LUPIN - The Adventures of Gentleman Thief. Морис Леблан
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furniture, books, pictures, old tapestries, everything was in its proper place.
It was incredible. I could not believe my eyes. Notwithstanding that uproar, those noises of removal....I made a tour, I inspected the walls, I made a mental inventory of all the familiar objects. Nothing was missing. And, what was more disconcerting, there was no clue to the intruders, not a sign, not a chair disturbed, not the trace of a footstep.
"Well! Well!" I said to myself, pressing my hands on my bewildered head, "surely I am not crazy! I hear something!"
Inch by inch, I made a careful examination of the room. It was in vain. Unless I could consider this as a discovery: Under a small Persian rug, I found a card—an ordinary playing card. It was the seven of hearts; it was like any other seven of hearts in French playing-cards, with this slight but curious exception: The extreme point of each of the seven red spots or hearts was pierced by a hole, round and regular as if made with the point of an awl.
Nothing more. A card and a letter found in a book. But was not that sufficient to affirm that I had not been the plaything of a dream?
Throughout the day, I continued my searches in the library. It was a large room, much too large for the requirements of such a house, and the decoration of which attested the bizarre taste of its founder. The floor was a mosaic of multicolored stones, formed into large symmetrical designs. The walls were covered with a similar mosaic, arranged in panels, Pompeiian allegories, Byzantine compositions, frescoes of the Middle Ages. A Bacchus bestriding a cask. An emperor wearing a gold crown, a flowing beard, and holding a sword in his right hand.
Quite high, after the style of an artist's studio, there was a large window—the only one in the room. That window being always open at night, it was probable that the men had entered through it, by the aid of a ladder. But, again, there was no evidence. The bottom of the ladder would have left some marks in the soft earth beneath the window; but there were none. Nor were there any traces of footsteps in any part of the yard.
I had no idea of informing the police, because the facts I had before me were so absurd and inconsistent. They would laugh at me. However, as I was then a reporter on the staff of the `Gil Blas,' I wrote a lengthy account of my adventure and it was published in the paper on the second day thereafter. The article attracted some attention, but no one took it seriously. They regarded it as a work of fiction rather than a story of real life. The Saint-Martins rallied me. But Daspry, who took an interest in such matters, came to see me, made a study of the affair, but reached no conclusion.
A few mornings later, the door-bell rang, and Antoine came to inform me that a gentleman desired to see me. He would not give his name. I directed Antoine to show him up. He was a man of about forty years of age with a very dark complexion, lively features, and whose correct dress, slightly frayed, proclaimed a taste that contrasted strangely with his rather vulgar manners. Without any preamble, he said to me—in a rough voice that confirmed my suspicion as to his social position:
"Monsieur, whilst in a café, I picked up a copy of the `Gil Blas,' and read your article. It interested me very much.
"Thank you."
"And here I am."
"Ah!"
"Yes, to talk to you. Are all the facts related by you quite correct?"
"Absolutely so."
"Well, in that case, I can, perhaps, give you some information."
"Very well; proceed."
"No, not yet. First, I must be sure that the facts are exactly as you have related them."
"I have given you my word. What further proof do you want?"
"I must remain alone in this room."
"I do not understand," I said, with surprise.
"It's an idea that occurred to me when reading your article. Certain details established an extraordinary coincidence with another case that came under my notice. If I am mistaken, I shall say nothing more. And the only means of ascertaining the truth is by my remaining in the room alone."
What was at the bottom of this proposition? Later, I recalled that the man was exceedingly nervous; but, at the same time, although somewhat astonished, I found nothing particularly abnormal about the man or the request he had made. Moreover, my curiosity was aroused; so I replied:
"Very well. How much time do you require?"
"Oh! three minutes—not longer. Three minutes from now, I will rejoin you."
I left the room, and went downstairs. I took out my watch. One minute passed. Two minutes. Why did I feel so depressed? Why did those moments seem so solemn and weird? Two minutes and a half....Two minutes and three quarters. Then I heard a pistol shot.
I bounded up the stairs and entered the room. A cry of horror escaped me. In the middle of the room, the man was lying on his left side, motionless. Blood was flowing from a wound in his forehead. Near his hand was a revolver, still smoking.
But, in addition to this frightful spectacle, my attention was attracted by another object. At two feet from the body, upon the floor, I saw a playing-card. It was the seven of hearts. I picked it up. The lower extremity of each of the seven spots was pierced with a small round hole.
A half-hour later, the commissary of police arrived, then the coroner and the chief of the Sûreté, Mon. Dudouis. I had been careful not to touch the corpse. The preliminary inquiry was very brief, and disclosed nothing. There were no papers in the pockets of the deceased; no name upon his clothes; no initial upon his linen; nothing to give any clue to his identity. The room was in the same perfect order as before. The furniture had not been disturbed. Yet this man had not come to my house solely for the purpose of killing himself, or because he considered my place the most convenient one for his suicide! There must have been a motive for his act of despair, and that motive was, no doubt, the result of some new fact ascertained by him during the three minutes he was alone.
What was that fact? What had he seen? What frightful secret had been revealed to him? There was no answer to these questions. But, at the last moment, an incident occurred that appeared to us of considerable importance. As two policemen were raising the body to place it on a stretcher, the left hand thus being disturbed, a crumpled card fell from it. The card bore these words: "Georges Andermatt, 37 Rue de Berry."
What did that mean? Georges Andermatt was a rich banker in Paris, the founder and president of the Metal Exchange which had given such an impulse to the metallic industries in France. He lived in princely style; was the possessor of numerous automobiles, coaches, and an expensive racing-stable. His social affairs were very select, and Madame Andermatt was noted for her grace and beauty.
"Can that be the man's name?" I asked. ———————-
The chief of the Sûreté leaned over him.
"It is not he. Mon. Andermatt is a thin man, and slightly grey."
"But why this card?"
"Have you a telephone, monsieur?"
"Yes, in the vestibule. Come with me."
He looked in the directory, and then asked for number 415.21.
"Is Mon. Andermatt at home?....Please tell him that Mon. Dudouis wished him to come at once to 102 Boulevard Maillot. Very important."
Twenty minutes later, Mon. Andermatt arrived in his automobile. After the circumstances had been explained to him, he was taken in to see the corpse. He displayed considerable emotion, and spoke, in a low tone, and apparently unwillingly:
"Etienne Varin," he said.
"You know him?"
"No.... or, at least, yes.... by sight only. His brother...."
"Ah! he has a brother?"
"Yes, Alfred Varin. He came to see me once on some matter of business....I forget what it was."
"Where does he live?"
"The two brothers live together—rue