The True Story vs. Myth of Witchcraft. William Godwin
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in their intercourse with “familiar spirits,” invisible beings who must be supposed to be enlisted in the armies of the prince of darkness. We do not read in these ancient memorials of any league of mutual benefit entered into between the merely human party, and his or her supernatural assistant. But modern times have amply supplied this defect. The witch or sorcerer could not secure the assistance of the demon but by a sure and faithful compact, by which the human party obtained the industrious and vigilant service of his familiar for a certain term of years, only on condition that, when the term was expired, the demon of undoubted right was to obtain possession of the indentured party, and to convey him irremissibly and for ever to the regions of the damned. The contract was drawn out in authentic form, signed by the sorcerer, and attested with his blood, and was then carried away by the demon, to be produced again at the appointed time.
Imps.
These familiar spirits often assumed the form of animals, and a black dog or cat was considered as a figure in which the attendant devil was secretly hidden. These subordinate devils were called Imps. Impure and carnal ideas were mingled with these theories. The witches were said to have preternatural teats from which their familiars sucked their blood. The devil also engaged in sexual intercourse with the witch or wizard, being denominated incubus, if his favourite were a woman, and succubus, if a man. In short, every frightful and loathsome idea was carefully heaped up together, to render the unfortunate beings to whom the crime of witchcraft was imputed the horror and execration of their species.
Talismans and Amulets.
As according to the doctrine of witchcraft, there were certain compounds, and matters prepared by rules of art, that proved baleful and deadly to the persons against whom their activity was directed, so there were also preservatives, talismans, amulets and charms, for the most part to be worn about the person, which rendered him superior to injury, not only from the operations of witchcraft, but in some cases from the sword or any other mortal weapon. As the poet says, he that had this,
Might trace huge forests and unhallowed heaths —
Yea there, where very desolation dwells,
By grots and caverns shagged with horrid shades,
nay, in the midst of every tremendous assailant, “might pass on with unblenched majesty,” uninjured and invulnerable.
Necromancy.
Last of all we may speak of necromancy, which has something in it that so strongly takes hold of the imagination, that, though it is one only of the various modes which have been enumerated for the exorcise of magical power, we have selected it to give a title to the present volume.
There is something sacred to common apprehension in the repose of the dead. They seem placed beyond our power to disturb. “There is no work, nor device, nor knowledge, nor wisdom in the grave.”
After life’s fitful fever they sleep well:
Nor steel, nor poison,
Malice domestic, foreign levy, nothing,
Can touch them further.
Their remains moulder in the earth. Neither form nor feature is long continued to them. We shrink from their touch, and their sight. To violate the sepulchre therefore for the purpose of unholy spells and operations, as we read of in the annals of witchcraft, cannot fail to be exceedingly shocking. To call up the spirits of the departed, after they have fulfilled the task of life, and are consigned to their final sleep, is sacrilegious. Well may they exclaim, like the ghost of Samuel in the sacred story, “Why hast thou disquieted me?”
There is a further circumstance in the case, which causes us additionally to revolt from the very idea of necromancy, strictly so called. Man is a mortal, or an immortal being. His frame either wholly “returns to the earth as it was, or his spirit,” the thinking principle within him, “to God who gave it.” The latter is the prevailing sentiment of mankind in modern times. Man is placed upon earth in a state of probation, to be dealt with hereafter according to the deeds done in the flesh. “Some shall go away into everlasting punishment; and others into life eternal.” In this case there is something blasphemous in the idea of intermedding with the state of the dead. We must leave them in the hands of God. Even on the idea of an interval, the “sleep of the soul” from death to the general resurrection, which is the creed of no contemptible sect of Christians, it is surely a terrific notion that we should disturb the pause, which upon that hypothesis, the laws of nature have assigned to the departed soul, and come to awake, or to “torment him before the time.”
Alchemy.
To make our catalogue of supernatural doings, and the lawless imaginations of man, the more complete, it may be further necessary to refer to the craft, so eagerly cultivated in successive ages of the world of converting the inferior metals into gold, to which was usually joined the elixir vitae, or universal medicine, having the quality of renewing the youth of man, and causing him to live for ever. The first authentic record on this subject is an edict of Dioclesian about three hundred years after Christ, ordering a diligent search to be made in Egypt for all the ancient books which treated of the art of making gold and silver, that they might without distinction be consigned to the flames. This edict however necessarily presumes a certain antiquity to the pursuit; and fabulous history has recorded Solomon, Pythagoras and Hermes among its distinguished votaries. From this period the study seems to have slept, till it was revived among the Arabians after a lapse of five or six hundred years.
It is well known however how eagerly it was cultivated in various countries of the world for many centuries after it was divulged by Geber. Men of the most wonderful talents devoted their lives to the investigation; and in multiplied instances the discovery was said to have been completed. Vast sums of money were consumed in the fruitless endeavour; and in a later period it seems to have furnished an excellent handle to vain and specious projectors, to extort money from those more amply provided with the goods of fortune than themselves.
The art no doubt is in itself sufficiently mystical, having been pursued by multitudes, who seemed to themselves ever on the eve of consummation, but as constantly baffled when to their own apprehension most on the verge of success. The discovery indeed appears upon the face of it to be of the most delicate nature, as the benefit must wholly depend upon its being reserved to one or a very few, the object being unbounded wealth, which is nothing unless confined. If the power of creating gold is diffused, wealth by such diffusion becomes poverty, and every thing after a short time would but return to what it had been. Add to which, that the nature of discovery has ordinarily been, that, when once the clue has been found, it reveals itself to several about the same period of time.
The art, as we have said, is in its own nature sufficiently mystical, depending on nice combinations and proportions of ingredients, and upon the addition of each ingredient being made exactly in the critical moment, and in the precise degree of heat, indicated by the colour of the vapour arising from the crucible or retort. This was watched by the operator with inexhaustible patience; and it was often found or supposed, that the minutest error in this respect caused the most promising appearances to fail of the expected success. This circumstance no doubt occasionally gave an opportunity to an artful impostor to account for his miscarriage, and thus to prevail upon his credulous dupe to enable him to begin his tedious experiment again.
But, beside this, it appears that those whose object was the transmutation of metals, very frequently joined to this pursuit the study of astrology, and even the practice of sorcery. So much delicacy and nicety were supposed to be required in the process for the transmutation of metals, that it could not hope to succeed but under a favourable conjunction of the planets; and the most flourishing pretenders to the art boasted that they had also a familiar intercourse with certain spirits of supernatural power, which assisted them in their undertakings, and enabled them to penetrate into things undiscoverable to mere human sagacity, and to predict future events.
Fairies.
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