The True Story vs. Myth of Witchcraft. William Godwin
Читать онлайн книгу.
he was the Most High God, the creator of heaven and earth, under one of the different forms by which he has in successive ages become incarnate, and made himself manifest to his creatures. He distinguished himself by the peculiarity of always wearing a thick and impervious veil, by which, according to his followers, he covered the dazzling splendour of his countenance, which was so great that no mortal could behold it and live, but that, according to his enemies, only served to conceal the hideousness of his features, too monstrously deformed to be contemplated without horror. One of his miracles, which seems the most to have been insisted on, was that he nightly, for a considerable space of time, caused an orb, something like the moon, to rise from a sacred well, which gave a light scarcely less splendid than the day, that diffused its beams for many miles around. His followers were enthusiastically devoted to his service, and he supported his authority unquestioned for a number of years. At length a more formidable opponent appeared, and after several battles he became obliged to shut himself up in a strong fortress. Here however he was so straitly besieged as to be driven to the last despair, and, having administered poison to his whole garrison, he prepared a bath of the most powerful ingredients, which, when he threw himself into it, dissolved his frame, even to the very bones, so that nothing remained of him but a lock of his hair. He acted thus, with the hope that it would be believed that he was miraculously taken up into heaven; nor did this fail to be the effect on the great body of his adherents. 148
Arabian Nights’ Entertainments.
The most copious record of stories of Asiatic enchantment that we possess, is contained in the Arabian Nights’ Entertainments; to which we may add the Persian Tales, and a few other repositories of Oriental adventures. It is true that these are delivered to us in a garb of fiction; but they are known to present so exact a picture of Eastern manners and customs, and so just a delineation of the follies, the weaknesses and credulity of the races of men that figure in them, that, in the absence of materials of a strictly historical sort of which we have to complain, they may not inadequately supply the place, and may furnish us with a pretty full representation of the ideas of sorcery and magic which for centuries were entertained in this part of the world. They have indeed one obvious defect, which it is proper the reader should keep constantly in mind. The mythology and groundwork of the whole is Persian: but the narrator is for the most part a Mahometan. Of consequence the ancient Fire-worshippers, though they contribute the entire materials, and are therefore solely entitled to our gratitude and deference for the abundant supply they have furnished to our curiosity, are uniformly treated in these books with disdain and contumely as unworthy of toleration, while the comparative upstart race of the believers in the Koran are held out to us as the only enlightened and upright among the sons of men.
Many of the matters most currently related among these supernatural phenomena, are tales of transformation. A lady has two sisters of the most profligate and unprincipled character. They have originally the same share of the paternal inheritance as herself. But they waste it in profusion and folly, while she improves her portion by good judgment and frugality. Driven to the extremity of distress, they humble themselves, and apply to her for assistance. She generously imparts to them the same amount of wealth that they originally possessed, and they are once more reduced to poverty. This happens again and again. At length, finding them incapable of discretion, she prevails on them to come and live with her. By wearisome and ceaseless importunity they induce her to embark in a mercantile enterprise. Here she meets with a prince, who had the misfortune to be born in a region of fire-worshippers, but was providentially educated by a Mahometan nurse. Hence, when his countrymen were by divine vengeance all turned into stones, he alone was saved alive. The lady finds him in this situation, endowed with sense and motion amidst a petrified city, and they immediately fall in love with each other. She brings him away from this melancholy scene, and together they go on board the vessel which had been freighted by herself and her sisters. But the sisters become envious of her good fortune, and conspire, while she and the prince are asleep, to throw them overboard. The prince is drowned; but the lady with great difficulty escapes. She finds herself in a desert island, not far from the place where she had originally embarked on her adventure; and, having slept off the fatigues she had encountered, beholds on her awaking a black woman with an agreeable countenance, a fairy, who leads in her hand two black bitches coupled together with a cord. These black bitches are the lady’s sisters, thus metamorphosed, as a punishment for their ingratitude and cruelty. The fairy conveys her through the air to her own house in Bagdad, which she finds well stored with all sorts of commodities, and delivers to her the two animals, with an injunction that she is to whip them every day at a certain hour as a further retribution for their crimes. This was accordingly punctually performed; and, at the end of each day’s penance, the lady, having before paid no regard to the animals’ gestures and pitiable cries, wept over them, took them in her arms, kissed them, and carefully wiped the moisture from their eyes. Having persevered for a length of time in this discipline, the offenders are finally, by a counter-incantation, restored to their original forms, being by the severities they had suffered entirely cured of the vices which had occasioned their calamitous condition.
Another story is of a calender, a sort of Mahometan monk, with one eye, who had originally been a prince. He had contracted a taste for navigation and naval discoveries; and, in one of his voyages, having been driven by stress of weather into unknown seas, he suddenly finds himself attracted towards a vast mountain of loadstone, which first, by virtue of the iron and nails in the ship, draws the vessel towards itself, and then, by its own intrinsic force, extracts the nails, so that the ship tumbles to pieces, and every one on board is drowned. The mountain, on the side towards the sea, is all covered with nails, which had been drawn from vessels that previously suffered the same calamity; and these nails at once preserve and augment the fatal power of the mountain. The prince only escapes; and he finds himself in a desolate island, with a dome of brass, supported by brazen pillars, and on the top of it a horse of brass, and a rider of the same metal. This rider the prince is fated to throw down, by means of an enchanted arrow, and thus to dissolve the charm which had been fatal to thousands. From the desolate island he embarked on board a boat, with a single rower, a man of metal, and would have been safely conveyed to his native country, had he not inadvertently pronounced the name of God, that he had been warned not to do, and which injunction he had observed many days. On this the boat immediately sunk; but the prince was preserved, who comes into a desolate island, where he finds but one inhabitant, a youth of fifteen. This youth is hid in a cavern, it having been predicted of him that he should be killed after fifty days, by the man that threw down the horse of brass and his rider. A great friendship is struck up between the unsuspecting youth and the prince, who nevertheless fulfils the prediction, having by a pure accident killed the youth on the fiftieth day. He next arrives at a province of the main land, where he visits a castle, inhabited by ten very agreeable young men, each blind of the right eye. He dwells with them for a month, and finds, after a day of pleasant entertainment, that each evening they do penance in squalidness and ashes. His curiosity is greatly excited to obtain an explanation of what he saw, but this they refuse, telling him at the same time, that he may, if he pleases, pass through the same adventure as they have done, and, if he does, wishing it may be attended with a more favourable issue. He determines to make the experiment; and by their direction, after certain preparations, is flown away with through the air by a roc, a stupendous bird, that is capable in the same manner of carrying off an elephant. By this means he is brought to a castle of the most extraordinary magnificence, inhabited by forty ladies of exquisite beauty. With these ladies he lives for eleven months in a perpetual succession of delights. But in the twelfth month they tell him, that they are obliged to leave him till the commencement of the new year. In the mean time they give him for his amusement the keys of one hundred apartments, all but one of which he is permitted to open. He is delighted with the wonders of these apartments till the last day. On that day he opens the forbidden room, where the rarity that most strikes him is a black horse of admirable shape and appearance, with a saddle and bridle of gold. He leads this horse into the open air, and is tempted to mount him. The horse first stands still; but at length, being touched with a switch, spreads a pair of wings which the prince had not before perceived, and mounts to an amazing height in the air. The horse finally descends on the terrace of a castle, where he throws his rider, and leaves him, having first dashed out his