The Complete Poems of Samuel Taylor Coleridge (Illustrated Edition). Samuel Taylor Coleridge
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THE HUMBLE COMPLAINT OF THE LOVER
If love be the genial sun of human nature, unkindly has he divided his rays [in acting] on me and my beloved! On her hath he poured all his light and splendour, and my being doth he permeate with his invisible rays of heat alone. She shines and is cold like the tropic fire-fly—I, dark and uncomely, would better resemble the cricket in hot ashes. My soul, at least, might be considered as a cricket eradiating the heat which gradually cinerising the heart produces the embers and ashes from among which it chirps out of its hiding-place.
N.B.—This put in simple and elegant verse, [would pass] as an imitation of Marini, and of too large a part of the madrigals of Guarini himself.
TRUTH
Truth per se is like unto quicksilver, bright, agile, harmless. Swallow a pound and it will run through unaltered and only, perhaps, by its weight force down impurities from out the system. But mix and comminute it by the mineral acid of spite and bigotry, and even truth becomes a deadly poison—medicinal only when some other, yet deadlier, lurks in the bones.
LOVE THE INEFFABLE
O! many, many are the seeings, hearings, of pure love that have a being of their own, and to call them by the names of things unsouled and debased below even their own lowest nature by associations accidental, and of vicious accidents, is blasphemy. What seest thou yonder? The lovely countenance of a lovely maiden, fervid yet awe-suffering with devotion—her face resigned to bliss or bale; or a bit of flesh; or, rather, that which cannot be seen unless by him whose very seeing is more than an act of mere sight—that which refuses all words, because words being, perforce, generalities do not awake, but really involve associations of other words as well as other thoughts—but that which I see, must be felt, be possessed, in and by its sole self! What! shall the statuary Pygmalion of necessity feel this for every part of the insensate marble, and shall the lover Pygmalion in contemplating the living statue, the heart-adored maiden, breathing forth in every look, every movement, the genial life imbreathed of God, grovel in the mire and grunt the language of the swinish slaves of the Circe, of vulgar generality and still more vulgar association? The Polyclete that created the Aphrodite καλλιπυγος, thought in acts, not words—energy divinely languageless— δια τον Λογον, ου συν επεσι, through the Word, not with words. And what though it met with Imp-fathers and Imp-mothers and Fiendsips at its christening in ts parents' absence!
THE MANUFACTURE OF PROPHESY
One of the causes of superstition, and also of enthusiasm, and, indeed, of all errors in matters of fact, is the great power with which the effect acts upon and modifies the remembrance of its cause, at times even transforming it in the mind. Let A have said a few words to B, which (by some change and accommodation of them to the event in the mind of B) have been remarkably fulfilled; and let B remind A of these words which he (A) had spoken, A will instantly forget all his mood, motive, and meaning, at the time of speaking them, nay, remember words he had never spoken, and throw back upon them, from the immediate event, an imagined fulfillment, a prophetic grandeur—himself, in his own faith, a seer of no small inspiration. We yet want the growth of a prophet and self-deceived wonder-worker step by step, through all the stages; and, yet, what ample materials exist for a true and nobly-minded psychologist! For, in order to make fit use of these materials, he must love and honour as well as understand human nature—rather, he must love in order to understand it.
THE CAPTIVE BIRD May 16th, 1808
O that sweet bird! where is it? It is encaged somewhere out of sight; but from my bedroom at the Courier office, from the windows of which I look out on the walls of the Lyceum, I hear it at early dawn, often, alas! lulling me to late sleep—again when I awake and all day long. It is in prison, all its instincts ungratified, yet it feels the influence of spring, and calls with unceasing melody to the Loves that dwell in field and greenwood bowers, unconscious, perhaps, that it calls in vain. O are they the songs of a happy, enduring day-dream? Has the bird hope? or does it abandon itself to the joy of its frame, a living harp of Eolus? O that I could do so!
Assuredly a thrush or blackbird encaged in London is a far less shocking spectacle, its encagement a more venial defect of just feeling, than (which yet one so often sees) a bird in a gay cage in the heart of the country—yea, as if at once to mock both the poor prisoner and its kind mother, Nature—in a cage hung up in a tree, where the free birds after a while, when the gaudy dungeon is no longer a scare, crowd to it, perch on the wires, drink the water, and peck up the seeds. But of all birds I most detest to see the nightingale encaged, and the swallow, and the cuckoo. Motiveless! monstrous! But the robin! O woes' woe! woe!—he, sweet cock-my-head-and-eye, pert-bashful darling, that makes our kitchen its chosen cage.
ARCHITECTURE AND CLIMATE
If we take into consideration the effect of the climates of the North, Gothic, in contra-distinction to Greek and Græco-Roman architecture, is rightly so named. Take, for instance, a rainy, windy day, or sleet, or a fall of snow, or an icicle-hanging frost, and then compare the total effect of the South European roundnesses and smooth perpendicular surface with the ever-varying angles and meeting-lines of the North-European or Gothic styles.
[The above is probably a dropped sentence from the report of the First or Second Lecture of the 1818 series. See Coleridge's Works (Harper and Brothers, 1853), iv. 232-239.]
NEITHER BOND NOR FREE
The demagogues address the lower orders as if they were negroes—as if each individual were an inseparable part of the order, always to remain, nolens volens, poor and ignorant. How different from Christianity, which for ever calls on us to detach ourselves spiritually not merely from our rank, but even from our body, and from the whole world of sense!
THE MAIDEN'S PRIMER
The one mighty main defect of female education is that everything is taught but reason and the means of retaining affection. This—this—O! it is worth all the rest told ten thousand times:—how to greet a husband, how to receive him, how never to recriminate—in short, the power of pleasurable thoughts and feelings, and the mischief of giving pain, or (as often happens when a husband comes home from a party of old friends, joyous and full of heart) the love-killing effect of cold, dry, uninterested looks and manners.
THE HALFWAY HOUSE Wednesday night, May 18th, 1808
Let me record the following important remark of Stuart, with whom I never converse but to receive some distinct and rememberable improvement (and if it be not remembered, it is the defect of my memory—which, alas! grows weaker daily—or a fault from my indolence in not noting it down, as I do this)—that there is a period in a man's life, varying in various men, from thirty-five to forty-five, and operating most strongly in bachelors, widowers, or those worst and miserablest widowers, unhappy husbands, in which a man finds himself at the top of the hill, and having attained, perhaps, what he wishes, begins to ask himself, What is all this for?—begins to feel the vanity of his pursuits, becomes half-melancholy, gives in to wild dissipation or self-regardless drinking; and some, not content with these (not slow) poisons, destroy themselves, and leave their ingenious female or female-minded friends to fish out some motive for an act which proceeded from a motive-making impulse, which would have acted even without a motive (even as the terror5 in nightmare is a bodily sensation, and though it most often calls up consonant images, yet, as I know by experience, can take effect equally without any); or, if not so, yet like gunpowder in a smithy, though it will not go off without a spark, is sure to receive one, if not this hour, yet the next. I had felt this truth, but never saw it before clearly: it came upon me at Malta under the melancholy, dreadful feeling of finding myself to be man, by a distinct division from boyhood, youth, and "young man." Dreadful was the feeling—till then life had flown so that I had always been a boy, as it were; and this sensation had blended in all my conduct, my willing acknowledgment of superiority, and, in truth, my meeting every person as a superior at the first moment. Yet if men survive this period, they commonly become cheerful