The Divine Comedy of Dante Alighieri: The Inferno. Dante Alighieri
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ideas—placed him out of the reach of common sympathy. Others besides him had been banished from Florence, with as much or as little reason, and had known the saltness of bread which has been begged, and the steepness of strange stairs. The pains of banishment made them the more eager to have it brought to a close. With Dante all that he suffered went to swell the count of grievances for which a reckoning was some day to be exacted. The art of returning was, as he himself knew well, one he was slow to learn.[100] His noble obstinacy, which would stoop to no loss of dignity or sacrifice of principle, must excite[Pg lxxxix] our admiration; it also goes far to account for his difficulty in getting back. We can even imagine that in Florence his refusal to abate one tittle of what was due to him in the way of apology was, for a time, the subject of wondering speculation to the citizens, ere they turned again to their everyday affairs of politics and merchandise. Had they been more used to deal with men in whom a great genius was allied to a stubborn sense of honour, they would certainly have left less room in their treatment of Dante for happier ages to cavil at.
How did the case stand? In the letter above quoted from, Dante says that his innocence was known to all. As far as the charge of corruption in his office-bearing went, his banishment—no one can doubt it for a moment—was certainly unjust; and the political changes in Florence since the death of Corso Donati had taken all the life out of the other charges. But by his eager appeals to the Emperor to chastise the Florentines he had raised fresh barriers against his return. The governors of the Republic could not be expected to adopt his theory of the Empire and share his views of the Imperial claims; and to them Dante must have seemed as much guilty of disloyalty to the Commonwealth in inviting the presence of Henry, as Corso Donati had been in Dante’s eyes for his share in bringing Charles of Valois to harry Florence. His political writings since his exile—and all his writings were more or less political—had been such as might well confirm or create an opinion of him as a man difficult to live with, as one whose intellectual arrogance had a ready organ in his unsparing tongue or pen. Rumour would most willingly dwell upon and distort the features of his character and conduct that separated him from the common herd. And to add to all this, even after he had deserted the party of the Whites in exile, and had become a party to himself, he found his friends and patrons—for where else could he find them?—among the foes of Florence.
VI.
History never abhors a vacuum so much as when she has to deal with the life of a great man, and for those who must have details of Dante’s career during the nineteen years which elapsed between his banishment and his death, the industry of his biographers has exhausted every available hint, while some of them press into their service much that has only the remotest bearing on their hero. If even one-half of their suppositions were adopted, we should be forced to the conclusion that the Comedy and all the other works of his exile were composed in the intervals of a very busy life. We have his own word for this much, (Convito i. 3,) that since he was cast forth out of Florence—in which he would ‘fain rest his wearied soul and fulfil his appointed time’—he had been ‘a pilgrim, nay, even a mendicant,’ in every quarter of Italy,[101] and had ‘been held cheap by many who, because of his fame, had looked to find him come in another guise.’ But he gives no journal of his wanderings, and, as will have been observed, says no word of any country but Italy. Keeping close to well-ascertained facts, it seems established that in the earlier period of his exile he sojourned with members of the great family of the Counts Guidi,[102] and that he also found hospitality with the Malaspini,[103] lords of the Val di Magra, between Genoa and Lucca. At a still earlier date (August 1306) he is found witnessing a deed in Padua. It was most probably in the same year that Dante found Giotto there, painting the walls of the Scrovegni Chapel, and was courteously welcomed by the artist, and taken to his house.[104] At some time of his life he studied at Bologna: John Villani says, during his exile.[105] Of his supposed residence in Paris, though it is highly probable, there is a want of proof; of a visit to England, none at all that is worth a moment’s consideration. Some of his commentators and biographers seem to think he was so short-witted that he must have been in a place before it could occur to him to name it in his verse.
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