The Complete Works. Stanley G. Weinbaum

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The Complete Works - Stanley G. Weinbaum


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      "Nothing directly." Jan Orm paused. "Before I tell you more, Tom, I'm going to ask you something. Do you love Evanie?"

      "I'm very fond of her."

      "But do you love her?" Jan insisted.

      "Yes," said Connor suddenly. "I do."

      A swift thought had come to him before he had reached that decision. The vision of a smiling wood nymph was before his eyes. But only a human being could be loved by a man—a coolly lovely girl like Evanie; not a goddess.

      "Why do the youths of Ormon ignore Evanie so, Jan?" Connor asked abruptly. "She's far the loveliest girl in town."

      "So she is, Tom. It's her own doing that they ignore her. They have tried to be friends with her—have tried hard. But she—well, she has always discouraged them."

      "Why?"

      "Because, I think, she feels that in justice to everybody she can't marry."

      "And again why?"

      For a long moment Jan Orm hesitated. "I'll tell you," he said finally. "She's one–eighth metamorph!"

      "What?"

      "Yes, her mother was the daughter of Montmerci the Anadominist. A great man, but half metamorph."

      "Do you mean," asked Connor, aghast, "that she has the blood of that lake monster in her?"

      "No! oh, no! There are two kinds of metamorphs. One sort, the Panate metamorph, is human; the others, the amphimorphs, are just—horrors. Evanie's blood is Panate.

      But she had conquered her metamorphic heredity." "A metamorph!" Connor groaned.

      The picture of that flopping horror rose in his mind, and then the vision of the wild, impish face of the woods child. There was something reminiscent of Evanie in that, the color of her bronze hair, an occasional glint in her deep eyes.

      "Tell me," he said huskily, "about that heredity of hers. Might her child, for instance, turn wild? Or turn into such a horror as an—amphimorph?"

      Jan Orm smiled.

      "By no chance! The Panate metamorphs, I tell you, are human. They're people. They're much like us—good and bad, brilliant and stupid, and many of them surpassingly beautiful in their wild way."

      "But just what are they? Where'd they come from?"

      "Do you remember hearing Martin Sair mentioned? He was companion of the Master, Evanie's great–uncle thirty generations removed."

      "The discoverer of immortality? I remember."

      But Connor made no mention of when he had first heard of both Martin Sair and the Master—from an uncannily beautiful wood sprite who had seemed to possess all the wisdom of the ages.

      "Yes," Jan told him. "And you must have heard, too, that there were other attempts at making men immortal, in the first century of the Enlightenment. And failures. Some that still haunt the world. Well the metamorphs are those failures."

      "I see," said Connor slowly.

      "They're a mutation, an artificial mutation," Jan explained. "When Martin Sair's discovery became known, thousands sought to imitate him. It was understood that he was working with hard radiations, but just what was a mystery—whether as hard as the cosmic rays or as soft as the harder x– rays. Nevertheless, many charlatans claimed to be able to give immortality, and there were thousands of eager victims. It was a mania, a wave of lunacy. The laboratories of the tricksters were packed.

      "There were four directions of error to be made; those who had not Sair's secret, erred in all four. People who were treated with too hard radiations died; those treated with too soft rays simply became sterile. Those treated with the right rays, but for too long a time, remained themselves unchanged, but bore amphimorphs as children; those treated for too short a time bore Panate meta–morphs.

      "Can you imagine the turmoil? In a world just emerging from barbarism, still disorganized, of course some of the freaks survived. Near the sea coasts amphimorphs began to appear, and in lakes and rivers; while in the hills and forests the Children of Nature, the Panate type, went trouping through the wilderness."

      "But why weren't they exterminated?" asked Connor tensely. "You've bred out criminals. Why let these creatures exist. Why not kill them off?"

      "Would you favor such a measure?"

      "No," Connor said, adding in impassioned tone: "It would be nothing less than murder, even to kill the swimmers! Are they—intelligent?"

      "In a dim fashion. The amphimorphs are creatures cast back to the amphibious stage of the human embryo—just above the gilled period. The others, the Panates, are strange. Except for an odd claustrophobia, the fear of enclosed things—of houses or clothing—they're quite as intelligent as most of us. And they're comparatively harmless."

      Connor heaved a sigh of relief. "Then they aren't a problem?"

      "Oh, there were consequences," Jan said wryly. "Their women are often very beautiful, like the marble figures of nymphs dug up in Europe. There have been many cases like Evanie's. Many of us may have a drop or so of metamorphic blood. But it falls hardest on the first offspring, the hybrids, miserable creatures unable to endure civilized life, and often most unhappy in the wilds. Yet even these occasionally produce a genius. Evanie's grandfather is one."

      "What did he do?"

      "He was known as Montmerci the Anadominist, half human, half metamorph. Yet his was a powerful personality. He was strong enough to lead an abortive revolution against the Master. Both humans and metamorphs followed him. He even managed to direct a group of amphimorphs, who got into the city's water supply and erupted into the sewers by hundreds."

      "But what happened to the revolution?"

      "It was quickly suppressed," Jan said bitterly. "What could a horde armed with bows and knives do against the Rings and ionic beams of Urbs?"

      t "And Montmerci?"

      "He was executed—a rare punishment. But the Master realized the danger from this wild metamorph. A second attempt might have been successful. That's why Evanie hates Urbs so intensely."

      "Evanie!" Connor said musingly. "Tell me, what was it that led to her father's marrying a—a—"

      "A cross? Well, Evan Sair was like Evanie, a doctor. He came upon Meria, the daughter of Montmerci, down in the mountain region called Ozarky. He found her there sick just after the collapse of the uprising. So Evan Sair cared for her and fell in love with her. He brought her here to his home, and married her, but she soon began to weaken again from lack of the open woods and sun–light.

      "She died when Evanie was born, but she would have died anyway."

      Jan Orm paused and drew a long breath. "Now do you see why Evanie fears her own blood? Why she has driven away the youths who tried to arouse even friendship? She's afraid of the sleeping metamorphic nature in her, and needlessly afraid, since she's safely human. She has even tried to drive me away, but I refuse to be so driven. I understand."

      "So do I," said Connor soberly. "And I'm going to marry her."

      Jan Orm smiled dryly. "And if she thinks otherwise?"

      "Then I must convince her."

      Jan shook his head in mild wonderment. "Perhaps you can," he said, with the barest hint of reluctance. "There's something dynamic about you. In some ways you're like the Immortals of Urbs."

      When they reached the village Connor left Jan Orm and trudged in a deep reverie up Evanie's hill, musing on the curious revelations he had heard, analyzing his own feelings. Did he really love the bronze–haired Evanie? The query had never presented itself until Jan had put it to him, so bluntly, yet now he was certain he did. Admitting that, then—had he the right to ask her to marry a survival of the past, a revivified mummy, a sort of living fossil?

      What damage might that millennium of sleep have done him? Might he not awake some


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