Passages from the French and Italian Notebooks, Complete. Nathaniel Hawthorne
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whitewash; but often I can see fragments of antiquity built into the walls, or perhaps a church that was a Roman temple, or a basement of ponderous stones that were laid above twenty centuries ago. It is strange how our ideas of what antiquity is become altered here in Rome; the sixteenth century, in which many of the churches and fountains seem to have been built or re-edified, seems close at hand, even like our own days; a thousand years, or the days of the latter empire, is but a modern date, and scarcely interests us; and nothing is really venerable of a more recent epoch than the reign of Constantine. And the Egyptian obelisks that stand in several of the piazzas put even the Augustan or Republican antiquities to shame. I remember reading in a New York newspaper an account of one of the public buildings of that city—a relic of "the olden time," the writer called it; for it was erected in 1825! I am glad I saw the castles and Gothic churches and cathedrals of England before visiting Rome, or I never could have felt that delightful reverence for their gray and ivy-hung antiquity after seeing these so much older remains. But, indeed, old things are not so beautiful in this dry climate and clear atmosphere as in moist England. … .
Whatever beauty there may be in a Roman ruin is the remnant of what was beautiful originally; whereas an English ruin is more beautiful often in its decay than even it was in its primal strength. If we ever build such noble structures as these Roman ones, we can have just as good ruins, after two thousand years, in the United States; but we never can have a Furness Abbey or a Kenilworth. The Corso, and perhaps some other streets, does not deserve all the vituperation which I have bestowed on the generality of Roman vias, though the Corso is narrow, not averaging more than nine paces, if so much, from sidewalk to sidewalk. But palace after palace stands along almost its whole extent—not, however, that they make such architectural show on the street as palaces should. The enclosed courts were perhaps the only parts of these edifices which the founders cared to enrich architecturally. I think Linlithgow Palace, of which I saw the ruins during my last tour in Scotland, was built, by an architect who had studied these Roman palaces. There was never any idea of domestic comfort, or of what we include in the name of home, at all implicated in such structures, they being generally built by wifeless and childless churchmen for the display of pictures and statuary in galleries and long suites of rooms.
I have not yet fairly begun the sight-seeing of Rome. I have been four or five times to St. Peter's, and always with pleasure, because there is such a delightful, summerlike warmth the moment we pass beneath the heavy, padded leather curtains that protect the entrances. It is almost impossible not to believe that this genial temperature is the result of furnace-heat, but, really, it is the warmth of last summer, which will be included within those massive walls, and in that vast immensity of space, till, six months hence, this winter's chill will just have made its way thither. It would be an excellent plan for a valetudinarian to lodge during the winter in St. Peter's, perhaps establishing his household in one of the papal tombs. I become, I think, more sensible of the size of St. Peter's, but am as yet far from being overwhelmed by it. It is not, as one expects, so big as all out of doors, nor is its dome so immense as that of the firmament. It looked queer, however, the other day, to see a little ragged boy, the very least of human things, going round and kneeling at shrine after shrine, and a group of children standing on tiptoe to reach the vase of holy water. … .
On coming out of St. Peter's at my last visit, I saw a great sheet of ice around the fountain on the right hand, and some little Romans awkwardly sliding on it. I, too, took a slide, just for the sake of doing what I never thought to do in Rome. This inclement weather, I should suppose, must make the whole city very miserable; for the native Romans, I am told, never keep any fire, except for culinary purposes, even in the severest winter. They flee from their cheerless houses into the open air, and bring their firesides along with them in the shape of small earthen vases, or pipkins, with a handle by which they carry them up and down the streets, and so warm at least their hands with the lighted charcoal. I have had glimpses through open doorways into interiors, and saw them as dismal as tombs. Wherever I pass my summers, let me spend my winters in a cold country.
We went yesterday to the Pantheon. … .
When I first came to Rome, I felt embarrassed and unwilling to pass, with my heresy, between a devotee and his saint; for they often shoot their prayers at a shrine almost quite across the church. But there seems to be no violation of etiquette in so doing. A woman begged of us in the Pantheon, and accused my wife of impiety for not giving her an alms. … . People of very decent appearance are often unexpectedly converted into beggars as you approach them; but in general they take a "No" at once.
February 9th.—For three or four days it has been cloudy and rainy, which is the greater pity, as this should be the gayest and merriest part of the Carnival. I go out but little—yesterday only as far as Pakenham's and Hooker's bank in the Piazza de' Spagna, where I read Galignani and the American papers. At last, after seeing in England more of my fellow-compatriots than ever before, I really am disjoined from my country.
To-day I walked out along the Pincian Hill. … . As the clouds still threatened rain, I deemed it my safest course to go to St. Peter's for refuge. Heavy and dull as the day was, the effect of this great world of a church was still brilliant in the interior, as if it had a sunshine of its own, as well as its own temperature; and, by and by, the sunshine of the outward world came through the windows, hundreds of feet aloft, and fell upon the beautiful inlaid pavement. … . Against a pillar, on one side of the nave, is a mosaic copy of Raphael's Transfiguration, fitly framed within a great arch of gorgeous marble; and, no doubt, the indestructible mosaic has preserved it far more completely than the fading and darkening tints in which the artist painted it. At any rate, it seemed to me the one glorious picture that I have ever seen. The pillar nearest the great entrance, on the left of the nave, supports the monument to the Stuart family, where two winged figures, with inverted torches, stand on either side of a marble door, which is closed forever. It is an impressive monument, for you feel as if the last of the race had passed through that door.
Emerging from the church, I saw a French sergeant drilling his men in the piazza. These French soldiers are prominent objects everywhere about the city, and make up more of its sight and sound than anything else that lives. They stroll about individually; they pace as sentinels in all the public places; and they march up and down in squads, companies, and battalions, always with a very great din of drum, fife, and trumpet; ten times the proportion of music that the same number of men would require elsewhere; and it reverberates with ten times the noise, between the high edifices of these lanes, that it could make in broader streets. Nevertheless, I have no quarrel with the French soldiers; they are fresh, healthy, smart, honest-looking young fellows enough, in blue coats and red trousers; … and, at all events, they serve as an efficient police, making Rome as safe as London; whereas, without them, it would very likely be a den of banditti.
On my way home I saw a few tokens of the Carnival, which is now in full progress; though, as it was only about one o'clock, its frolics had not commenced for the day. … . I question whether the Romans themselves take any great interest in the Carnival. The balconies along the Corso were almost entirely taken by English and Americans, or other foreigners.
As I approached the bridge of St. Angelo, I saw several persons engaged, as I thought, in fishing in the Tiber, with very strong lines; but on drawing nearer I found that they were trying to hook up the branches, and twigs, and other drift-wood, which the recent rains might have swept into the river. There was a little heap of what looked chiefly like willow twigs, the poor result of their labor. The hook was a knot of wood, with the lopped-off branches projecting in three or four prongs. The Tiber has always the hue of a mud-puddle; but now, after a heavy rain which has washed the clay into it, it looks like pease-soup. It is a broad and rapid stream, eddying along as if it were in haste to disgorge its impurities into the sea. On the left side, where the city mostly is situated, the buildings hang directly over the stream; on the other, where stand the Castle of St. Angelo and the Church of St. Peter, the town does not press so imminent upon the shore. The banks are clayey, and look as if the river had been digging them away for ages; but I believe its bed is higher than of yore.
February 10th.—I went out to-day, and, going along the Via Felice and the Via delle Quattro Fontane, came unawares to the Basilica of Santa Maria Maggiore, on the summit of the Esquiline Hill. I entered it, without in the least knowing what church it was, and