When the Sleeper Wakes. H. G. Wells
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of the furtive administration of chloral. “Only cold mutton, you know, but passing sweet. Welsh. And a tart, I believe.” He repeated this after momentary silence.
The seated man made no answer. Isbister stopped, match in hand, regarding him.
The stillness lengthened. The match went out, the cigarette was put down unlit. The man was certainly very still. Isbister took up the portfolio, opened it, put it down, hesitated, seemed about to speak. “Perhaps,” he whispered doubtfully. Presently he glanced at the door and back to the figure. Then he stole on tiptoe out of the room, glancing at his companion after each elaborate pace.
He closed the door noiselessly. The house door was standing open, and he went out beyond the porch, and stood where the monkshood rose at the corner of the garden bed. From this point he could see the stranger through the open window, still and dim, sitting head on hand. He had not moved.
A number of children going along the road stopped and regarded the artist curiously. A boatman exchanged civilities with him. He felt that possibly his circumspect attitude and position seemed peculiar and unaccountable. Smoking, perhaps, might seem more natural. He drew pipe and pouch from his pocket, filled the pipe slowly.
“I wonder,” … he said, with a scarcely perceptible loss of complacency. “At any rate we must give him a chance.” He struck a match in the virile way, and proceeded to light his pipe.
Presently he heard his landlady behind him, coming with his lamp lit from the kitchen. He turned, gesticulating with his pipe, and stopped her at the door of his sitting-room. He had some difficulty in explaining the situation in whispers, for she did not know he had a visitor. She retreated again with the lamp, still a little mystified to judge from her manner, and he resumed his hovering at the corner of the porch, flushed and less at his ease.
Long after he had smoked out his pipe, and when the bats were abroad, his curiosity dominated his complex hesitations, and he stole back into his darkling sitting-room. He paused in the doorway. The stranger was still in the same attitude, dark against the window. Save for the singing of some sailors aboard one of the little slate-carrying ships in the harbour, the evening was very still. Outside, the spikes of monkshood and delphinium stood erect and motionless against the shadow of the hillside. Something flashed into Isbister’s mind; he started, and leaning over the table, listened. An unpleasant suspicion grew stronger; became conviction. Astonishment seized him and became—dread!
No sound of breathing came from the seated figure!
He crept slowly and noiselessly round the table, pausing twice to listen. At last he could lay his hand on the back of the armchair. He bent down until the two heads were ear to ear.
Then he bent still lower to look up at his visitor’s face. He started violently and uttered an exclamation. The eyes were void spaces of white.
He looked again and saw that they were open and with the pupils rolled under the lids. He was suddenly afraid. Overcome by the strangeness of the man’s condition, he took him by the shoulder and shook him. “Are you asleep?” he said, with his voice jumping into alto, and again, “Are you asleep?”
A conviction took possession of his mind that this man was dead. He suddenly became active and noisy, strode across the room, blundering against the table as he did so, and rang the bell.
“Please bring a light at once,” he said in the passage. “There is something wrong with my friend.”
Then he returned to the motionless seated figure, grasped the shoulder, shook it, and shouted. The room was flooded with yellow glare as his astonished landlady entered with the light. His face was white as he turned blinking towards her. “I must fetch a doctor at once,” he said. “It is either death or a fit. Is there a doctor in the village? Where is a doctor to be found?”
CHAPTER II. THE TRANCE
The state of cataleptic rigour into which this man had fallen, lasted for an unprecedented length of time, and then he passed slowly to the flaccid state, to a lax attitude suggestive of profound repose. Then it was his eyes could be closed.
He was removed from the hotel to the Boscastle surgery, and from the surgery, after some weeks, to London. But he still resisted every attempt at reanimation. After a time, for reasons that will appear later, these attempts were discontinued. For a great space he lay in that strange condition, inert and still neither dead nor living but, as it were, suspended, hanging midway between nothingness and existence. His was a darkness unbroken by a ray of thought or sensation, a dreamless inanition, a vast space of peace. The tumult of his mind had swelled and risen to an abrupt climax of silence. Where was the man? Where is any man when insensibility takes hold of him?
“It seems only yesterday,” said Isbister. “I remember it all as though it happened yesterday—clearer perhaps, than if it had happened yesterday.”
It was the Isbister of the last chapter, but he was no longer a young man. The hair that had been brown and a trifle in excess of the fashionable length, was iron grey and clipped close, and the face that had been pink and white was buff and ruddy. He had a pointed beard shot with grey. He talked to an elderly man who wore a summer suit of drill (the summer of that year was unusually hot). This was Warming, a London solicitor and next of kin to Graham, the man who had fallen into the trance. And the two men stood side by side in a room in a house in London regarding his recumbent figure.
It was a yellow figure lying lax upon a water-bed and clad in a flowing shirt, a figure with a shrunken face and a stubby beard, lean limbs and lank nails, and about it was a case of thin glass. This glass seemed to mark off the sleeper from the reality of life about him, he was a thing apart, a strange, isolated abnormality. The two men stood close to the glass, peering in.
“The thing gave me a shock,” said Isbister “I feel a queer sort of surprise even now when I think of his white eyes. They were white, you know, rolled up. Coming here again brings it all back to me.
“Have you never seen him since that time?” asked Warming.
“Often wanted to come,” said Isbister; “but business nowadays is too serious a thing for much holiday keeping. I’ve been in America most of the time.”
“If I remember rightly,” said Warming, “you were an artist?”
“Was. And then I became a married man. I saw it was all up with black and white, very soon—at least for a mediocre man, and I jumped on to process. Those posters on the Cliffs at Dover are by my people.”
“Good posters,” admitted the solicitor, “though I was sorry to see them there.”
“Last as long as the cliffs, if necessary,” exclaimed Isbister with satisfaction. “The world changes. When he fell asleep, twenty years ago, I was down at Boscastle with a box of water-colours and a noble, old-fashioned ambition. I didn’t expect that some day my pigments would glorify the whole blessed coast of England, from Land’s End round again to the Lizard. Luck comes to a man very often when he’s not looking.”
Warming seemed to doubt the quality of the luck. “I just missed seeing you, if I recollect aright.”
“You came back by the trap that took me to Camelford railway station. It was close on the Jubilee, Victoria’s Jubilee, because I remember the seats and flags in Westminster, and the row with the cabman at Chelsea.”
“The Diamond Jubilee, it was,” said Warming; “the second one.”
“Ah, yes! At the proper Jubilee—the Fifty Year affair—I was down at Wookey—a boy. I missed all that. … What a fuss we had with him! My landlady wouldn’t take him in, wouldn’t let him stay—he looked so queer when he was rigid. We had to carry him in a chair up to the hotel. And the Boscastle doctor—it wasn’t the present chap, but the