They were white frocks, and when they were ready they were found to be a failure, for some reason, and they had to be made all over again at another dressmaker’s, called Mrs. Mason. It was on this occasion that Chérie made a memorable utterance and said: “Les pointes de Madame Mason sont incomparables,” as Elizabeth had for the first time risen to the dignity of a pointe (the end of the pointed “bodies” of the fashions of that day). It was doubtful whether the new frocks would be ready in time. There was a momentous discussion as to whether they were to wear black stockings or not. Finally the frocks arrived, and we were dressed and were all marshalled downstairs ready to start. My father in knee-breeches and myself in a black velvet suit, black velvet breeches, and a white waistcoat. I was told to be careful to remember to kiss the Princess of Wales’ hand.
I can just remember the ballroom, but none of the grown-up people—nothing, in fact, except a vague crowd of tulle skirts.
One night there was a ball, or rather a small dance, in Charles Street, and I was allowed to come down after going to bed all day. People shook their heads over this, and said I was being spoilt, to Chérie, but Chérie said: “Cet enfant n’est pas gâté mais il se fait gâter.”
The dance led off with a quadrille, in which I and my father both took part. After having carefully learnt the pas chassé at dancing lessons, I was rather shocked to find this elegant glide was not observed by the quadrille dancers.
All this was the delightful epoch of the ’eighties, when the shop windows were full of photographs of the professional beauties, and bands played tunes from the new Gilbert and Sullivan in the early morning in the streets, and people rode in Rotten Row in the evening, and Chérie used to rush us across the road to get a glimpse of Mrs. Langtry or the Princess of Wales.
Dancing lessons played an important part in our lives. Our first dancing instructor was the famous ex-ballerina, Madame Taglioni, a graceful old lady with grey curls, who held a class at Lady Granville’s house in Carlton House Terrace. It was there I had my first dancing lesson and learnt the Tarantelle, a dance with a tambourine, which I have always found effective, if not useful, in later life. Then Madame Taglioni’s class came to an end, and there was a class at Lady Ashburton’s at Bath House, which was suddenly put a stop to owing to the rough and wild behaviour of the boys, myself among them. Finally we had a class in our own house, supervised by a strict lady in black silk, who taught us the pas chassé, the five positions, the valse, the polka, and the Lancers.
Another event was Mrs. Christie’s lottery, which was held once a year at her house at Kentish Town. All her pupils came, and everyone won a prize in the lottery. One year I won a stuffed duck. After tea we acted charades. On the way back we used to pass several railway bridges, and Chérie, producing a gold pencil, used to say: “Par la vertu de ma petite baguette,” she would make a train pass. It was perhaps a rash boast, but it was always successful.
We used to drive to Mrs. Christie’s in a coach, an enormous carriage driven by Maisy, the coachman, who wore a white wig. It was only used when the whole family had to be transported somewhere.
Another incident of London life was Mademoiselle Ida’s pupils’ concert, which happened in the summer. I performed twice at it, I think, but never a solo. A duet with Mademoiselle Ida playing the bass, and whispering: “Gare au dièse, gare au bémol,” in my ear. What we enjoyed most about this was waiting in what was called the artists’ room, and drinking raspberry vinegar.
But the crowning bliss of London life was Hamilton Gardens, where we used to meet other children and play flags in the summer evenings.
This was the scene of wild enjoyment, not untinged with romance, for there the future beauties of England were all at play in their lovely teens. We were given tickets for concerts at the Albert Hall and elsewhere in the afternoon, but I remember that often when Hugo and I were given the choice of going to a concert or playing in the nursery, we sometimes chose to play. But I do remember hearing Patti sing “Coming thro’ the Rye” at the Guildhall, and Albani and Santley on several occasions.
But what we enjoyed most of all was finding some broken and derelict toy, and inventing a special game for it. Once in a cupboard in the back drawing-room I came across some old toys which had belonged to John and Cecil, and must have been there for years. Among other things there was an engine in perfectly good repair, with a little cone like the end of a cigar which you put inside the engine under the funnel. You then lit it and smoke came out, and the engine moved automatically. This seemed too miraculous for inquiry, and I still wonder how and why it happened. Then the toy was unaccountably lost, and I never discovered the secret of this mysterious and wonderful engine.
During all this time there were two worlds of which one gradually became conscious: the inside world and the outside world. The centre of the inside world, like the sun to the solar system, was, of course, our father and mother (Papa and Mamma), the dispenser of everything, the source of all enjoyment, and the final court of appeal, recourse to which was often threatened in disputes.
Next came Chérie, then my mother’s maid, Dimmock, then Sheppy, the housekeeper, who had white grapes, cake, and other treats in the housekeeper’s room. She was a fervent Salvationist and wore a Salvationist bonnet, and when my father got violent and shouted out loud ejaculations, she used to coo softly in a deprecating tone.
Then there was Monsieur Butat, the cook, who used to appear in white after breakfast when my father ordered dinner; Deacon, his servant, was the source of all worldly wisdom and experience, and recommended brown billycock hats in preference to black ones, because they did not fade in the sea air; Harriet, the housemaid, who used to bring a cup of tea in the early morning to my mother’s bedroom, and Frank the footman. I can’t remember a butler in London, but I suppose there was one; but if it was the same one we had in the country, it was Mr. Watson.
Dimmock, or D., as we used to call her, played a great part in my early life, because when I came up to London or went down to the country alone with my father and mother she used to have sole charge of me, and I slept in her room. One day, during one of these autumnal visits to London, I was given an umbrella with a skeleton’s head on it. This came back in dreams to me with terrific effect, and for several nights running I ran down from the top to the bottom of the house in terror. The umbrella was taken away. I used to love these visits to London when half the house was shut up, and there was no one there except my father and mother and D., and we used to live in the library downstairs. There used to be long and almost daily expeditions to shops because Christmas was coming, as D. used to chant to me every morning, and the Christmas-tree shopping had to be done. D. and I used to buy all the materials for the Christmas-tree—the candles, the glass balls, and the fairy to stand at the top of it—in a shop in the Edgware Road called Eagle. I used to have dinner in the housekeeper’s room with Sheppy, and spent most of my time in D.’s working-room. One day she gave me a large piece of red plush, and I had something sewn round it, and called it Red Conscience. Never did a present make me more happy; I treated it as something half sacred, like a Mussulman’s mat.
On one occasion D. and I went to a matinée at St. James’s Theatre to see A Scrap of Paper, played by Mr. and Mrs. Kendal. This year I read the play (it was translated from Sardou’s Pattes de Mouche) for the first time, and I found I could recollect every scene of the play, and Mrs. Kendal’s expression and intonation.
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