The Collected Works of Anton Chekhov. Anton Chekhov
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time for the birds to fly to the warm countries!”
“To be sure, it is time.”
“It is chilly at dawn now. It is co-old. The crane is a chilly creature, it is tender. Such cold is death to it. I am not a crane, but I am frozen…. Put some more wood on!”
Syoma gets up and disappears in the dark undergrowth. While he is busy among the bushes, breaking dry twigs, his companion puts his hand over his eyes and starts at every sound. Syoma brings an armful of wood and lays it on the fire. The flame irresolutely licks the black twigs with its little tongues, then suddenly, as though at the word of command, catches them and throws a crimson light on the faces, the road, the white linen with its prominences where the hands and feet of the corpse raise it, the ikon. The “watch” is silent. The young man bends his neck still lower and sets to work with still more nervous haste. The goat-beard sits motionless as before and keeps his eyes fixed on the fire….
“Ye that love not Zion… shall be put to shame by the Lord.” A falsetto voice is suddenly heard singing in the stillness of the night, then slow footsteps are audible, and the dark figure of a man in a short monkish cassock and a broad-brimmed hat, with a wallet on his shoulders, comes into sight on the road in the crimson firelight.
“Thy will be done, O Lord! Holy Mother!” the figure says in a husky falsetto. “I saw the fire in the outer darkness and my soul leapt for joy…. At first I thought it was men grazing a drove of horses, then I thought it can’t be that, since no horses were to be seen. ‘Aren’t they thieves,’ I wondered, ‘aren’t they robbers lying in wait for a rich Lazarus? Aren’t they the gypsy people offering sacrifices to idols? And my soul leapt for joy. ‘Go, Feodosy, servant of God,’ I said to myself, ‘and win a martyr’s crown!’ And I flew to the fire like a light-winged moth. Now I stand before you, and from your outer aspect I judge of your souls: you are not thieves and you are not heathens. Peace be to you!”
“Good-evening.”
“Good orthodox people, do you know how to reach the Makuhinsky Brickyards from here?”
“It’s close here. You go straight along the road; when you have gone a mile and a half there will be Ananova, our village. From the village, father, you turn to the right by the river-bank, and so you will get to the brickyards. It’s two miles from Ananova.”
“God give you health. And why are you sitting here?
“We are sitting here watching. You see, there is a dead body… .”
“What? what body? Holy Mother!”
The pilgrim sees the white linen with the ikon on it, and starts so violently that his legs give a little skip. This unexpected sight has an overpowering effect upon him. He huddles together and stands as though rooted to the spot, with wide-open mouth and staring eyes. For three minutes he is silent as though he could not believe his eyes, then begins muttering:
“O Lord! Holy Mother! I was going along not meddling with anyone, and all at once such an affliction.”
“What may you be?” enquires the young man. “Of the clergy?”
“No… no…. I go from one monastery to another…. Do you know Mi… Mihail Polikarpitch, the foreman of the brickyard? Well, I am his nephew…. Thy will be done, O Lord! Why are you here?”
“We are watching… we are told to.”
“Yes, yes …” mutters the man in the cassock, passing his hand over his eyes. “And where did the deceased come from?”
“He was a stranger.”
“Such is life! But I’ll… er… be getting on, brothers…. I feel flustered. I am more afraid of the dead than of anything, my dear souls! And only fancy! while this man was alive he wasn’t noticed, while now when he is dead and given over to corruption we tremble before him as before some famous general or a bishop…. Such is life; was he murdered, or what?”
“The Lord knows! Maybe he was murdered, or maybe he died of himself.”
“Yes, yes…. Who knows, brothers? Maybe his soul is now tasting the joys of Paradise.”
“His soul is still hovering here, near his body,” says the young man. “It does not depart from the body for three days.”
“H’m, yes!… How chilly the nights are now! It sets one’s teeth chattering…. So then I am to go straight on and on? …”
“Till you get to the village, and then you turn to the right by the river-bank.”
“By the river-bank…. To be sure…. Why am I standing still? I must go on. Farewell, brothers.”
The man in the cassock takes five steps along the road and stops.
“I’ve forgotten to put a kopeck for the burying,” he says. “Good orthodox friends, can I give the money?”
“You ought to know best, you go the round of the monasteries. If he died a natural death it would go for the good of his soul; if it’s a suicide it’s a sin.”
“That’s true…. And maybe it really was a suicide! So I had better keep my money. Oh, sins, sins! Give me a thousand roubles and I would not consent to sit here…. Farewell, brothers.”
The cassock slowly moves away and stops again.
“I can’t make up my mind what I am to do,” he mutters. “To stay here by the fire and wait till daybreak…. I am frightened; to go on is dreadful, too. The dead man will haunt me all the way in the darkness…. The Lord has chastised me indeed! Over three hundred miles I have come on foot and nothing happened, and now I am near home and there’s trouble. I can’t go on… .”
“It is dreadful, that is true.”
“I am not afraid of wolves, of thieves, or of darkness, but I am afraid of the dead. I am afraid of them, and that is all about it. Good orthodox brothers, I entreat you on my knees, see me to the village.”
“We’ve been told not to go away from the body.”
“No one will see, brothers. Upon my soul, no one will see! The Lord will reward you a hundredfold! Old man, come with me, I beg! Old man! Why are you silent?”
“He is a bit simple,” says the young man.
“You come with me, friend; I will give you five kopecks.”
“For five kopecks I might,” says the young man, scratching his head, “but I was told not to. If Syoma here, our simpleton, will stay alone, I will take you. Syoma, will you stay here alone?”
“I’ll stay,” the simpleton consents.
“Well, that’s all right, then. Come along! The young man gets up, and goes with the cassock. A minute later the sound of their steps and their talk dies away. Syoma shuts his eyes and gently dozes. The fire begins to grow dim, and a big black shadow falls on the dead body.
THE COOK’S WEDDING [trans. by Marian Fell]
GRISHA, a little urchin of seven, stood at the kitchen door with his eye at the keyhole, watching and listening. Something was taking place in the kitchen that seemed to him very strange and that he had never seen happen before. At the table on which the meat and onions were usually chopped sat a huge, burly peasant in a long coachman's coat. His hair and beard were red, and a large drop of perspiration hung from the tip of his nose. He was holding his saucer on the outstretched fingers of his right hand and, as he supped his tea, was nibbling a lump of sugar so noisily that the goose-flesh started out on Grisha's back. On a grimy stool opposite him sat Grisha's old nurse, Aksinia. She also was drinking tea; her mien