Agnes of Sorrento. Гарриет Бичер-Стоу
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town on three sides is severed from the main land by a gorge two hundred feet in depth and forty or fifty in breadth, crossed by a bridge resting on double arches, the construction of which dates back to the time of the ancient Romans. This bridge affords a favorite lounging-place for the inhabitants, and at evening a motley assemblage may be seen lolling over its moss-grown sides—men with their picturesque knit caps of scarlet or brown falling gracefully on one shoulder, and women with their shining black hair and the enormous pearl ear-rings which are the pride and heirlooms of every family. The present traveler at Sorrento may remember standing on this bridge and looking down the gloomy depths of the gorge, to where a fair villa, with its groves of orange-trees and gardens, overhangs the tremendous depths below.
Hundreds of years since, where this villa now stands was the simple dwelling of the two women whose history we have begun to tell you. There you might have seen a small stone cottage with a two-arched arcade in front, gleaming brilliantly white out of the dusky foliage of an orange-orchard. The dwelling was wedged like a bird-box between two fragments of rock, and behind it the land rose rocky, high, and steep, so as to form a natural wall. A small ledge or terrace of cultivated land here hung in air—below it, a precipice of two hundred feet down into the Gorge of Sorrento. A couple of dozen orange-trees, straight and tall, with healthy, shining bark, here shot up from the fine black volcanic soil, and made with their foliage a twilight shadow on the ground, so deep that no vegetation, save a fine velvet moss, could dispute their claim to its entire nutritious offices. These trees were the sole wealth of the women and the sole ornament of the garden; but, as they stood there, not only laden with golden fruit, but fragrant with pearly blossoms, they made the little rocky platform seem a perfect Garden of the Hesperides. The stone cottage, as we have said, had an open, whitewashed arcade in front, from which one could look down into the gloomy depths of the gorge, as into some mysterious underworld. Strange and weird it seemed, with its fathomless shadows and its wild grottoes, over which hung, silently waving, long pendants of ivy, while dusky gray aloes uplifted their horned heads from great rock-rifts, like elfin spirits struggling upward out of the shade. Nor was wanting the usual gentle poetry of flowers; for white iris leaned its fairy pavilion over the black void like a pale-cheeked princess from the window of some dark enchanted castle, and scarlet geranium and golden broom and crimson gladiolus waved and glowed in the shifting beams of the sunlight. Also there was in this little spot what forms the charm of Italian gardens always—the sweet song and prattle of waters. A clear mountain-spring burst through the rock on one side of the little cottage, and fell with a lulling noise into a quaint moss-grown water-trough, which had been in former times the sarcophagus of some old Roman sepulchre. Its sides were richly sculptured with figures and leafy scrolls and arabesques, into which the sly-footed lichens with quiet growth had so insinuated themselves as in some places almost to obliterate the original design; while, round the place where the water fell, a veil of ferns and maiden's-hair, studded with tremulous silver drops, vibrated to its soothing murmur. The superfluous waters, drained off by a little channel on one side, were conducted through the rocky parapet of the garden, whence they trickled and tinkled from rock to rock, falling with a continual drip among the swaying ferns and pendent ivy wreaths, till they reached the little stream at the bottom of the gorge. This parapet or garden-wall was formed of blocks or fragments of what had once been white marble, the probable remains of the ancient tomb from which the sarcophagus was taken. Here and there a marble acanthus-leaf, or the capital of an old column, or a fragment of sculpture jutted from under the mosses, ferns, and grasses with which prodigal Nature had filled every interstice and carpeted the whole. These sculptured fragments everywhere in Italy seem to whisper, from the dust, of past life and death, of a cycle of human existence forever gone, over whose tomb the life of to-day is built.
"Sit down and rest, my dove," said Dame Elsie to her little charge, as they entered their little enclosure.
Here she saw for the first time, what she had not noticed in the heat and hurry of her ascent, that the girl was panting and her gentle bosom rising and falling in thick heartbeats, occasioned by the haste with which she had drawn her onward.
"Sit down, dearie, and I will get you a bit of supper."
"Yes, grandmother, I will. I must tell my beads once for the soul of the handsome gentleman that kissed my forehead to-night."
"How did you know that he was handsome, child?" said the old dame, with some sharpness in her voice.
"He bade me look on him, grandmother, and I saw it."
"You must put such thoughts away, child," said the old dame.
"Why must I?" said the girl, looking up with an eye as clear and unconscious as that of a three-year-old child.
"If she does not think, why should I tell her?" said Dame Elsie, as she turned to go into the house, and left the child sitting on the mossy parapet that overlooked the gorge. Thence she could see far off, not only down the dim, sombre abyss, but out to the blue Mediterranean beyond, now calmly lying in swathing-bands of purple, gold, and orange, while the smoky cloud that overhung Vesuvius became silver and rose in the evening light.
There is always something of elevation and purity that seems to come over one from being in an elevated region. One feels morally as well as physically above the world, and from that clearer air able to look down on it calmly with disengaged freedom. Our little maiden sat for a few moments gazing, her large brown eyes dilating with a tremulous lustre, as if tears were half of a mind to start in them, and her lips apart with a delicate earnestness, like one who is pursuing some pleasing inner thought. Suddenly rousing herself, she began by breaking the freshest orange-blossoms from the golden-fruited trees, and, kissing and pressing them to her bosom, she proceeded to remove the faded flowers of the morning from before a little rude shrine in the rock, where, in a sculptured niche, was a picture of the Madonna and Child, with a locked glass door in front of it. The picture was a happy transcript of one of the fairest creations of the religious school of Florence, done by one of those rustic copyists of whom Italy is full, who appear to possess the instinct of painting, and to whom we owe many of those sweet faces which sometimes look down on us by the wayside from rudest and homeliest shrines.
The poor fellow by whom it had been painted was one to whom years before Dame Elsie had given food and shelter for many months during a lingering illness; and he had painted so much of his dying heart and hopes into it that it had a peculiar and vital vividness in its power of affecting the feelings. Agnes had been familiar with this picture from early infancy. No day of her life had the flowers failed to be freshly placed before it. It had seemed to smile down sympathy on her childish joys, and to cloud over with her childish sorrows. It was less a picture to her than a presence; and the whole air of the little orange-garden seemed to be made sacred by it. When she had arranged her flowers, she kneeled down and began to say prayers for the soul of the young gallant.
"Holy Jesus," she said, "he is young, rich, handsome, and a king's brother; and for all these things the Fiend may tempt him to forget his God and throw away his soul. Holy Mother, give him good counsel!"
"Come, child, to your supper," said Dame Elsie. "I have milked the goats, and everything is ready."
CHAPTER III
THE GORGE
After her light supper was over, Agnes took her distaff, wound with shining white flax, and went and seated herself in her favorite place, on the low parapet that overlooked the gorge.
This ravine, with its dizzy depths, its waving foliage, its dripping springs and the low murmur of the little stream that pursued its way far down at the bottom, was one of those things which stimulated her impressible imagination, and filled her with a solemn and vague delight. The ancient Italian tradition made it the home of fauns and dryads, wild woodland creatures, intermediate links between vegetable life and that of sentiment and reasoning humanity. The more earnest faith that came in with Christianity, if it had its brighter lights in an immortality of blessedness, had also its deeper shadows in the intenser perceptions it awakened of sin and evil, and of the mortal struggle