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used for the Roman production in Amheida. The ceramic types of Amheida production are close to the Old Kingdom material from Balat, especially for the slight or strong over-firing process. For the production of Balat see: Ballet and Picon 1990: 83–84.

      24. Hope 1999: 235; Hope et al. 2000: 194; Dunsmore 2002: 131; Hope 2004a: 9; Dixneuf 2012: 459.

      25. Hope 2004a: 9.

      26. The fabric description has been defined with P. Ballet during a workshop in January 2013 and February 2014 in Dakhla.

      27. Ballet and Vichy 1992: 116–119, Fig.13 (g–h); Ballet 2004: 224–225, 237 (Fig. 220, nos. 48–50).

      28. Ballet and Vichy 1992: 119; Ballet 2004: 221–225.

      29. Rougeulle and Marchand 2011: 443, n. 13.

      30. Marchand 2000 : 221.

      31. Patten 2000: 233 and pl. 79 (SS160k and SS91e; Form 157, Phase 4+); Hope et al. 2006: 189.

      32. Henein 1997: 161–166.

      33. Hope 1999: 232; Hope 1987: 171, fig. 5 (o: 2nd–3rd c. AD); Patten 2000: pl. 68 (Form 123/1, H7-1/82/18a); Bowen et al. 2007: 26 and 42, fig. 5 (c: end of 1st–2nd c. AD).

      34. Hope 1987: 171, fig. 5 (p: 2nd–3rd c. AD); Patten 2000: 228 and pl. 77 (Form 138, Phase 4); Hope et al. 2006: 27 and 48, fig. 3 (d.69: end of 1st –beginning of 3rd c. AD); Patten 2000: 228 and pl. 77 (SS11 1j: Form 138, Phase 4).

      35. Patten 2000: 227 and pl. 75 (SS18ab: similar to Form 136, Phase 4).

      36. Patten 2000: 177–179, Pl. 52 (Form 62/2); Hope et al. 2006: 27, 49 fig. 4 (a).

      37. Dunsmore 2002: 137, fig. 5 (a 97/106a).

      38. Hope 1987: pl. 171, fig. 5 (n–d) and fig. 5 (l); Patten 1999: 85, fig. 2.12; Patten 2000, Form 10/1 and p. 42; Patten 2000: pl. 46 (Form 36); Hope 2003: fig. 18 (f), p. 269, fig. 20 (b–c); Hope 2004b: 40, fig. 7 (a, c, f) and 41, fig. 9 (d, e, h).

      39. Hope 2003: 213, fig. 5 (a), 269, fig. 20 (b–c) and 272; Dunand et al. 1992: 48–57, Pl. 79 (3).

      40. Hope 1987: 171, fig. 5 (c); Patten 1999: 85, fig. 2 (18); Patten 2000: pl. 41 (Form 7 R-F) and pl. 41 (Form 6/1).

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