The Complete Works of Samuel Taylor Coleridge (Illustrated Edition). Samuel Taylor Coleridge

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The Complete Works of Samuel Taylor Coleridge (Illustrated Edition) - Samuel Taylor Coleridge


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And elmy fields, seems like society -

       Conversing with the mind, and giving it

       A livelier impulse and a dance of thought!

       And now, beloved Stowey! I behold

       Thy church-tower, and, methinks, the four huge elms

       Clustering, which mark the mansion of my friend;

       And close behind them, hidden from my view,

       Is my own lowly cottage, where my babe

       And my babe’s mother dwell in peace! With light

       And quickened footsteps thitherward I tend,

       Remembering thee, O green and silent dell!

       And grateful, that by nature’s quietness

       And solitary musings, all my heart

       Is softened, and made worthy to indulge

       Love, and the thoughts that yearn for human kind.

       Table of Contents

      No cloud, no relique of the sunken day

       Distinguishes the West, no long thin slip

       Of sullen light, no obscure trembling hues.

       Come, we will rest on this old mossy bridge!

       You see the glimmer of the stream beneath,

       But hear no murmuring : it flows silently,

       O’er its soft bed of verdure. All is still,

       A balmy night! and though the stars be dim,

       Yet let us think upon the vernal showers

       That gladden the green earth, and we shall find

       A pleasure in the dimness of the stars.

       And hark! the Nightingale begins its song,

       ‘Most musical, most melancholy’ bird!

       A melancholy bird! Oh! idle thought!

       In nature there is nothing melancholy.

       But some night-wandering man, whose heart was pierced

       With the remembrance of a grievous wrong,

       Or slow distemper, or neglected love,

       (And so, poor wretch! filled all things with himself,

       And made all gentle sounds tell back the tale

       Of his own sorrow) he, and such as he,

       First named these notes a melancholy strain.

       And many a poet echoes the conceit;

       Poet who hath been building up the rhyme

       When he had better far have stretched his limbs

       Beside a brook in mossy forest-dell,

       By sun or moonlight, to the influxes

       Of shapes and sounds and shifting elements

       Surrendering his whole spirit, of his song

       And of his fame forgetful! so his fame

       Should share in Nature’s immortality,

       A venerable thing! and so his song

       Should make all Nature lovelier, and itself

       Be loved like Nature! But ‘twill not be so;

       And youths and maidens most poetical,

       Who lose the deepening twilights of the spring

       In ball-rooms and hot theatres, they still

       Full of meek sympathy must heave their sighs

       O’er Philomela’s pity-pleading strains.

      My Friend, and thou, our Sister! we have learnt

       A different lore : we may not thus profane

       Nature’s sweet voices, always full of love

       And joyance! ‘Tis the merry Nightingale

       That crowds, and hurries, and precipitates

       With fast thick warble his delicious notes,

       As he were fearful that an April night

       Would be too short for him to utter forth

       His love-chant, and disburthen his full soul

       Of all its music!

      And I know a grove

       Of large extent, hard by a castle huge,

       Which the great lord inhabits not; and so

       This grove is wild with tangling underwood,

       And the trim walks are broken up, and grass,

       Thin grass and king-cups grow within the paths.

       But never elsewhere in one place I knew

       So many nightingales; and far and near,

       In wood and thicket, over the wide grove,

       They answer and provoke each other’s song,

       With skirmish and capricious passagings,

       And murmurs musical and swift jug jug,

       And one low piping sound more sweet than all —

       Stirring the air with such a harmony,

       That should you close your eyes, you might almost

       Forget it was not day! On moonlight bushes,

       Whose dewy leaflets are but half disclosed,

       You may perchance behold them on the twigs,

       Their bright, bright eyes, their eyes both bright and full,

       Glistening, while many a glowworm in the shade

       Lights up her love-torch.

      A most gentle Maid,

       Who dwelleth in her hospitable home

       Hard by the castle, and at latest eve

       (Even like a Lady vowed and dedicate

       To something more than Nature in the grove)

       Glides through the pathways; she knows all their notes,

       That gentle Maid! and oft a moment’s space,

       What time the moon was lost behind a cloud,

       Hath heard a pause of silence; till the moon

       Emerging, hath awakened earth and sky

       With one sensation, and those wakeful birds

       Have all burst forth in choral minstrelsy,

       As if some sudden gale had swept at once

       A hundred airy harps! And she hath watched

       Many a nightingale perch giddily

       On blossomy twig still swinging from the breeze,

       And to that motion tune his wanton song

       Like tipsy joy that reels with tossing head.

      Farewell! O Warbler! till tomorrow eve,

       And you, my friends! farewell, a short farewell!

       We have been loitering long and pleasantly,

       And now for our dear homes. — That strain again!

       Full fain it would delay me! My dear babe,

       Who, capable of no articulate sound,

       Mars all things with his imitative lisp,

       How he would place his hand beside his ear,

       His little hand, the small forefinger up,

       And bid us listen! And I deem it wise

      


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