DOMBEY & SON (Illustrated). Charles Dickens
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shapes of the meaning with which they were fraught, as were able to make themselves visible to him through the mist of his pride, his previous feeling of indifference towards little Florence changed into an uneasiness of an extraordinary kind. Young as she was, and possessing in any eyes but his (and perhaps in his too) even more than the usual amount of childish simplicity and confidence, he almost felt as if she watched and distrusted him. As if she held the clue to something secret in his breast, of the nature of which he was hardly informed himself. As if she had an innate knowledge of one jarring and discordant string within him, and her very breath could sound it.
His feeling about the child had been negative from her birth. He had never conceived an aversion to her: it had not been worth his while or in his humour. She had never been a positively disagreeable object to him. But now he was ill at ease about her. She troubled his peace. He would have preferred to put her idea aside altogether, if he had known how. Perhaps—who shall decide on such mysteries!—he was afraid that he might come to hate her.
When little Florence timidly presented herself, Mr Dombey stopped in his pacing up and down and looked towards her. Had he looked with greater interest and with a father’s eye, he might have read in her keen glance the impulses and fears that made her waver; the passionate desire to run clinging to him, crying, as she hid her face in his embrace, ‘Oh father, try to love me! there’s no one else!’ the dread of a repulse; the fear of being too bold, and of offending him; the pitiable need in which she stood of some assurance and encouragement; and how her overcharged young heart was wandering to find some natural resting-place, for its sorrow and affection.
But he saw nothing of this. He saw her pause irresolutely at the door and look towards him; and he saw no more.
‘Come in,’ he said, ‘come in: what is the child afraid of?’
She came in; and after glancing round her for a moment with an uncertain air, stood pressing her small hands hard together, close within the door.
‘Come here, Florence,’ said her father, coldly. ‘Do you know who I am?’
‘Yes, Papa.’
‘Have you nothing to say to me?’
The tears that stood in her eyes as she raised them quickly to his face, were frozen by the expression it wore. She looked down again, and put out her trembling hand.
Mr Dombey took it loosely in his own, and stood looking down upon her for a moment, as if he knew as little as the child, what to say or do.
‘There! Be a good girl,’ he said, patting her on the head, and regarding her as it were by stealth with a disturbed and doubtful look. ‘Go to Richards! Go!’
His little daughter hesitated for another instant as though she would have clung about him still, or had some lingering hope that he might raise her in his arms and kiss her. She looked up in his face once more. He thought how like her expression was then, to what it had been when she looked round at the Doctor—that night—and instinctively dropped her hand and turned away.
It was not difficult to perceive that Florence was at a great disadvantage in her father’s presence. It was not only a constraint upon the child’s mind, but even upon the natural grace and freedom of her actions. As she sported and played about her baby brother that night, her manner was seldom so winning and so pretty as it naturally was, and sometimes when in his pacing to and fro, he came near her (she had, perhaps, for the moment, forgotten him) it changed upon the instant and became forced and embarrassed.
Still, Polly persevered with all the better heart for seeing this; and, judging of Mr Dombey by herself, had great confidence in the mute appeal of poor little Florence’s mourning dress. ‘It’s hard indeed,’ thought Polly, ‘if he takes only to one little motherless child, when he has another, and that a girl, before his eyes.’
So, Polly kept her before his eyes, as long as she could, and managed so well with little Paul, as to make it very plain that he was all the livelier for his sister’s company. When it was time to withdraw upstairs again, she would have sent Florence into the inner room to say good-night to her father, but the child was timid and drew back; and when she urged her again, said, spreading her hands before her eyes, as if to shut out her own unworthiness, ‘Oh no, no! He don’t want me. He don’t want me!’
The little altercation between them had attracted the notice of Mr Dombey, who inquired from the table where he was sitting at his wine, what the matter was.
‘Miss Florence was afraid of interrupting, Sir, if she came in to say good-night,’ said Richards.
‘It doesn’t matter,’ returned Mr Dombey. ‘You can let her come and go without regarding me.’
The child shrunk as she listened—and was gone, before her humble friend looked round again.
However, Polly triumphed not a little in the success of her well-intentioned scheme, and in the address with which she had brought it to bear: whereof she made a full disclosure to Spitfire when she was once more safely entrenched upstairs. Miss Nipper received that proof of her confidence, as well as the prospect of their free association for the future, rather coldly, and was anything but enthusiastic in her demonstrations of joy.
‘I thought you would have been pleased,’ said Polly.
‘Oh yes, Mrs Richards, I’m very well pleased, thank you,’ returned Susan, who had suddenly become so very upright that she seemed to have put an additional bone in her stays.
‘You don’t show it,’ said Polly.
‘Oh! Being only a permanency I couldn’t be expected to show it like a temporary,’ said Susan Nipper. ‘Temporaries carries it all before ‘em here, I find, but though there’s a excellent party-wall between this house and the next, I mayn’t exactly like to go to it, Mrs Richards, notwithstanding!’
Chapter 4.
In which some more First Appearances are made on the Stage of these Adventures
Though the offices of Dombey and Son were within the liberties of the City of London, and within hearing of Bow Bells, when their clashing voices were not drowned by the uproar in the streets, yet were there hints of adventurous and romantic story to be observed in some of the adjacent objects. Gog and Magog held their state within ten minutes’ walk; the Royal Exchange was close at hand; the Bank of England, with its vaults of gold and silver ‘down among the dead men’ underground, was their magnificent neighbour. Just round the corner stood the rich East India House, teeming with suggestions of precious stuffs and stones, tigers, elephants, howdahs, hookahs, umbrellas, palm trees, palanquins, and gorgeous princes of a brown complexion sitting on carpets, with their slippers very much turned up at the toes. Anywhere in the immediate vicinity there might be seen pictures of ships speeding away full sail to all parts of the world; outfitting warehouses ready to pack off anybody anywhere, fully equipped in half an hour; and little timber midshipmen in obsolete naval uniforms, eternally employed outside the shop doors of nautical Instrument-makers in taking observations of the hackney carriages.
Sole master and proprietor of one of these effigies—of that which might be called, familiarly, the woodenest—of that which thrust itself out above the pavement, right leg foremost, with a suavity the least endurable, and had the shoe buckles and flapped waistcoat the least reconcileable to human reason, and bore at its right eye the most offensively disproportionate piece of machinery—sole master and proprietor of that Midshipman, and proud of him too, an elderly gentleman in a Welsh wig had paid house-rent, taxes, rates, and dues, for more years than many a full-grown midshipman of flesh and blood has numbered in his life; and midshipmen who have attained a pretty green old age, have not been wanting in the English Navy.
The stock-in-trade of this old gentleman comprised chronometers, barometers, telescopes,