II. THE MAN REVEALED.

      THE first cool breathings of the coming dawn fluttered through the open window as Mr. Brock read the closing lines of the Confession. He put it from him in silence, without looking up. The first shock of discovery had struck his mind, and had passed away again. At his age, and with his habits of thought, his grasp was not strong enough to hold the whole revelation that had fallen on him. All his heart, when he closed the manuscript, was with the memory of the woman who had been the beloved friend of his later and happier life; all his thoughts were busy with the miserable secret of her treason to her own father which the letter had disclosed.

      He was startled out of the narrow limits of his own little grief by the vibration of the table at which he sat, under a hand that was laid on it heavily. The instinct of reluctance was strong in him; but he conquered it, and looked up. There, silently confronting him in the mixed light of the yellow candle flame and the faint gray dawn, stood the castaway of the village inn—the inheritor of the fatal Armadale name.

      Mr. Brock shuddered as the terror of the present time and the darker terror yet of the future that might be coming rushed back on him at the sight of the man’s face. The man saw it, and spoke first.

      “Is my father’s crime looking at you out of my eyes?” he asked. “Has the ghost of the drowned man followed me into the room?”

      The suffering and the passion that he was forcing back shook the hand that he still kept on the table, and stifled the voice in which he spoke until it sank to a whisper.

      “I have no wish to treat you otherwise than justly and kindly,” answered Mr. Brock. “Do me justice on my side, and believe that I am incapable of cruelly holding you responsible for your father’s crime.”

      The reply seemed to compose him. He bowed his head in silence, and took up the confession from the table.

      “Have you read this through?” he asked, quietly.

      “Every word of it, from first to last.”

      “Have I dealt openly with you so far. Has Ozias Midwinter—”

      “Do you still call yourself by that name,” interrupted Mr. Brock, “now your true name is known to me?”

      “Since I have read my father’s confession,” was the answer, “I like my ugly alias better than ever. Allow me to repeat the question which I was about to put to you a minute since: Has Ozias Midwinter done his best thus far to enlighten Mr. Brock?”

      The rector evaded a direct reply. “Few men in your position,” he said, “would have had the courage to show me that letter.”

      “Don’t be too sure, sir, of the vagabond you picked up at the inn till you know a little more of him than you know now. You have got the secret of my birth, but you are not in possession yet of the story of my life. You ought to know it, and you shall know it, before you leave me alone with Mr. Armadale. Will you wait, and rest a little while, or shall I tell it you now?”

      “Now,” said Mr. Brock, still as far away as ever from knowing the real character of the man before him.

      Everything Ozias Midwinter said, everything Ozias Midwinter did, was against him. He had spoken with a sardonic indifference, almost with an insolence of tone, which would have repelled the sympathies of any man who heard him. And now, instead of placing himself at the table, and addressing his story directly to the rector, he withdrew silently and ungraciously to the window-seat. There he sat, his face averted, his hands mechanically turning the leaves of his father’s letter till he came to the last. With his eyes fixed on the closing lines of the manuscript, and with a strange mixture of recklessness and sadness in his voice, he began his promised narrative in these words:

      “The first thing you know of me,” he said, “is what my father’s confession has told you already. He mentions here that I was a child, asleep on his breast, when he spoke his last words in this world, and when a stranger’s hand wrote them down for him at his deathbed. That stranger’s name, as you may have noticed, is signed on the cover—‘Alexander Neal, Writer to the Signet, Edinburgh.’ The first recollection I have is of Alexander Neal beating me with a horsewhip (I dare say I deserved it), in the character of my stepfather.”

      “Have you no recollection of your mother at the same time?” asked Mr. Brock.

      “Yes; I remember her having shabby old clothes made up to fit me, and having fine new frocks bought for her two children by her second husband. I remember the servants laughing at me in my old things, and the horsewhip finding its way to my shoulders again for losing my temper and tearing my shabby clothes. My next recollection gets on to a year or two later. I remember myself locked up in a lumber-room, with a bit of bread and a mug of water, wondering what it was that made my mother and my stepfather seem to hate the very sight of me. I never settled that question till yesterday, and then I solved the mystery, when my father’s letter was put into my hands. My mother knew what had really happened on board the French timber-ship, and my stepfather knew what had really happened, and they were both well aware that the shameful secret which they would fain have kept from every living creature was a secret which would be one day revealed to me. There was no help for it—the confession was in the executor’s hands, and there was I, an ill-conditioned brat, with my mother’s negro blood in my face, and my murdering father’s passions in my heart, inheritor of their secret in spite of them! I don’t wonder at the horsewhip now, or the shabby old clothes, or the bread and water in the lumber-room. Natural penalties all of them, sir, which the child was beginning to pay already for the father’s sin.”

      Mr. Brock looked at the swarthy, secret face, still obstinately turned away from him. “Is this the stark insensibility of a vagabond,” he asked himself, “or the despair, in disguise, of a miserable man?”

      “School is my next recollection,” the other went on—“a cheap place in a lost corner of Scotland. I was left there, with a bad character to help me at starting. I spare you the story of the master’s cane in the schoolroom, and the boys’ kicks in the playground. I dare say there was ingrained ingratitude in my nature; at any rate, I ran away. The first person who met me asked my name. I was too young and too foolish to know the importance of concealing it, and, as a matter of course, I was taken back to school the same evening. The result taught me a lesson which I have not forgotten since. In a day or two more, like the vagabond I was, I ran away for the second time. The school watch-dog had had his instructions, I suppose: he stopped me before I got outside the gate. Here is his mark, among the rest, on the back of my hand. His master’s marks I can’t show you; they are all on my back. Can you believe in my perversity? There was a devil in me that no dog could worry out. I ran away again as soon as I left my bed, and this time I got off. At nightfall I found myself (with a pocketful of the school oatmeal) lost on a moor. I lay down on the fine soft heather, under the lee of a great gray rock. Do you think I felt lonely? Not I! I was away from the master’s cane, away from my schoolfellows’ kicks, away from my mother, away from my stepfather; and I lay down that night under my good friend the rock, the happiest boy in all Scotland!”

      Through the wretched childhood which that one significant circumstance