The Greatest Adventure Books for Children. Люси Мод Монтгомери
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I don't care for it; but when a pretty girl offers it, one doesn't like to refuse, you see."
"But you will, for the sake of others, if not for your own. Come, Laurie, promise, and give me one more reason to call this the happiest day of my life."
A demand so sudden and so serious made the young man hesitate a moment, for ridicule is often harder to bear than self-denial. Megknew that if he gave the promise he would keep it at all costs; and, feeling her power, used it as a woman may for her friend's good. She did not speak, but she looked up at him with a face made very eloquent by happiness, and a smile which said, "No one can refuse me anything to-day." Laurie certainly could not; and, with an answering smile, he gave her his hand, saying heartily, "I promise, Mrs. Brooke!"
"I thank you, very, very much."
"And I drink 'long life to your resolution,' Teddy," cried Jo, baptizing him with a splash of lemonade, as she waved her glass, and beamed approvingly upon him.
So the toast was drunk, the pledge made, and loyally kept, in spite of many temptations; for, with instinctive wisdom, the girls had seized a happy moment to do their friend a service, for which he thanked them all his life.
After lunch, people strolled about, by twos and threes, through house and garden, enjoying the sunshine without and within. Meg and John happened to be standing together in the middle of the grass-plot, when Laurie was seized with an inspiration which put the finishing touch to this unfashionable wedding.
"All the married people take hands and dance round the new-made husband and wife, as the Germans do, while we bachelors and spinsters prance in couples outside!" cried Laurie, promenading down the path with Amy, with such infectious spirit and skill that every one else followed their example without a murmur. Mr. and Mrs. March, Aunt and Uncle Carrol, began it; others rapidly joined in; even Sallie Moffat, after a moment's hesitation, threw her train over her arm, and whisked Ned into the ring. But the crowning joke was Mr. Laurence and Aunt March; for when the stately old gentlemanchass—ed solemnly up to the old lady, she just tucked her cane under her arm, and hopped briskly away to join hands with the rest, and dance about the bridal pair, while the young folks pervaded the garden, like butterflies on a midsummer day.
Want of breath brought the impromptu ball to a close, and then people began to go.
"I wish you well, my dear, I heartily wish you well; but I thinkyou'll be sorry for it," said Aunt March to Meg, adding to the bridegroom, as he led her to the carriage, "You've got a treasure, young man, see that you deserve it."
"That is the prettiest wedding I've been to for an age, Ned, and I don't see why, for there wasn't a bit of style about it," observed Mrs. Moffat to her husband, as they drove away.
"Laurie, my lad, if you ever want to indulge in this sort of thing, get one of those little girls to help you, and I shall be perfectly satisfied," said Mr. Laurence, settling himself in his easy-chair to rest, after the excitement of the morning.
"I'll do my best to gratify you, sir," was Laurie's unusually dutiful reply, as he carefully unpinned the posy Jo had put in his button-hole.
The little house was not far away, and the only bridal journey Meg had was the quiet walk with John, from the old home to the new. When she came down, looking like a pretty Quakeress in her dove-colored suit and straw bonnet tied with white, they all gathered about her to say "good-by," as tenderly as if she had been going to make the grand tour.
"Don't feel that I am separated from you, Marmee dear, or that I love you any the less for loving John so much," she said, clinging to her mother, with full eyes, for a moment. "I shall come every day, father, and expect to keep my old place in all your hearts, though Iam married. Beth is going to be with me a great deal, and the other girls will drop in now and then to laugh at my housekeeping struggles. Thank you all for my happy wedding-day. Good-by, good-by!"
They stood watching her, with faces full of love and hope and tender pride, as she walked away, leaning on her husband's arm, with her hands full of flowers, and the June sunshine brightening her happy face,—and so Meg's married life began.
CHAPTER XXVI.
ARTISTIC ATTEMPTS.
It takes people a long time to learn the difference between talent and genius, especially ambitious young men and women. Amy was learning this distinction through much tribulation; for, mistaking enthusiasm for inspiration, she attempted every branch of art with youthful audacity. For a long time there was a lull in the "mud-pie" business, and she devoted herself to the finest pen-and-ink drawing, in which she showed such taste and skill that her graceful handiwork proved both pleasant and profitable. But overstrained eyes soon caused pen and ink to be laid aside for a bold attempt at poker-sketching. While this attack lasted, the family lived in constant fear of a conflagration; for the odor of burning wood pervaded the house atall hours; smoke issued from attic and shed with alarming frequency, red-hot pokers lay about promiscuously, and Hannah never went to bed without a pail of water and the dinner-bell at her door, in case of fire. Raphael's face was found boldly executed on the under side of the moulding-board, and Bacchus on the head of a beer-barrel; a chanting cherub adorned the cover of the sugar-bucket, and attempts to portray Romeo and Juliet supplied kindlings for some time.
From fire to oil was a natural transition for burnt fingers, and Amy fell to painting with undiminished ardor. An artist friend fitted her out with his cast-off palettes, brushes, and colors; and she daubed away, producing pastoral and marine views such as were never seen on land or sea. Her monstrosities in the way of cattle would have taken prizes at an agricultural fair; and the perilous pitching of her vessels would have produced sea-sickness in the most nautical observer, if the utter disregard to all known rules of shipbuilding and rigging had not convulsed him with laughter at the first glance. Swarthy boys and dark-eyed Madonnas, staring at you from one corner of the studio, suggested Murillo; oily-brown shadows of faces, with a lurid streak in the wrong place, meant Rembrandt; buxom ladies and dropsical infants, Rubens; and Turner appeared in tempests of blue thunder, orange lightning, brown rain, and purple clouds, with a tomato-colored splash in the middle, which might be the sun or a buoy, a sailor's shirt or a king's robe, as the spectator pleased.
Charcoal portraits came next; and the entire family hung in a row, looking as wild and crocky as if just evoked from a coal-bin. Softened into crayon sketches, they did better; for the likenesses were good, and Amy's hair, Jo's nose, Meg's mouth, and Laurie's eyes were pronounced "wonderfully fine." A return to clay and plaster followed, and ghostly casts of her acquaintances haunted corners of the house, or tumbled off closet-shelves on to people's heads. Children were enticed in as models, till their incoherent accounts of her mysterious doings caused Miss Amy to be regarded in the light of a young ogress. Her efforts in this line, however, were brought to an abrupt close by an untoward accident, which quenched her ardor. Other models failing her for a time, she undertook to cast her own pretty foot, and the family were one day alarmed by an unearthly bumping and screaming, and running to the rescue, found the young enthusiast hopping wildly about the shed, with her foot held fast in a pan-full of plaster, which had hardened with unexpected rapidity. With much difficulty and some danger she was dug out; for Jo was so overcome with laughter while she excavated, that her knife went too far, cut the poor foot, and left a lasting memorial of one artistic attempt, at least.
After this Amy subsided, till a mania for sketching from nature set her to haunting river, field, and wood, for picturesque studies, and sighing for ruins to copy. She caught endless colds sitting on damp grass to book "a delicious bit," composed of a stone, a stump, one mushroom, and a broken mullein-stalk, or "a heavenly mass of clouds," that looked like a choice display of feather-beds when done. She sacrificed her complexion floating on the river in the midsummer