The Flying Inn. G. K. Chesterton
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in which nothing can be believed—not even one’s own eyes. There was no sign, nor sign of a sign, in the landscape.
On the withered face of the old man Marne there was a faint renewal of that laughter that has slept since the Middle Ages.
CHAPTER VI
THE HOLE IN HEAVEN
That delicate ruby light which is one of the rarest but one of the most exquisite of evening effects warmed the land, sky and seas as if the whole world were washed in wine; and dyed almost scarlet the strong red head of Patrick Dalroy as he stood on the waste of furze and bracken, where he and his friends had halted. One of his friends was re-examining a short gun, rather like a double-barrelled carbine, the other was eating thistles.
Dalroy himself was idle and ruminant, with his hands in his pockets and his eye on the horizon. Landwards the hills, plains and woods lay bathed in the rose-red light; but it changed somewhat to purple, to cloud and something like storm over the distant violet strip of sea. It was towards the sea that he was staring.
Suddenly he woke up; and seemed almost to rub his eyes, or at any rate, to rub his red eyebrow.
“Why, we’re on the road back of Pebblewick,” he said. “That’s the damned little tin chapel by the beach.”
“I know,” answered his friend and guide. “We’ve done the old hare trick; doubled, you know. Nine times out of ten it’s the best. Parson Whitelady used to do it when they were after him for dog-stealing. I’ve pretty much followed his trail; you can’t do better than stick to the best examples. They tell you in London that Dick Turpin rode to York. Well, I know he didn’t; for my old grandfather up at Cobble’s End knew the Turpins intimately—threw one of them into the river on a Christmas day; but I think I can guess what he did do and how the tale got about. If Dick was wise, he went flying up the old North Road, shouting ‘York! York!’ or what not, before people recognised him; then if he did the thing properly, he might half an hour afterwards walk down the Strand with a pipe in his mouth. They say old Boney said, ‘Go where you aren’t expected,’ and I suppose as a soldier he was right. But for a gentleman dodging the police like yourself, it isn’t exactly the right way of putting it. I should say, ‘Go where you ought to be expected’—and you’ll generally find your fellow creatures don’t do what they ought about expecting any more than about anything else.”
“Well, this bit between here and the sea,” said the Captain, in a brown study, “I know it so well—so well that—that I rather wish I’d never seen it again. Do you know,” he asked, suddenly pointing to a patch and pit of sand that showed white in the dusky heath a hundred yards away, “do you know what makes that spot so famous in history?”
“Yes,” answered Mr. Pump, “that’s where old Mother Grouch shot the Methodist.”
“You are in error,” said the Captain. “Such an incident as you describe would in no case call for special comment or regret. No, that spot is famous because a very badly brought up girl once lost a ribbon off a plait of black hair and somebody helped her to find it.”
“Has the other person been well brought up?” asked Pump, with a faint smile.
“No,” said Dalroy, staring at the sea. “He has been brought down.” Then, rousing himself again, he made a gesture toward a further part of the heath. “Do you know the remarkable history of that old wall, the one beyond the last gorge over there?”
“No,” replied the other, “unless you mean Dead Man’s Circus, and that happened further along.”
“I do not mean Dead Man’s Circus,” said the Captain. “The remarkable history of that wall is that somebody’s shadow once fell on it; and that shadow was more desirable than the substance of all other living things. It is this,” he cried, almost violently, resuming his flippant tone, “it is this circumstance, Hump, and not the trivial and everyday incident of a dead man going to a circus to which you have presumed to compare it, it is this historical event which Lord Ivywood is about to commemorate by rebuilding the wall with solid gold and Greek marbles stolen by the Turks from the grave of Socrates, enclosing a column of solid gold four hundred feet high and surmounted by a colossal equestrian statue of a bankrupt Irishman riding backwards on a donkey.”
He lifted one of his long legs over the animal, as if about to pose for the group; then swung back on both feet again, and again looked at the purple limit of the sea.
“Do you know, Hump,” he said, “I think modern people have somehow got their minds all wrong about human life. They seem to expect what Nature has never promised; and then try to ruin all that Nature has really given. At all those atheist chapels of Ivywood’s they’re always talking of Peace, Perfect Peace, and Utter Peace, and Universal Joy and souls that beat as one. But they don’t look any more cheerful than anyone else; and the next thing they do is to start smashing a thousand good jokes and good stories and good songs and good friendships by pulling down ‘The Old Ship.’ ” He gave a glance at the loose signpost lying on the heath beside him, almost as if to reassure himself that it was not stolen. “Now it seems to me,” he went on, “that this is asking for too much and getting too little. I don’t know whether God means a man to have happiness in that All in All and Utterly Utter sense of happiness. But God does mean a man to have a little Fun; and I mean to go on having it. If I mustn’t satisfy my heart, I can gratify my humour. The cynical fellows who think themselves so damned clever have a sort of saying, ‘Be good and you will be happy; but you will not have a jolly time.’ The cynical fellows are quite wrong, as they generally are. They have got hold of the exact opposite of the truth. God knows I don’t set up to be good; but even a rascal sometimes has to fight the world in the same way as a saint. I think I have fought the world; et militavi non sine—what’s the Latin for having a lark? I can’t pretend to Peace and Joy, and all the rest of it, particularly in this original briar-patch. I haven’t been happy, Hump, but I have had a jolly time.”
The sunset stillness settled down again, save for the cropping of the donkey in the undergrowth; and Pump said nothing sympathetically; and it was Dalroy once more who took up his parable.
“So I think there’s too much of this playing on our emotions, Hump; as this place is certainly playing the cat and banjo with mine. Damn it all, there are other things to do with the rest of one’s life! I don’t like all this fuss about feeling things—it only makes people miserable. In my present frame of mind I’m in favour of doing things. All of which, Hump,” he said with a sudden lift of the voice that always went in him with a rushing, irrational return of merely animal spirits—“All of which I have put into a Song Against Songs, that I will now sing you.”
“I shouldn’t sing it here,” said Humphrey Pump, picking up his gun and putting it under his arm. “You look large in this open place; and you sound large. But I’ll take you to the Hole in Heaven you’ve been talking about so much, and hide you as I used to hide you from that tutor—I couldn’t catch his name—man who could only get drunk on Greek wine at Squire Wimpole’s.”
“Hump!” cried the Captain, “I abdicate the throne of Ithaca. You are far wiser than Ulysses. Here I have had my heart torn with temptations to ten thousand things between suicide and abduction, and all by the mere sight of that hole in the heath, where we used to have picnics. And all that time I’d forgotten we used to call it the Hole in Heaven. And, by God, what a good name—in both senses.”
“I thought you’d have remembered it, Captain,” said the innkeeper, “from the joke young Mr. Matthews made.”
“In the heat of some savage hand to hand struggle in Albania,” said Mr. Dalroy, sadly, passing his palm across his brow, “I must have forgotten for one fatal instant the joke young Mr. Matthews made.”
“It wasn’t very good,” said Mr. Pump, simply. “Ah, his aunt was the one for things like that. She went too far with old Gudgeon, though.”