The Complete Novels of H. G. Wells. H. G. Wells
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you that this is the last I shall do to oblige you. The next thing you threaten to commit suicide about, I shan't do,—even at some personal inconvenience."
He sat in my deck chair, a cigar half consumed in his white, dexterous-looking fingers. The light of the swinging lamp fell on his white hair; he stared through the little window out at the starlight. I sat as far away from him as possible, the table between us and the revolvers to hand. Montgomery was not present. I did not care to be with the two of them in such a little room.
"You admit that the vivisected human being, as you called it, is, after all, only the puma?" said Moreau. He had made me visit that horror in the inner room, to assure myself of its inhumanity.
"It is the puma," I said, "still alive, but so cut and mutilated as I pray I may never see living flesh again. Of all vile—"
"Never mind that," said Moreau; "at least, spare me those youthful horrors. Montgomery used to be just the same. You admit that it is the puma. Now be quiet, while I reel off my physiological lecture to you."
And forthwith, beginning in the tone of a man supremely bored, but presently warming a little, he explained his work to me. He was very simple and convincing. Now and then there was a touch of sarcasm in his voice. Presently I found myself hot with shame at our mutual positions.
The creatures I had seen were not men, had never been men. They were animals, humanised animals,—triumphs of vivisection.
"You forget all that a skilled vivisector can do with living things," said Moreau. "For my own part, I'm puzzled why the things I have done here have not been done before. Small efforts, of course, have been made,—amputation, tongue-cutting, excisions. Of course you know a squint may be induced or cured by surgery? Then in the case of excisions you have all kinds of secondary changes, pigmentary disturbances, modifications of the passions, alterations in the secretion of fatty tissue. I have no doubt you have heard of these things?"
"Of course," said I. "But these foul creatures of yours—"
"All in good time," said he, waving his hand at me; "I am only beginning. Those are trivial cases of alteration. Surgery can do better things than that. There is building up as well as breaking down and changing. You have heard, perhaps, of a common surgical operation resorted to in cases where the nose has been destroyed: a flap of skin is cut from the forehead, turned down on the nose, and heals in the new position. This is a kind of grafting in a new position of part of an animal upon itself. Grafting of freshly obtained material from another animal is also possible,—the case of teeth, for example. The grafting of skin and bone is done to facilitate healing: the surgeon places in the middle of the wound pieces of skin snipped from another animal, or fragments of bone from a victim freshly killed. Hunter's cock-spur—possibly you have heard of that—flourished on the bull's neck; and the rhinoceros rats of the Algerian zouaves are also to be thought of,—monsters manufactured by transferring a slip from the tail of an ordinary rat to its snout, and allowing it to heal in that position."
"Monsters manufactured!" said I. "Then you mean to tell me—"
"Yes. These creatures you have seen are animals carven and wrought into new shapes. To that, to the study of the plasticity of living forms, my life has been devoted. I have studied for years, gaining in knowledge as I go. I see you look horrified, and yet I am telling you nothing new. It all lay in the surface of practical anatomy years ago, but no one had the temerity to touch it. It is not simply the outward form of an animal which I can change. The physiology, the chemical rhythm of the creature, may also be made to undergo an enduring modification,—of which vaccination and other methods of inoculation with living or dead matter are examples that will, no doubt, be familiar to you. A similar operation is the transfusion of blood,—with which subject, indeed, I began. These are all familiar cases. Less so, and probably far more extensive, were the operations of those mediaeval practitioners who made dwarfs and beggar-cripples, show-monsters,—some vestiges of whose art still remain in the preliminary manipulation of the young mountebank or contortionist. Victor Hugo gives an account of them in 'L'Homme qui Rit.'—But perhaps my meaning grows plain now. You begin to see that it is a possible thing to transplant tissue from one part of an animal to another, or from one animal to another; to alter its chemical reactions and methods of growth; to modify the articulations of its limbs; and, indeed, to change it in its most intimate structure.
"And yet this extraordinary branch of knowledge has never been sought as an end, and systematically, by modern investigators until I took it up! Some such things have been hit upon in the last resort of surgery; most of the kindred evidence that will recur to your mind has been demonstrated as it were by accident,—by tyrants, by criminals, by the breeders of horses and dogs, by all kinds of untrained clumsy-handed men working for their own immediate ends. I was the first man to take up this question armed with antiseptic surgery, and with a really scientific knowledge of the laws of growth. Yet one would imagine it must have been practised in secret before. Such creatures as the Siamese Twins—And in the vaults of the Inquisition. No doubt their chief aim was artistic torture, but some at least of the inquisitors must have had a touch of scientific curiosity."
"But," said I, "these things—these animals talk!"
He said that was so, and proceeded to point out that the possibility of vivisection does not stop at a mere physical metamorphosis. A pig may be educated. The mental structure is even less determinate than the bodily. In our growing science of hypnotism we find the promise of a possibility of superseding old inherent instincts by new suggestions, grafting upon or replacing the inherited fixed ideas. Very much indeed of what we call moral education, he said, is such an artificial modification and perversion of instinct; pugnacity is trained into courageous self-sacrifice, and suppressed sexuality into religious emotion. And the great difference between man and monkey is in the larynx, he continued,—in the incapacity to frame delicately different sound-symbols by which thought could be sustained. In this I failed to agree with him, but with a certain incivility he declined to notice my objection. He repeated that the thing was so, and continued his account of his work.
I asked him why he had taken the human form as a model. There seemed to me then, and there still seems to me now, a strange wickedness for that choice.
He confessed that he had chosen that form by chance. "I might just as well have worked to form sheep into llamas and llamas into sheep. I suppose there is something in the human form that appeals to the artistic turn of mind more powerfully than any animal shape can. But I've not confined myself to man-making. Once or twice—" He was silent, for a minute perhaps. "These years! How they have slipped by! And here I have wasted a day saving your life, and am now wasting an hour explaining myself!"
"But," said I, "I still do not understand. Where is your justification for inflicting all this pain? The only thing that could excuse vivisection to me would be some application—"
"Precisely," said he. "But, you see, I am differently constituted. We are on different platforms. You are a materialist."
"I am not a materialist," I began hotly.
"In my view—in my view. For it is just this question of pain that parts us. So long as visible or audible pain turns you sick; so long as your own pains drive you; so long as pain underlies your propositions about sin,—so long, I tell you, you are an animal, thinking a little less obscurely what an animal feels. This pain—"
I gave an impatient shrug at such sophistry.
"Oh, but it is such a little thing! A mind truly opened to what science has to teach must see that it is a little thing. It may be that save in this little planet, this speck of cosmic dust, invisible long before the nearest star could be attained—it may be, I say, that nowhere else does this thing called pain occur. But the laws we feel our way towards—Why, even on this earth, even among living things, what pain is there?"
As he spoke he drew a little penknife from his pocket, opened the smaller blade, and moved his chair so that I could see his thigh. Then, choosing the place deliberately, he drove the blade into his leg and withdrew it.
"No doubt," he said, "you have seen that before. It does not hurt a pin-prick. But what does it show? The capacity for pain is not needed in the muscle, and it is