DOMBEY & SON (Illustrated). Charles Dickens
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for a moment, without throwing himself upon the unoffending wearer, and doing him a mischief. His social existence had been more like that of an early Christian, than an innocent child of the nineteenth century. He had been stoned in the streets. He had been overthrown into gutters; bespattered with mud; violently flattened against posts. Entire strangers to his person had lifted his yellow cap off his head, and cast it to the winds. His legs had not only undergone verbal criticisms and revilings, but had been handled and pinched. That very morning, he had received a perfectly unsolicited black eye on his way to the Grinders’ establishment, and had been punished for it by the master: a superannuated old Grinder of savage disposition, who had been appointed schoolmaster because he didn’t know anything, and wasn’t fit for anything, and for whose cruel cane all chubby little boys had a perfect fascination.
Thus it fell out that Biler, on his way home, sought unfrequented paths; and slunk along by narrow passages and back streets, to avoid his tormentors. Being compelled to emerge into the main road, his ill fortune brought him at last where a small party of boys, headed by a ferocious young butcher, were lying in wait for any means of pleasurable excitement that might happen. These, finding a Charitable Grinder in the midst of them—unaccountably delivered over, as it were, into their hands—set up a general yell and rushed upon him.
But it so fell out likewise, that, at the same time, Polly, looking hopelessly along the road before her, after a good hour’s walk, had said it was no use going any further, when suddenly she saw this sight. She no sooner saw it than, uttering a hasty exclamation, and giving Master Dombey to the black-eyed, she started to the rescue of her unhappy little son.
Surprises, like misfortunes, rarely come alone. The astonished Susan Nipper and her two young charges were rescued by the bystanders from under the very wheels of a passing carriage before they knew what had happened; and at that moment (it was market day) a thundering alarm of ‘Mad Bull!’ was raised.
With a wild confusion before her, of people running up and down, and shouting, and wheels running over them, and boys fighting, and mad bulls coming up, and the nurse in the midst of all these dangers being torn to pieces, Florence screamed and ran. She ran till she was exhausted, urging Susan to do the same; and then, stopping and wringing her hands as she remembered they had left the other nurse behind, found, with a sensation of terror not to be described, that she was quite alone.
‘Susan! Susan!’ cried Florence, clapping her hands in the very ecstasy of her alarm. ‘Oh, where are they? where are they?’
‘Where are they?’ said an old woman, coming hobbling across as fast as she could from the opposite side of the way. ‘Why did you run away from ‘em?’
‘I was frightened,’ answered Florence. ‘I didn’t know what I did. I thought they were with me. Where are they?’
The old woman took her by the wrist, and said, ‘I’ll show you.’
She was a very ugly old woman, with red rims round her eyes, and a mouth that mumbled and chattered of itself when she was not speaking. She was miserably dressed, and carried some skins over her arm. She seemed to have followed Florence some little way at all events, for she had lost her breath; and this made her uglier still, as she stood trying to regain it: working her shrivelled yellow face and throat into all sorts of contortions.
Florence was afraid of her, and looked, hesitating, up the street, of which she had almost reached the bottom. It was a solitary place—more a back road than a street—and there was no one in it but her-self and the old woman.
‘You needn’t be frightened now,’ said the old woman, still holding her tight. ‘Come along with me.’
‘I—I don’t know you. What’s your name?’ asked Florence.
‘Mrs Brown,’ said the old woman. ‘Good Mrs Brown.’
‘Are they near here?’ asked Florence, beginning to be led away.
‘Susan ain’t far off,’ said Good Mrs Brown; ‘and the others are close to her.’
‘Is anybody hurt?’ cried Florence.
‘Not a bit of it,’ said Good Mrs Brown.
The child shed tears of delight on hearing this, and accompanied the old woman willingly; though she could not help glancing at her face as they went along—particularly at that industrious mouth—and wondering whether Bad Mrs Brown, if there were such a person, was at all like her.
They had not gone far, but had gone by some very uncomfortable places, such as brick-fields and tile-yards, when the old woman turned down a dirty lane, where the mud lay in deep black ruts in the middle of the road. She stopped before a shabby little house, as closely shut up as a house that was full of cracks and crevices could be. Opening the door with a key she took out of her bonnet, she pushed the child before her into a back room, where there was a great heap of rags of different colours lying on the floor; a heap of bones, and a heap of sifted dust or cinders; but there was no furniture at all, and the walls and ceiling were quite black.
The child became so terrified the she was stricken speechless, and looked as though about to swoon.
‘Now don’t be a young mule,’ said Good Mrs Brown, reviving her with a shake. ‘I’m not a going to hurt you. Sit upon the rags.’
Florence obeyed her, holding out her folded hands, in mute supplication.
‘I’m not a going to keep you, even, above an hour,’ said Mrs Brown. ‘D’ye understand what I say?’
The child answered with great difficulty, ‘Yes.’
‘Then,’ said Good Mrs Brown, taking her own seat on the bones, ‘don’t vex me. If you don’t, I tell you I won’t hurt you. But if you do, I’ll kill you. I could have you killed at any time—even if you was in your own bed at home. Now let’s know who you are, and what you are, and all about it.’
The old woman’s threats and promises; the dread of giving her offence; and the habit, unusual to a child, but almost natural to Florence now, of being quiet, and repressing what she felt, and feared, and hoped; enabled her to do this bidding, and to tell her little history, or what she knew of it. Mrs Brown listened attentively, until she had finished.
‘So your name’s Dombey, eh?’ said Mrs Brown.
‘I want that pretty frock, Miss Dombey,’ said Good Mrs Brown, ‘and that little bonnet, and a petticoat or two, and anything else you can spare. Come! Take ‘em off.’
Florence obeyed, as fast as her trembling hands would allow; keeping, all the while, a frightened eye on Mrs Brown. When she had divested herself of all the articles of apparel mentioned by that lady, Mrs B. examined them at leisure, and seemed tolerably well satisfied with their quality and value.
‘Humph!’ she said, running her eyes over the child’s slight figure, ‘I don’t see anything else—except the shoes. I must have the shoes, Miss Dombey.’
Poor little Florence took them off with equal alacrity, only too glad to have any more means of conciliation about her. The old woman then produced some wretched substitutes from the bottom of the heap of rags, which she turned up for that purpose; together with a girl’s cloak, quite worn out and very old; and the crushed remains of a bonnet that had probably been picked up from some ditch or dunghill. In this dainty raiment, she instructed Florence to dress herself; and as such preparation seemed a prelude to her release, the child complied with increased readiness, if possible.
In hurriedly putting on the bonnet, if that may be called a bonnet which was more like a pad to carry loads on, she caught it in her hair which grew luxuriantly, and could not immediately disentangle it. Good Mrs Brown whipped out a large pair of scissors, and fell into an unaccountable state of excitement.
‘Why couldn’t you let me be!’ said Mrs